Author: kiwi

  • What to Watch This Week | 9 Recent Picks Worth Your Time

    What to Watch This Week | 9 Recent Picks Worth Your Time

    ☕️ TL;DR

    Recent recommendations: [Film] 100 Meters., [UK series] The Night Manager Season 2, [UK series] All Creatures Great and Small: 2025 Christmas Special, [UK series] A Ghost Story for Christmas: The House in the Tower, [Animation] Kaguya-sama: Love Is War – The Stairway to Adulthood, [Animation] There’s No Way I Can Have a Lover! (Or Maybe There Is!?) ~Shining Again!~, [Documentary] Eighty Years After the War, [Reality show] Culinary Class Wars: Black & White Chef Season 2, [Reality show] Manhattan Gold Brokers Season 2

    A few notable trailers: new trailer for Avengers 5, first trailer for The Death of Robin Hood, first trailer for The Crowd, and the first trailer for the film Burst Pipe

    A few pieces of film & TV news: The Shining confirmed for release, Green Liquid Panic confirmed for release, Safe Haven confirmed for release, My Friend Andrei scheduled for January 17

    👀 N Picks This Week

    Based on reader feedback, if a recommendation involves spoilers (revealing key elements such as the core plot, hidden threads, foreshadowing, or the ending), we will add a 🔦 emoji before the title.

    You can find past recommendations here or by clicking the tag #WhatToWatch at the end of the article. For more themed watchlists, click here; for more in-depth film and TV content, feel free to follow our spin-off column “What to Watch Café.” If you have other suggestions, you’re welcome to leave them in the comments. Thank you for your continued love and support for the “What to Watch” column.

    [Film] 100 Meters.

    • Keywords: manga adaptation / drama / sports / inspirational
    • Also known as: ひゃくえむ。 / Hyakuemu. / 100 Meters
    • Runtime: 106 minutes
    • Where to watch: Netflix; Douban link

    If you can run faster than everyone else, you can solve any problem.

    @SHY: Naturally gifted at running, the boy Tomita believes this is where the value of his life lies. After meeting Komiya, who runs as a way to escape reality, the two gradually build a friendship—until Komiya transfers schools once again. Years later, Tomita, who once gave up, and Komiya, who never stopped training, reunite on the track. What kind of outcome will they face?

    You might have first heard the name of manga artist Uoto from Orb: On the Movements of the Earth. Compared with that work’s relay across generations, his debut manga 100 Meters. measures a life-or-death sprint within the span of just ten seconds. On the starting line, every athlete has a reason they cannot lose, and different obstacles they must overcome. And at the far end of both talent and hard work, perhaps by returning to the starting point, they may finally reconcile with themselves and learn to savor the act of giving it their all.

    Director Kenji Iwai, who helmed the animated adaptation, deeply understands the spirit of this story. He once spent more than seven years, almost single-handedly, completing the animated feature On-Gaku: Our Sound, and he continues to use the live-action rotoscoping technique here as well. Rough, rhythm-shaking lines sketch out a breathtaking long take in the rain, carving out vivid character arcs. The collision of two creators who both pursue their craft to the extreme has given birth to this powerful animated film—one that draws out a genuine sense of motivation and forward drive from its audience.

    [UK Series] The Night Manager Season 2

    • Keywords: suspense / crime
    • Also known as: The Night Manager Season 2
    • Runtime: about 60 minutes per episode × 6 episodes
    • Where to watch: Prime Video; Douban link

    @利兹与青鸟: Jonathan is recruited from his job as a hotel night manager to become a frontline MI6 agent, going undercover at the side of arms dealer Richard and, after countless dangers, bringing him to justice. Ten years have passed since the first season aired, and the story of season two is set eight years after the previous installment. His former superior, Angela, reveals that Richard has died unexpectedly in prison. Relieved, Jonathan changes his name to Alex and becomes the leader of the “Night Owl” surveillance unit, responsible for intelligence work, yet his past experiences still haunt him. When he accidentally uncovers remnants of Richard’s network, he is once again plagued by sleepless nights and even launches a private investigation without his superiors’ approval.

    The series moves at a brisk pace and gets straight to the point, using cross-cutting to establish the background. Tom Hiddleston delivers a solid performance, staging a somber, hard-edged tale of espionage and revenge in London. The opening episode’s tracking, surveillance, and wiretapping sequences are deeply engaging. As the investigation unfolds, it turns out that officials within MI6 are also implicated, raising the difficulty of the case to another level. The two sides are evenly matched: Jonathan’s team is quickly set up, suffering heavy casualties that keep viewers on edge, while Jonathan once again follows the same path as in season one, infiltrating the enemy as an undercover agent. Overall, the viewing experience and production quality are in no way inferior to the first season. A third season has already been renewed, so fans of the series should not miss it.

    [UK Series] All Creatures Great and Small: 2025 Christmas Special

    • Keywords: drama
    • Also known as: All Creatures Great and Small: 2025 Christmas Special
    • Runtime: 55 minutes; Douban link

    The first Christmas after the war is both special and ordinary.

    @Sholmes: Yorkshire welcomes its first Christmas since the end of the war, and everyone is still adjusting to a new rhythm of life. Helen is bedridden with illness, while James is busy rehearsing for a Christmas performance and stretched thin. Mrs. Pumphrey, however, shows up with Tricki and insists on giving him hormone injections. Mrs. Stockes’s goat is poisoned, prompting Siegfried to rush out on an emergency call, only to reunite with Dorothy after returning home. Tristan forgets to prepare a Christmas tree for Maggie, and has to enlist Charlotte’s help to “steal” one. Turkeys have become a scarce commodity, so Mrs. Hall decides to enter the pub’s darts competition to win one to take home—only to run into unexpectedly strong opponents.

    For farmers, animals’ needs never pause, whether it is a holiday or not, so Christmas is essentially no different from any other day. But for people who have endured a long war, there is an urgent need for release, a chance to let out emotions that have been bottled up for far too long. It is within this tension that the holiday becomes especially meaningful. The Christmas special deftly weaves together the veterinarians’ daily calls with people’s anticipation of the festivities, juxtaposing the responsibility of caring for life with the joy of regaining warmth in living. With restraint and tenderness, it recreates the singular atmosphere of that postwar Christmas. Only after loss do people truly learn to cherish the present moment, and the ones who are still by their side.

    [UK Series] A Ghost Story for Christmas: The Room in the Tower

    • Keywords: drama / thriller / horror
    • Also known as: A Ghost Story for Christmas: The Room in the Tower
    • Runtime: 29 minutes; Douban link

    “I’ve left the room in the tower for you.”

    @潘誉晗: A sudden air raid forces everyone to take shelter in an air-raid bunker, including a woman who had originally planned to spend the time listening to music. While hiding, she strikes up a conversation with a man named Roger to mask her inner unease. When the topic of dreams comes up, Roger reveals his torment. He has been haunted by the same dream over and over again: in it, the mother of his friend, Mrs. Stone, always appears, and she always says to him, “I’ve left the tower for you.”

    In recent years, the BBC has aired a horror short adapted from a novel every Christmas Day, directed by Mark Gatiss (Mycroft in Sherlock). Although each episode runs for only about half an hour, they are exceptionally strong in atmosphere, enough to leave viewers unsettled, with a chill creeping up their spine.

    Countryside settings, old mansions, towers, abandoned houses, murals… the architecture and elements are steeped in classic British style, archaic and elegant, as if imbued with a strange magic that pulls you straight into the terrifying story. The protagonist recounts his experiences in an extremely calm and restrained voice, creating a sharp contrast with the festive timing of Christmas, and making the seemingly predestined ending feel all the more bleak and hopeless.

    [Animation] Kaguya-sama: Love Is War – Stairway to Adulthood

    • Keywords: manga adaptation / school / romance / comedy
    • Also known as: かぐや様は告らせたい 大人への階段 / Kaguya-sama: Love Is War -Stairway to Adulthood-
    • Runtime: about 26 minutes per episode × 2 episodes
    • Where to watch: Bahamut Anime; Douban link

    And then… they were gone!

    @SHY: The battle of wits in love between these geniuses has come to a temporary close, and the first kiss that would never end has become a thing of the past. Now that they are officially dating, Kaguya and Shirogane can finally open their hearts to each other. Yet stories are never without twists. As time moves to the eve of Shirogane’s departure to study abroad, the two spend a night together—can they step onto the stairway to adulthood?

    A good adaptation stays true to the original; a great one transcends it. “Kaguya” undoubtedly belongs to the latter. Although the reputation of the original author, Aka Akasaka, has long since taken a nosedive, director Mamoru Hatakeyama and A-1 Pictures have brought extraordinary passion to deliver what can only be described as a miraculous revival. Building on the manga, this adaptation discards the dross and keeps the essence, skipping the heavily criticized arcs and, through perfectly judged rewrites, presents the decisive moments fans have been longing for—everything exactly as beautiful as it lives in their memories.

    To smooth out the awkwardness in continuity, the anime jumps forward to a point after everything has settled, letting Kaguya, while organizing photo albums, open up sealed memories and naturally piece together fragments scattered across the story. Beyond the usual fun episodic segments, the development between Kaguya and Shirogane is the true highlight, with an overdose of sweetness that makes it impossible not to smile. This thoughtfully crafted New Year’s gift remains an unsurpassable peak of the school romance comedy genre, and one can only hope that the upcoming theatrical finale with an original storyline will bring the series to a perfect close.

    [Animation] There’s No Way I Can Be Your Lover, No Way! (※Or Maybe It Is Possible!?) ~Next Shine!~

    • Keywords: light novel adaptation / school / romance / comedy
    • Also known as: わたしが恋人になれるわけないじゃん、ムリムリ!(※ムリじゃなかった!?)〜ネクストシャイン!〜
    • Runtime: 24 minutes per episode × 5 episodes; Douban link

    You are all my wings!

    @SHY: After receiving a confession from Ajisai, Renako once again chooses to run away, unable to make up her mind. Faced with tangled emotions and unwilling to hurt anyone, how is she supposed to make a choice? Meanwhile, after being completely absent for an entire season, a mysterious blue-haired background character suddenly storms onto the battlefield as a “childhood friend out of nowhere.” Surrounded by a pack of love rivals, can she finally shed her status as a mere side character?

    As last year’s most talked-about yuri anime, affectionately given countless nicknames by content creators, “Lover? No Way” has arrived right on schedule with a pseudo-sequel. As early as the project’s planning stage, the creators realized that a single cour would be far from enough to fully capture the essence of the original work. They ultimately opted for an unconventional 17-episode structure, adapting the story at a more suitable pace up to volume four of the novels. This installment carries on the TV series’ strengths: generally solid animation and the voice actors’ outstanding performances maintain a similarly high level of overall quality.

    While the fun factor hasn’t dropped at all, the already tangled web of relationships grows even more complicated. Fortunately, the multiple storylines are handled well, successfully bringing a whole cast of characters to life. Standing on stage and delivering explosive declarations, Renako fully embraces her path as the “trashy pink-haired girl,” generating an endless supply of reaction images and meme-worthy moments. This delightfully off-the-rails chaotic romantic comedy can’t help but make you sigh: you guys living your lives properly is more important than anything else—now please hurry up and greenlight a real sequel.

    [Documentary] Eighty Years After the War

    • Keywords: documentary / history
    • Runtime: 172 minutes
    • Where to watch: Bilibili (Shipindao “Support Plan,” paid); Douban link

    I truly hope for world peace!

    @潘誉晗: It was a Monday. Chieko Kiriaki had planned to go to the hospital for an examination and treatment. Because she had spent years standing at work, her legs were injured. When she reached the riverside, overcome by heat and pain, she decided to stop and rest for a moment. Just as she found a shady eave to take shelter under, a blinding flash filled her vision. That day was August 6, 1945, in Hiroshima.

    After finishing Ryukyu in a Single Thought, the Shipindao team felt that the topic of Japan deserved another in-depth exploration. What, exactly, has made this country so divided, contradictory, and distorted? An even more remarkable coincidence is that Eighty Years After the War was filmed during the transition between the terms of Prime Ministers Shigeru Ishiba and Sanae Takaichi.

    The opening, in which Hiroshima atomic bomb survivors slowly recount their experiences, already leaves one speechless. The subsequent appearance of anti-war activists further sets the documentary’s solemn tone. Sadly, the protest calling on the government to acknowledge its historical wrongdoings sees very few young faces. From this entry point, the film unfolds a sweeping narrative touching on Japan’s aggression, defeat, and reconstruction, while also leaving behind a question that seems difficult to answer: over these eighty years, has Japan truly remembered?

    [Reality Show] Culinary Class Wars Season 2

    • Keywords: reality show / food
    • Also known as: Culinary Class Wars Season 2
    • Runtime: about 81 minutes per episode × 13 episodes
    • Where to watch: Netflix; Douban link

    Perfect fuel for a meal—so hype.

    @潘誉晗: Riding on its stellar word of mouth and the long-tail impact of the participating chefs’ restaurants, the reality show Culinary Class Wars returned with its second season last month. This season continues the core concept of “a war between culinary classes” from the first installment, while introducing a slight tweak to the competition rules: in the opening round, there are 18 “White Spoons” (celebrity chefs), 80 “Black Spoons” (lesser-known cooks), and two hidden white chefs. For every white chef who advances, one additional black chef slot opens up—so in this season, how many white chefs move forward directly determines how many black chefs get the chance to advance.

    Korean variety shows are truly masters at reinventing formats and controlling the rhythm of competition. At its core, this is simply a cooking contest, but by layering in a class-based rivalry, the whole event becomes tense and thrilling. Beyond the fast-paced battles and the chefs sharing their techniques on screen, the chefs’ own personalities are a huge draw. The White Spoons brim with confidence, but the Black Spoons—despite being nobodies in the industry—never sell themselves short. Here, taste is the only answer.

    [Reality Show] Owning Manhattan Season 2

    • Keywords: reality show
    • Also known as: Owning Manhattan Season 2
    • Runtime: 38–48 minutes per episode × 8 episodes
    • Where to watch: Netflix; Douban link

    I’m not selling houses—I’m selling emotional value.

    @潘誉晗: New York real estate mogul Ryan Serhant is back. In this season, he continues to lead his famous brokerage firm in its charge toward becoming “New York’s number one real estate company.” At the same time, his agents, as luxury property specialists, are doing everything they can to sell the homes in their portfolios.

    They say insiders watch for the craft, while outsiders watch for the spectacle. If season one’s popularity let ordinary viewers glimpse how ultra-luxury properties are bought and sold in New York, this time it’s easy to be impressed by Ryan and his team’s sheer professional competence. Take Ryan’s recruiting strategy, for example: instead of offering higher pay, he tells candidates that he has an extremely difficult listing in hand. As a leader in the industry, once you’ve reached this level, money alone is no longer enough as bait. The higher you stand and the farther you see, the more challenging the project, the greater the sense of extraordinary achievement when it succeeds. Add to that going all-in to hit sales targets, fierce competition over the same listings, and other high-stakes maneuvers, and it all plays out like a dramatic TV series packed with highlights.

    Is this a tour of luxury homes? No—this is real competition in the workplace.

    More

    [Film] Olivia and the Clouds
    @SHY: Clouds are elusive, and so is love. Olivia, still immersed in an old romance, hides away a bouquet of flowers, and a hallucinatory journey begins. This is the feature-length animation debut of Dominican director Tomás Pichardo-Espaillat, a project that took ten years to complete and bears witness to the growth of the local animation industry. The film boldly combines sketching, collage, live action, and other techniques, using surreal storytelling to convey the unique charm of the Caribbean. The story may feel somewhat obscure, but its lively visuals are brimming with vibrant life.

    [Film] Chutard Manor
    @SHY: In 1931, as the British Empire slips into decline, the Davenport family at Chutard Manor struggles to preserve its former glory. After a wedding full of unexpected twists, Lord Davenport, still without an heir, suddenly dies, pushing the family’s fate to the brink. When the British start poking fun at themselves, no one else stands a chance—this pun-filled comedy specializes in shameless jokes and spares no effort in parodying everything from Downton Abbey to Tolkien. There’s bound to be at least one moment that will make you burst out laughing.

    [Film] Eternal Station
    @Sholmes: After dying of cancer, Joan arrives at a transit station that connects different eternal worlds, where everyone must decide where they will spend eternity. There, she encounters her current husband, Larry, and also reunites with Luke, her first husband who died in the war. Both men want to spend eternity with her, and Joan must choose between them. With the fantastical setting of an eternal transit station, the film explores the struggles people face when confronted with love, death, and choice.

    [UK Series] Dangerous Pursuit
    @Sholmes: After a fierce argument with her parents, Simon’s daughter Peggy runs away from home. During a chance encounter in a park, Simon tries to persuade her to return, but is stopped by her boyfriend, Aaron. Not long after, Aaron is brutally murdered, and Simon quickly becomes the police’s prime suspect. At the same time, a series of murders occurs in succession, and behind them seems to lie a carefully planned, goal-driven serial killing scheme. The plot advances layer by layer, with constant twists and turns, as the truth gradually emerges from the fog, making for a highly gripping watch.

    [US Series] I Love Los Angeles
    @潘誉晗: This new HBO series is set in Los Angeles and follows five friends—Maya, Charlie, Dylan, Tallulah, and Alani—who reunite in the city after many years apart. Each of them is struggling and pushing forward in their own careers, while also supporting one another, yet their way of getting along is rather strange: one moment they are warmly close, and the next they are tearing into each other. With brisk, half-hour episodes, this urban ensemble drama has a light rhythm that resonates well with the mindset of today’s young adults.

    [Japanese Series] The Solitary Gourmet: 2025 New Year’s Eve Special
    @Sholmes: Goro Inogashira is tasked with preparing special rice balls for a year-end event and sets out on a journey to find high-quality rice and ingredients. From Sado Island in Niigata to Yonezawa in Yamagata, he travels through the winter cold, never forgetting to stop and savor the simple, heartwarming local dishes along the way, ultimately completing his mission under the pressure of time. Goro’s culinary journey can be summed up in a haiku: Blanched anglerfish slices, Deeply warming the temple of the five viscera, Winter on Sado. Working overtime at the end of the year is indeed exhausting, but thankfully, there is always good food to soothe the soul.

    [Japanese Series] Shall We Have Curry Today Too?
    @利兹与青鸟: Newly arrived in Tokyo, Chinatsu happens to meet Natsumi, who is heading to the same curry shop—only to discover that she is actually her former college roommate. Thus begins the bond between two curry lovers and their shared journey of exploring curry restaurants. Rich North Indian curry with naan, Pakistani-style curry, Japanese curry—each bite feels like stepping into a fantasy world. Alongside introductions to the characteristics and flavors of various curries, the show also weaves in the daily life of four college dormmates. Lively in style, it’s perfect for watching while eating.

    [Japanese Series] Kazama Kimichika: Reunion
    @Sholmes: The story centers on police academy instructor Kazama Kimichika. A new class of cadets enters the academy and is put to the test under Kazama’s nearly ruthless training. Through high-pressure environments and psychological trials, he forces them to confront their own weaknesses, lies, and fears. Several former trainees who once graduated under his guidance reunite and fight alongside him in the search for a key figure. The film interweaves personal growth with professional duty, offering a profound examination of the price one must pay to become a police officer.

    [Korean Series] Judge Lee Han-young
    @利兹与青鸟: After being wrongfully killed in a major case, Judge Lee Han-young unexpectedly reincarnates at the scene of the very first trial he ever presided over alone. Not yet understanding what is happening, he excitedly sentences a would-be thief to death on the spot. Adapted from a web novel of the same name, the series shifts back and forth between a serious tone and a high-school-like style. Ji Sung’s performance is delicate and spot-on, and utterly charming. Lee Han-young attempts to use his memories to prevent one murder after another from happening. Whether he acts as an angel of justice or a devil of vigilantism, one thing is certain—it’s immensely satisfying.

    [Chinese Series] Uncle
    @潘誉晗: Told from the perspective of his nephew, Huo Xiaoyang, the series portrays the life of his uncle, Huo Guoming. In Northeast China in the 1990s, amid a wave of layoffs, Cui Guoming begins his transformation from a key technician at a state-owned factory to someone who quits to go into business and start his own venture. Along the way, there are laughter and tears, as well as personal growth and transformation. Rich in a sense of its era, the series depicts the ups and downs of ordinary people to carve out a deeply moving portrait of family affection, while also reflecting the imprint of an entire generation.

    📅 New Trailers This Week

    New trailer for Avengers 5

    The film Avengers 5: Doomsday has released two new in-theater trailers in succession, announcing the return of Thor and the X-Men. Directed by the Russo brothers and starring Chris Hemsworth, Ian McKellen, Patrick Stewart, Chris Evans, Robert Downey Jr., Pedro Pascal, Vanessa Kirby, and more, the film is set to open in North America on December 18. Source

    First trailer for The Death of Robin Hood

    On January 6, A24 released the first trailer for The Death of Robin Hood, which is scheduled to premiere in North America in 2026. Directed by Kerr Sarnoski and starring Hugh Jackman, Jodie Comer, Bill Skarsgård, and others, the film follows a battle-hardened, solitary Robin Hood who discovers he is gravely wounded and falls into the hands of a mysterious woman, who offers him a chance at redemption. Source

    First trailer for The Crowd

    On January 6, the film The Crowd unveiled its first trailer and is set to be released in South Korea this May. Written and directed by Yeon Sang-ho (Train to Busan) and starring Jun Ji-hyun, Koo Kyo-hwan, Ji Chang-wook, Shin Hyun-been, Kim Shin-rok, Go Soo, and others, the story centers on survivors trapped inside a building after an unknown infection outbreak, fighting for their lives against infected beings that evolve in unpredictable forms. Source

    First trailer released for the film Burst Pipe

    On January 5, the crime comedy Burst Pipe released its first trailer. The film is directed by Zhou Difei and stars Eddie Peng, Allen Ai, Zhou You, and Yan Peilun, with special appearances by Yang Haoyu, Jiang Xueming, Fu Hang, Pan Binlong, and Bu Yu, and featuring Zhang Qi, Huang Yan, Xu Dong, and Yang Zhen, with guest appearances by Zhou Yanchen, Liu Yichun, Jing Ci, and Ai Ran. It is scheduled to be released on January 23.

    More

    New trailer for the animated film Radiant Princess Beyond Time!: Directed by Seigo Yamashita, produced by Studio Colorido and Studio Chromato, with music created by renowned artists including ryo (supercell), kz (livetune), 40mP, HoneyWorks, Aqu3ra, yuigot, and more. Inspired by The Tale of the Bamboo Cutter, it will premiere on Netflix on January 22. Source

    Official trailer for Marvel’s new series Wonder Man: Starring Yahya Abdul-Mateen II as “Black Manta,” with Ben Kingsley reprising his role as the failed actor Trevor Slattery. A retired director returns to filmmaking for a new project, drawing in superhero-actor trainees, washed-up veterans, and opportunistic agents eager to ride the hype. The series will launch on Disney+ on January 27. Source

    Official trailer for the series Beautiful Poison: Directed by Ryan Murphy (American Horror Story) and starring Evan Peters, Rebecca Hall, Ashton Kutcher, Jeremy Pope, and others. A disease known as “Beauty” begins to spread rapidly—a virus that makes people more beautiful, but is ultimately deadly. Streaming on Disney+ from January 21. Source

    Final trailer for 96 Minutes: The Train Explosion: The 2025 box-office champion in Taiwan, 96 Minutes: The Train Explosion, has been scheduled for release in mainland China on January 10, 2026. The film is produced by Zou Jiezhong, directed by Hong Zixuan, written by Hong Zixuan, Chen Yifang, and Yang Wanru, and stars Austin Lin, Vivian Sung, Wang Po-chieh, and Lee Lee-zen.

    📽 Weekly Film & TV News

    The Shining confirmed for release

    On January 6, Warner Bros. confirmed that Stanley Kubrick’s classic psychological thriller The Shining will be released in mainland China, marking its first-ever theatrical run there. The release date is yet to be announced. Starring Jack Nicholson, Shelley Duvall, and Danny Lloyd, the film follows writer Jack, his wife Wendy, and their son Danny as they move into a remote mountaintop hotel cut off by heavy snow, where eerie घटन begin to unfold. Source

    Green Slime Panic confirmed for release

    On January 6, the B-movie sci-fi horror comedy Green Slime Panic was confirmed for release in mainland China, along with the debut of its trailer and poster. The release date has yet to be announced. Directed by Jonny Campbell and written by David Koepp, the film stars Joe Keery of Stranger Things alongside Liam Neeson of the Taken franchise, teaming up to save a world on the brink of being consumed by a fungal threat. It is set to open in North America on February 13. Source

    Safe Haven confirmed for release

    On January 9, the film Safe Haven was confirmed for release in mainland China and unveiled its trailer and poster. The release date is yet to be announced. Directed by Ric Roman Waugh and starring Jason Statham, the story follows Mason, a legendary agent living in seclusion on a remote island, who is forced back into action after rescuing a young girl named Jessie, setting off a no-turning-back battle of protection. The film is scheduled to premiere in North America on January 30. Source

    My Friend Andrei set for January 17 release

    On January 8, the film My Friend Andrei released its release-date trailer and poster, confirming a January 17 premiere. Directed by Dong Zijian and starring Liu Haoran and Dong Zijian, with Yin Tao in a special appearance and Han Haolin and Chi Xingkai also starring, the film is adapted from the novel of the same name by Shuang Xuetao. It traces the playful, chasing childhood of Andrei and Li Mo, and their reunion later in life as they walk forward side by side. Source

  • New Stuff 232|What SSPAI Editors Have Been Buying Lately

    New Stuff 232|What SSPAI Editors Have Been Buying Lately

    @老麦: Ledao L90 Black Knight Edition

    After all these years, I’ve actually never truly bought a six-seat car. As Little Mai keeps growing up, family trips have become a real challenge. Over the past couple of years, on longer journeys we basically ended up leaving the grandparents at home, which always made me feel a bit guilty. On top of that, the ES6 is starting to feel a little old, so the idea of switching to a six-seater gradually took shape.

    At first, I did look at brands beyond NIO, including the dominant SUV players like Li Auto and AITO. Each of them has its own strengths—some excel in assisted driving, others focus more on comfort. But once I compared prices, the Ledao L90 stood out: choosing the battery-rental option knocks ¥86,000 off the price, effectively turning a ¥300,000-level configuration into something just over ¥200,000. The value proposition was simply too strong. And since I haven’t exactly been making much money this year, I figured saving where I could was the sensible choice.

    Once I actually got the car and started driving it, it really felt like a hidden gem. The Black Knight edition is essentially the fully loaded Ultra trim: high-performance dual-motor AWD, 0–100 km/h in 4.7 seconds, air suspension, and all the creature comforts—fridge, big screen, plush seats, even little tray tables. It meets the travel needs of both kids and seniors perfectly. The massive front trunk deserves special mention. A few years ago, when I borrowed a car for a full-family road trip, luggage space was the bottleneck, and we had to stack bags inside the cabin, which seriously hurt the experience. With the Ledao, that’s no longer a concern. Looking at this frunk, I even feel like if I ever lost my job, I could take it to the street and sell fruit from it.

    The cabin setup is hard to fault. Real wood paired with metal accents feels premium, heating and massage are all there, and the sound system is actually better than the one in my ¥300,000-plus ES6. The infotainment is smooth, and Xiao Le responds quickly—though it still doesn’t support wake-word-free commands, so coming from the ET9, I do have to remind myself to call out “Xiao Le” first. Compared with other NIO models, ambient fragrance isn’t standard, but there’s a purification and fragrance product in the Ledao store that supports ozone sterilization and deodorization, and can link with the car system. It looks promising, and I’ve already placed an order.

    Because I didn’t have time to attend a test drive before, I had no idea what the L90’s driving dynamics would be like. After more than a week behind the wheel, it’s been pleasantly surprising. First of all, it doesn’t feel like piloting a massive boat—driving it is light and agile. Thanks to the air suspension and CDC dampers, bumps are filtered out much better, keeping passengers comfortable. More importantly, when I’m driving alone and switch to Sport mode, there’s no obvious body roll or wobble in high-speed corners. I’ve also watched other media reviews, and it’s clear that the L90’s tuning deliberately preserves a degree of driving engagement, so you don’t end up feeling like nothing more than a chauffeur. That’s actually pretty rare.

    Buying this L90 also coincided with NIO’s push to achieve profitability in Q4 and the milestone of rolling out its one-millionth vehicle, so in a small way it feels meaningful to be part of that. I have a special emotional connection to the NIO brand, and I genuinely hope that companies with this kind of user-centric, long-term mindset can turn things around and thrive—it would also boost confidence across the industry. Fortunately, Ledao’s value for money comes from years of NIO’s in-house R&D and accumulated know-how. As the battery-swap network continues to expand into lower-tier cities, there’s still plenty of room for growth in third- and fourth-tier markets.

    @一只索狗: OnePlus Turbo6

    • Acquisition: provided by the manufacturer for review
    • Price: 12GB + 256GB, launch promo ¥2,099 (¥1,784.15 after national subsidy)

    Most of the devices I’ve used recently have been imaging-focused flagships, so it’s been a while since I last spent time with a performance-oriented phone in the thousand-yuan price segment. This time, I happened to get early access to the newly announced OnePlus Turbo6, and here are my brief impressions.

    The OnePlus Turbo6 carries over the same aesthetic language as the flagship models, continuing the metal “Rubik’s Cube” camera deco design. It comes in three colors: Tracing Silver, Solo Black, and Wild Green. Judging from photos, the Wild Green unit I have doesn’t look particularly “green,” largely due to lighting angles and color grading. In reality, this colorway is indeed quite understated—at certain angles, it’s already very close to a silvery white.

    In terms of specs, my OnePlus Turbo6 is equipped with the fourth-generation Snapdragon 8s “Fengchi Edition,” paired with 16 GB of LPDDR5X memory and UFS 4.1 storage. OnePlus once again emphasizes that this chip is deeply customized in collaboration with Qualcomm. With the “Fengchi Gaming Kernel” baked in, it delivers what OnePlus claims is the only 165 Hz ultra-high-frame-rate gaming experience in its class.

    Popular titles on the market such as Honor of Kings, Call of Duty, and Naruto already support the 165 Hz ultra-high-frame-rate mode. However, based on my testing in Call of Duty, the one downside is that frame rates of 120 fps and above can’t coexist with the more refined graphics settings.

    As for battery life, OnePlus’ official slogan is “the chewing gum of the phone world,” and in my own testing, it really does feel like it just keeps going. The OnePlus Turbo6 packs a massive 9000 mAh battery—the largest capacity I’ve ever used in a smartphone. I received the device on January 2 and fully charged it then. Although it hasn’t been my primary phone, I’ve still played around two hours of Call of Duty almost every day. As of January 8, it still had about 40% battery remaining without a single recharge.

    Paired with 80W SuperVOOC fast charging, there’s absolutely no battery anxiety in day-to-day use. It even supports 27W PD reverse charging, so doubling as a power bank for an iPhone is no problem at all.

    It’s even a bit faster than a shared power bank.

    With ColorOS 16 on board, the Turbo6’s overall fundamentals as a smartphone are very solid. New features like AI one-tap memory capture are included, and seamless interconnection with the iPhone ecosystem is also supported—something I really appreciate as someone who uses both iOS and Android devices.

    Some people play games just for fun, while others play to win. If you’re chasing peak performance in mobile gaming, the OnePlus Turbo6 is an esports-focused weapon designed to help you climb the ranks.

    @北鸮: 2026 Slack-Off Calendar

    • Reference price: ¥119

    A new year naturally calls for a new calendar. I didn’t think too hard about it this time—back in early December, I ordered some merch purely out of fandom from the “Slack-Off Office” channel, which I’d been watching a lot last year. Given that channel’s track record, some kind of mishap was almost guaranteed. The batch I received just before New Year’s Day had a misprint for about a week around October. Thankfully, that’s still far off, so I’ll just wait for them to send replacement calendar pages later.

    This year’s Slack-Off Calendar is themed around Lucky Koi A-Yah (A-Yah is one of the channel’s mascots). While it claims it’s “not encouraging people to hoard random junk,” the packaging box itself features a matching slack-off design, which made it hard for me to throw away. The calendar itself is shaped like a hand, with a small magnetic area at the bottom that lets you attach the plush Lucky Koi A-Yah. Once it’s on, the whole thing becomes a very literal embodiment of the “slacking off” theme.

    The calendar pages are very straightforward. Whatever day of the week it is, that’s how many times you’re supposed to “slack off.” On weekends, the A-Yah in the background clocks off and goes to sleep. Whenever there’s a holiday, the calendar switches to a little themed illustration. On the right side of each page, there’s also a reminder of how many days are left in the year, and how many days remain until the next day off—constantly telling me just how far away the next bit of hope in life still is.

    The paper is relatively thin, which actually makes it quite suitable for tearing off individual pages, jotting something down, and sticking them into a journal. There’s plenty of blank space for daily notes, too. If you have personal anniversaries, writing them in with a darker-colored marker also gives you that satisfying sense of “watching it get closer.” In the end, this is very much a fan-oriented product—it wins you over with its design. Set it on your desk, and it just makes you happy to look at.

    @路中南: NeilMed Nasal Gel

    • Reference price: ¥61

    Last time in New Gadgets I wrote about a nasal rinse spray, but my nose still tends to suffer from cracked nasal mucosa and occasional bleeding. It’s just that the frequency has gone from year-round to mainly two situations: the first is when flying; the second is when visiting shopping malls. Even wearing a mask doesn’t really help—after spending a long time in high-altitude cabins or overheated, air-conditioned indoor environments, the nasal passages dry out easily. Last weekend, I went to a mall café for a coffee date. We were chatting happily when I suddenly felt moisture in my nose. I had no choice but to stay calm on the surface, grab a tissue, and pinch my nostrils. On the way home, I thought to myself: after all these years of industrial society, there must be a mature product designed to keep the nasal passages moist and prevent this kind of situation.

    A quick search on e-commerce platforms confirmed it—there are indeed plenty of products called “nasal gels.” If only I’d known sooner. But faced with all kinds of potential “fake foreign brands,” I first went to ask ChatGPT. The idea was simple: buy an industry leader or at least a top-three product to reduce the chances of stepping into a pitfall (which also shows the sales potential of large language models). Coincidentally, the very first recommendation was the same product I’d already found on the platform. I originally wanted to support a domestic brand, Kefu, but was surprised to find that its medical gel cost more than twice the price of this NeilMed product. Maybe that’s just the magic of medical devices. In the end, I had to settle for the latter.

    Once I got it, I realized that besides the dry indoor heat, dry weather, and air travel I’d personally experienced, high altitudes (which makes sense when you think about it), sleep apnea machines, and long-term oxygen therapy can also cause nasal dryness. One thing to note when using it: you should squeeze for about four seconds so the gel can fully coat the nasal cavity. Generally, applying it every 4–6 hours is sufficient. The bottle itself is tiny, but in addition to the regular cap, it also has a blue safety cap (shown in the second image on the right) to prevent accidental squeezing when carrying it around.

    In actual use, it feels pretty good—nothing fancy, just like a standard saline aloe gel. After squeezing it in, a bit does still flow out. After using it at home, breathing feels noticeably smoother. When going out to malls or wearing a mask, I also feel much more at ease. That said, there can still be slight leakage around the nozzle after use, which is something to watch out for. NeilMed has now officially joined my everyday carry pouch. From now on, before heading into a mall, I’ll definitely give my nose a quick squeeze first. If any fellow readers have friends with sensitive nasal passages who need to fly or travel to high-altitude areas, this is something worth recommending.

    One interesting detail: the package comes with a thick printed booklet. At first, I thought it was just an instruction manual, but it’s actually much more than that. It includes usage guides for all of their products, product comparisons, detailed instructions, and dozens of Q&A-style educational explanations about nasal passages and sinuses. It’s actually quite a decent read when you’re bored.

    Easter egg

    The video version of New Gadgets recently released an episode introducing how to play with the built-in “Mood Flowers” feature in Apple Health. It’s a rather niche but surprisingly practical system feature—give yourself a flower every day, and keep your mood blooming.

    How to Watch:

  • SSPAI Morning Brief: OpenAI announces the launch of ChatGPT Health, and More

    SSPAI Morning Brief: OpenAI announces the launch of ChatGPT Health, and More

    Morning Brief

    1. OnePlus unveils the Turbo 6 smartphone series
    2. Aqara releases the U400 smart door lock with UWB support
    3. Lenovo showcases the Legion Pro Rollable concept device
    4. RayNeo presents the X3 Pro Project AR smart glasses with eSIM support
    5. Krono launches a black-and-white e-ink phone–style e-reader
    6. Sony introduces the new Hyperpop series shells and controllers for PS5 Slim
    7. TCL releases the P50 mobile router and BE36 Wi-Fi router
    8. MSI showcases multiple new products
    9. The world’s first ultrasonic kitchen knife, the C200 Ultrasonic, makes its debut
    10. OpenAI announces the launch of ChatGPT Health
    11. Rumors You Can Just Glance At

    OnePlus unveils the Turbo 6 smartphone series

    On January 8, the OnePlus Turbo 6 series was officially released, consisting of two models: the Turbo 6 and the Turbo 6V.

    The OnePlus Turbo 6 adopts a minimalist design language with a strong emphasis on in-hand feel, and is available in silver, black, and teal color options. It is powered by the fourth-generation Snapdragon 8s processor, paired with OnePlus’s self-developed “Fengchi Gaming Kernel.” According to OnePlus, this combination can reduce gaming power consumption by around 8%, lower kernel load by approximately 15.24%, and improve scheduling efficiency by about 35.46%.

    In terms of display, the OnePlus Turbo 6 features a 1.5K-resolution 165Hz screen, supporting three refresh-rate modes at 165Hz, 144Hz, and 120Hz. Select games also support native 165 fps gameplay, including titles such as Call of Duty: Mobile and Honor of Kings. For imaging, the Turbo 6 is equipped with a Sony 50-megapixel main camera with OIS optical image stabilization, ultra-clear Live Photos, portrait algorithms, and AI-powered photo editing features.

    For battery life, the OnePlus Turbo 6 series is fitted with a 9000mAh battery, supporting 80W fast charging and bypass charging technology, as well as up to 27W wired reverse charging. In other areas, the OnePlus Turbo 6 supports IP66 / IP68 / IP69 / IP69K dust and water resistance, runs ColorOS 16, and offers features such as one-tap Flash Notes, AI real-world conversations, Game Fluid Cloud, and a variety of gaming assistance tools. It also supports interoperability with the Apple ecosystem. Pricing for the OnePlus Turbo 6 starts at RMB 2,099, or RMB 1,784.15 after national subsidies.

    OnePlus also introduced the Turbo 6V model alongside it, available in white, blue, and black. It is powered by the Snapdragon 7s Gen 4 processor and features a 144Hz eye-care display, while also packing a 9000mAh battery. The Turbo 6V starts at RMB 1,699, or RMB 1,444.15 after national subsidies. Source


    Aqara releases the U400 smart door lock with UWB support

    At CES 2026, Aqara officially unveiled the Smart Lock U400. The product supports ultra-wideband (UWB) technology, enabling hands-free automatic unlocking through high-precision positioning with an iPhone or Apple Watch. When an authorized user approaches the door from outside, the lock can automatically unlock. By combining ToF distance measurement with AoA trajectory detection, the system reduces false triggers and enhances security to guard against relay attacks. In addition to UWB, the lock also supports unlocking via Apple Home Key, passcodes, fingerprints, and physical keys. It supports Matter over Thread and carries an IP65 water-resistance rating. The Smart Lock U400 is currently available in the United States, Canada, Australia, New Zealand, and Singapore. Source


    Lenovo showcases the Legion Pro Rollable concept device

    At CES 2026, Lenovo unveiled the Legion Pro Rollable concept gaming laptop. Built on the Legion Pro 7i platform, the device is equipped with an NVIDIA GeForce RTX 5090 graphics card and a high-end Intel Core Ultra processor. It features a 16-inch OLED display by default, which can be horizontally expanded via a rollable mechanism to 21.5 inches or 24 inches. Lenovo positions it as a premium mobile device for professional esports players, offering three display modes tailored to different sizes: focused training, tactical observation, and competitive play.

    According to Lenovo, the Legion Pro Rollable adopts a dual-motor tension-controlled rollable OLED solution to ensure stability and reliability during screen extension and retraction. The device also demonstrates a range of AI-powered gaming assistance features, including key visual element recognition, information magnification, cursor tracking, AI guidance, and dynamic lighting effects. The product remains in the concept stage, with no official release date or pricing announced. Source


    RayNeo presents the X3 Pro Project AR smart glasses with eSIM support

    At CES 2026, RayNeo officially unveiled the X3 Pro Project eSIM AR smart glasses. The product adopts a binocular full-color optical engine design, which the company says delivers a 3D spatial visual experience equivalent to a 43-inch display. On the hardware side, it is powered by the Qualcomm Snapdragon AR1 computing platform and features a built-in RayNeo AR application virtual machine, supporting apps such as WeChat, Douyin, and Bilibili.

    The X3 Pro Project eSIM AR smart glasses also integrate an eSIM communication module, allowing users to make calls, engage in real-time AI conversations, perform live translation, and stream online content without needing to connect to a smartphone or Wi-Fi network. Source


    Krono launches a black-and-white e-ink phone–style e-reader

    Dutch company DuRoBo unveiled the Krono monochrome E-Ink reader at CES 2026. The device adopts a smartphone-like form factor and features a built-in AI assistant. Krono is available in black and white color options, with dimensions of 154 × 80 × 9 mm and a weight of 173 grams. On the front, it is equipped with a 6.13-inch Carta 1200 monochrome E-Ink display, with a resolution of 824 × 1648, a pixel density of 300 PPI, and adjustable dual-tone front lighting.

    On the left side of the body, Krono includes a “smart dial” that allows users to turn pages and adjust settings through rotation or pressing. In terms of hardware, the device features built-in speakers and Bluetooth connectivity, an unspecified octa-core processor, 6 GB of RAM, and 128 GB of storage. It runs Android 15 out of the box and integrates the Libby AI assistant. The Krono is priced at €239.99. Source


    Sony introduces the new Hyperpop series shells and controllers for PS5 Slim

    Sony PlayStation unveiled a new color lineup, The Hyperpop Collection, on January 8, introducing three high-saturation color options for the DualSense controller and PS5 console covers. The collection includes Techno Red, Remix Green, and Rhythm Blue, with an overall aesthetic clearly leaning toward an RGB-inspired visual style.

    The collection will go on sale on March 12, with pre-orders opening on January 16. Sales channels include PlayStation Direct and selected partner retailers, depending on regional availability. The Hyperpop DualSense controller has a suggested retail price of USD 84.99. The Hyperpop-series PS5 console covers will be available for a limited time in select markets, with a suggested retail price of USD 74.99. It is worth noting that these covers are compatible only with the PS5 Slim, and do not support the original PS5 or the PS5 Pro. Source


    TCL releases the P50 mobile router and BE36 Wi-Fi router

    TCL unveiled two new networking products at CES 2026—the TCL 5G Mobile Wi-Fi P50 and the TCL Wi-Fi Router BE36—covering a wide range of scenarios from outdoor travel to home networking.

    The TCL 5G Mobile Wi-Fi P50 is designed for business travel and outdoor use. It supports both mmWave and Sub-6 full-band 5G, with peak download speeds of up to 3.97 Gbps, while Wi-Fi 7 delivers peak speeds of up to 5.8 Gbps. The device can connect up to 64 devices simultaneously. It features a built-in 5,000 mAh battery that provides around 12 hours of continuous use and can also function as a power bank to charge smartphones. A 2.4-inch touchscreen displays real-time data usage and network status, and a Gigabit Ethernet port is included for wired connections.

    Aimed at home users, the TCL BE36 router offers dual-band Wi-Fi 7 connectivity with speeds of up to 3.6 Gbps, using a 5 GHz 3T3R configuration to significantly improve signal coverage. It supports EasyMesh R6, making it easy to build a seamless whole-home Mesh network. With support for up to 512 connected devices, it is well suited for smart homes with a large number of IoT devices. On the security side, the router includes anti-malware, anti-tracking, and brute-force attack protection. For gamers, the BE36 integrates game acceleration features that intelligently optimize traffic to reduce latency. In terms of connectivity, it also provides a 2.5 G Ethernet port. Source


    MSI showcases multiple new products

    MSI showcased several new products at CES 2026, including the MPG CoreFrozr AP15 and AP17 dual-tower air coolers, as well as the MPG 272QRF X36 27-inch QHD 360 Hz monitor.

    Among them, the MPG CoreFrozr AP15 features a segmented digital display dubbed “Digi-Display.” The screen is divided into four sections, allowing real-time display of key system information such as CPU temperature, system load, and fan speed. The lower-left corner also integrates a weekly calendar display.

    In terms of performance, the AP15 is optimized for AMD Ryzen X3D series processors. To address heat buildup from high-performance gaming CPUs, it uses a solid copper base paired with six heat pipes. Positioned as a higher-end model, the MPG CoreFrozr AP17 is equipped with a 6-inch LCD screen that, in addition to system monitoring, supports fully customizable content, enabling users to tailor visuals to match their system’s overall aesthetic. For cooling, the AP17 uses a nickel-plated copper base and increases the number of heat pipes to eight to improve thermal conductivity. Both the AP15 and AP17 feature detachable display modules. Source

    Also on display was the MPG 272QRF X36 G-SYNC Pulsar gaming monitor. This model features a 2560 × 1440 resolution Rapid IPS panel with a 360 Hz refresh rate, a 0.5 ms GtG response time, 400 nits of SDR brightness, and 500 nits of HDR brightness, while supporting 10-bit color (8-bit + FRC). The monitor includes a built-in ambient light sensor that automatically adjusts color temperature and brightness.

    The display supports VESA 100 × 100 mm mounting and offers a range of ports, including one DisplayPort 1.4, two HDMI 2.1 ports, three USB-A 5 Gbps ports with KVM support, and a 3.5 mm audio jack. It incorporates NVIDIA G-SYNC technology, delivering variable refresh rate support and up to four times effective motion clarity, ensuring precise aiming and clear visuals even in fast-paced games. The monitor is currently available on domestic e-commerce platforms, priced at 4,999 yuan. Source


    The world’s first ultrasonic kitchen knife, the C200 Ultrasonic, makes its debut

    Seattle Ultrasonics unveiled the world’s first ultrasonic kitchen knife, the C200 Ultrasonic, at CES 2026. The core idea behind the product is to use high-frequency micro-vibrations to reduce cutting resistance, allowing the blade to penetrate ingredients more easily while also minimizing food sticking to the knife.

    The operation is straightforward: a button on the handle activates the ultrasonic vibration. Once turned on, the blade shows no visible shaking, but the user can feel a subtle buzzing sensation in the hand, similar to a faint electric current. When cutting high-density or starch-rich ingredients, its performance is noticeably superior to that of a conventional kitchen knife. The product is priced at USD 399. Source


    OpenAI announces the launch of ChatGPT Health

    OpenAI has announced the launch of ChatGPT Health, a dedicated health consultation area within ChatGPT that operates independently from the main chat experience. Users can ask health-related questions in this section and receive reference-oriented interpretations based on their personal data, but the service does not provide medical diagnoses or treatment recommendations.

    In terms of functionality, ChatGPT Health supports integration with multiple health services, including Apple Health, MyFitnessPal, and Peloton. It can read users’ exercise, sleep, and activity data, and can also incorporate medical records to help users understand lab results and prepare for medical appointments—again, without offering specific diagnostic or treatment advice. Regarding privacy and security, OpenAI states that the feature uses multi-layer encryption, runs as a separate space, and that related data is not used for model training by default.

    Currently, ChatGPT Health is available to users in select regions via a waitlist. The medical record integration feature is temporarily limited to the United States, with plans to gradually expand availability to the web and iOS platforms. Source


    Rumors You Can Just Glance At

    • According to a report by Beijing Youth Daily, China’s National Medical Products Administration has recently approved Apple’s “Mobile Pulse Rate Atrial Fibrillation Indication Recording Software” as a Class II imported medical device (registration). The software corresponds to the Atrial Fibrillation History feature on Apple Watch, which analyzes users’ pulse rate data and records potential signs of atrial fibrillation. Apple told Beijing Youth Daily reporters that it is currently advancing follow-up procedures in accordance with relevant regulations and processes, and looks forward to officially making the feature available to users in mainland China in the near future. Source
  • SSPAI Morning Brief: Xiaomi Unveils the 2026 SU7, Android Source Code to Update Twice a Year, and More

    SSPAI Morning Brief: Xiaomi Unveils the 2026 SU7, Android Source Code to Update Twice a Year, and More

    Morning Brief

    1. Xiaomi unveils the 2026 SU7 electric vehicle
    2. Google announces Android source code will be updated twice a year
    3. Dell launches the world’s first 52-inch 6K display
    4. ASUS introduces the ProArt PZ14 2-in-1 laptop
    5. Fujifilm releases the instax mini Evo Cinema
    6. Corsair launches the Galleon 100 SD gaming keyboard
    7. Micron releases the 3610 SSD
    8. CowTransfer (奶牛快传) to officially shut down its service
    9. WeChat Pay Pocket Money to introduce multi-parent mode

    Xiaomi unveils the 2026 SU7 electric vehicle

    On January 7, Xiaomi founder Lei Jun shared partial details of the 2026 Xiaomi SU7 electric vehicle on social media. Pricing is set at RMB 229,900 for the Standard version, RMB 259,900 for the Pro version, and RMB 309,900 for the Max version. The entire lineup comes standard with LiDAR, 700 TOPS of assisted-driving compute, 4D millimeter-wave radar, and Xiaomi HAD end-to-end assisted driving. Maximum range reaches up to 902 km, with upgrades across the interior, chassis, color options, and safety features.

    The new Xiaomi SU7 is scheduled to go on sale in April. Buyers who have locked in orders for the previous SU7 but have not yet taken delivery will be able to upgrade to the new model. Source

    Product exterior and pricing images, courtesy of the news source

    Google announces Android source code will be updated twice a year

    On January 6, Google confirmed to the well-known outlet Android Authority that starting in 2026, the AOSP (Android Open Source Project) source code will be released on a fixed schedule in the second and fourth quarters each year.

    The AOSP website has already notified developers of this change via an official announcement, recommending that development work shift to the android-latest-release branch. Google stated that this adjustment will help streamline development, reduce the burden of maintaining multiple branches, and improve the overall stability and security of the Android platform.

    Google also emphasized that its level of support for AOSP has not been reduced. Instead, the new release cadence is intended to lay a more solid foundation for the Android ecosystem. Meanwhile, the existing security patch process will remain unchanged, with monthly updates continuing to be released on separate security branches for each version. Source


    Dell launches the world’s first 52-inch 6K display

    At CES 2026, Dell unveiled the UltraSharp 52 Thunderbolt Hub Monitor, calling it the “world’s first 52-inch 6K display.” This ultra-wide curved screen features a 21:9 aspect ratio with a resolution of 6144×2560, a pixel density of 129 PPI, and support for refresh rates of up to 120Hz. It uses an IPS Black panel with a rated brightness of 400 nits, and includes an ambient light sensor to improve comfort during extended use.

    Positioned as a “single-screen replacement for multiple monitors,” the display supports picture-in-picture and screen partitioning to connect up to four computers simultaneously, and includes built-in KVM functionality, allowing one keyboard and mouse to control multiple devices. As a Thunderbolt hub, it offers a comprehensive set of ports: one Thunderbolt 4 upstream port (providing up to 140W of power delivery), two HDMI 2.1 ports, two DisplayPort 1.4 ports, three USB-C upstream ports, multiple downstream USB-C and USB-A ports, and a 2.5Gbps Ethernet port.

    The UltraSharp 52 Thunderbolt Hub Monitor is now available on Dell’s website, priced at USD 2,899 with a stand, or USD 2,799 without the stand. Source

    Product images courtesy of the news source

    ASUS introduces the ProArt PZ14 2-in-1 laptop

    At CES 2026, ASUS introduced the ProArt PZ14 (HT7407), a 2-in-1 laptop and tablet device designed for mobile creators.

    The ProArt PZ14 features a CNC-machined unibody aluminum chassis with a built-in 75Wh battery, meeting MIL-STD-810H and IP52 standards. It measures 9 mm in thickness and weighs 0.79 kg. The device is powered by an 18-core Qualcomm Snapdragon X2 Elite processor, paired with up to 32GB of LPDDR5X memory and a 1TB PCIe 4.0 SSD. It includes an 8MP front-facing IR camera and a 13MP rear camera, supports Wi-Fi 7, and offers dual USB4 ports along with an SD Express card reader.

    The device uses a 14-inch Lumina Pro OLED touchscreen that carries both VESA DisplayHDR 1000 and True Black 1000 certifications. The panel has a resolution of 2800×1800, a 144Hz refresh rate, a 1,000,000:1 contrast ratio, 100% DCI-P3 color gamut coverage, and color accuracy of ΔE < 1, along with an anti-reflective coating. It also comes bundled with an ASUS Pen 3.0 stylus compliant with the MPP 2.6 standard, as well as a Bluetooth keyboard featuring 1.7 mm key travel. Source

    Product images courtesy of ASUS

    Fujifilm releases the instax mini Evo Cinema

    On January 7, Fujifilm announced the instax mini Evo Cinema, a hybrid instant camera. As a hybrid model, it allows users to shoot while viewing images on the camera’s display, select their favorite shots for printing, and apply a variety of effects to create a more immersive shooting experience.

    In addition to capturing still photos, the camera can record videos of up to 15 seconds. The recorded video data can be converted into a QR code, allowing users to create content that can “carry” and share video.

    The camera also introduces a new feature called the Eras Dial, offering filters that evoke different stylistic eras. Each filter can be adjusted across 10 intensity levels, resulting in a total of 100 possible visual effects.

    The product features a vertical grip design inspired by Fujifilm’s FUJICA Single-8. It can shoot both video and still images, and also functions as a photo printer. The camera is scheduled to go on sale in Japan on January 30, 2026. Source

    Product images courtesy of the news source

    Corsair launches the Galleon 100 SD gaming keyboard

    At CES 2026, Corsair unveiled the Galleon 100 SD gaming keyboard. The keyboard features a wired design and integrates a 5-inch IPS display with a resolution of 720 × 1080. It includes two rotary dials and 12 screen-equipped keys, allowing users to control commonly used streaming and creator apps such as Spotify, Twitch, VTube Studio, and OBS without pausing gameplay.

    In terms of specifications, the keyboard supports a polling rate of up to 8000Hz and comes standard with MLX Pulse switches. It supports hot-swappable upgrades and also features FLASHTAP SOCD opposite-direction registration, enabling players to execute dodge movements with greater precision and reliability.

    However, the keyboard does not include a single unified control software. Users still need to install both CORSAIR WEB HUB and Stream Deck software to manage the keyboard and the control panel respectively. The Galleon 100 SD will go on sale on January 29, priced at USD 349.99. Source

    Product appearance and feature concept images courtesy of Corsair

    Micron releases the 3610 SSD

    On January 7, Micron Technology introduced the 3610 SSD, designed specifically for ultra-thin laptops and fanless systems. The drive features PCIe 5.0 speeds, QLC (quad-level cell) NAND, and capacities of up to 4TB.

    The 3610 SSD is built on Micron’s G9 QLC NAND technology and is claimed to deliver over a 40% improvement in performance per watt, with I/O performance reaching up to 1.6 million IOPS. It is aimed at meeting the demands of productivity workloads, streaming, gaming, and AI multitasking.

    The drive offers sequential read speeds of up to 11,000 MB/s and sequential write speeds of up to 9,300 MB/s. The 3610 is the industry’s first client SSD to combine PCIe 5.0 with G9 QLC NAND. It is available in 1TB, 2TB, and 4TB capacities, and supports M.2 2230, M.2 2242, and M.2 2280 form factors. The product is being sold to OEMs and partners. Source

    Product images courtesy of Micron

    CowTransfer (奶牛快传) to officially shut down its service

    On January 7, the CowTransfer team announced that after recent in-depth discussions and evaluations, they were ultimately unable to reach an agreement with the 123 Cloud Drive team, making it impossible to continue the service. As a result, CowTransfer will officially cease operations starting January 10, 2026.

    At that time, all functions—including account login, file uploads and downloads, and access to historical transfer records—will no longer be available, and all server data will be cleared. Users who need to back up their data should complete downloads of important files before January 10 to avoid permanent data loss. Regarding membership refunds, users with active subscriptions can submit a request via the refund application link. Going forward, the team will focus its efforts on upgrading and innovating the “Gaoding Design” platform. Source


    WeChat Pay Pocket Money to introduce multi-parent mode

    On January 6, Tenpay announced revisions to the rules governing the WeChat Pay Pocket Money feature, with the new rules set to take effect on February 4, 2026.

    This update introduces the concept of a “multi-parent mode” for the first time, distinguishing between a “primary managing parent” and “co-managing parents.” Under the new rules, the primary managing parent can invite co-managing parents to join, allowing both parties to jointly manage a child’s pocket money. The revision also further refines the rules for pocket money red packet codes, specifying that they are “to be used exclusively for receiving funds in pocket money scenarios.” Source

  • Myth and Crisis in Tandem, Rules and Instinct in Tension: The Many Faces of Magnetic Switches Through the Eyes of a Player-Creator

    Myth and Crisis in Tandem, Rules and Instinct in Tension: The Many Faces of Magnetic Switches Through the Eyes of a Player-Creator

    View link:Myth and Crisis in Tandem, Rules and Instinct in Tension

    Introduction

    The explosive rise of the magnetic switch market is already an industry-wide consensus.

    I once held a view—one I believe many players and practitioners have also entertained—that the trajectory of MX switches was essentially predetermined. When the “good” or “bad” of a technical system can be quantified and broadly agreed upon, its room for innovation is effectively sealed off. From metal contacts in leaf springs, to stem-guiding structures, to lubrication processes, once the physical limits of mechanical precision are fully explored, any subsequent improvement is little more than seasoning.

    And so a subtle suspense began to take shape—who, then, is qualified to become the next “MX”?

    The data seems to be hinting at an answer. According to a report by JD.com’s Consumer and Industry Development Research Institute, in June 2025, sales revenue of magnetic switch keyboards surged 225% year-on-year, while growth in high-end models priced above RMB 1,000 reached an astonishing 410%. Even after excluding promotional effects, magnetic switches have undeniably become the mainstay for many brands, in some cases accounting for as much as 90% of sales.

    The logic behind the magnetic switch boom appears airtight: it opens up new possibilities in latency, while perfectly inheriting the MX lineage in terms of aesthetics and accessory compatibility.

    But when everyone believes it to be the standard answer, perhaps it is worth asking in return—are we even still asking the right question?

    Amid the chorus of KOLs proclaiming that “magnetic switches are the future,” I remain deeply skeptical. After trying a wide variety of magnetic switch keyboards, visiting factories, and holding in-depth conversations with industry insiders as well as observers outside the scene, I have come to a conclusion: the answer does not lie in magnetic switches themselves. They may be a key leading toward some kind of “singularity,” but they are not necessarily the endpoint of this era.

    So if magnetic switches are not the destination, what will the next decade look like? Today, using “magnetic switches” as a phenomenon-level entry point, let’s take a serious look at this question: just how much further does the next decade of gaming keyboards still have to go?

    How Did a “New Technology” from Half a Century Ago Come Back to Life?

    The “magnetic switches” we talk about today are hardly some out-of-the-blue, muscle-bound black magic. In fact, compared with keyboards’ elder sibling—the Alps SCB1A163 from the 1970s that I mentioned in A Brief History of New Mechanical Keyboard Structures, which combined mechanical reed contacts with magnetic sensing—modern magnetic switches are actually more minimalist in design.

    They consist of a top housing, a stem, and a bottom housing, removing the physically wearing metal leaf contacts and replacing them with a permanent magnet embedded inside the stem. Strictly speaking, they are not full-fledged “Hall switches”; calling them Magnet Switches is indeed more accurate. The principle is simple: a Hall sensor on the PCB detects changes in the magnetic field, thereby calculating key travel depth and speed. No contact, no conductive leaf, no mechanical closure—this implies, at least in theory, infinite lifespan, extreme smoothness, and analog-like input precision.

    For those interested in the development story of magnetic switches, you can read the article How Did Magnetic Switches, Once Meant to Redefine “Pressing a Key,” Die and Then Be Reborn as the Keyboard Community’s New Favorite? written by keyboard enthusiast Seven Knights Thomas.

    But the question is this: the magnetic switch concept already existed half a century ago. Why is it only becoming popular now? To answer that, we need to trace our steps back along the timeline of product evolution.

    When talking about modern magnetic switch keyboards, it is impossible not to mention one of the earliest products to commercialize the technology—SteelSeries Apex Pro. It is worth noting that SteelSeries is not only one of the brands that first brought mechanical keyboards back into the mainstream (dating back to the early SteelSeries 6G), but also among the earliest manufacturers to combine magnetic sensing technology with the MX form factor and push it into the consumer market.

    With the Apex Pro, SteelSeries впервые introduced adjustable actuation magnetic switches under the name “OmniPoint,” allowing players to customize the actuation distance of each key via software.

    However, the product did not achieve overwhelming success at launch—because “adjustable actuation” itself was not a novel concept. At the time, there were already products on the market using Flaretech prism optical switches and analog optical switches to achieve similar functionality, such as the Wooting ONE.

    The real turning point began when Wooting shifted from the optical switch route to magnetic switches. In a podcast interview with BadSeed Tech, Wooting’s CEO candidly explained that bottlenecks in adjustment range and stability with prism optical switches forced them to fully pivot to magnetic switches. Magnetic switch structures are simpler, do not require optical alignment precision, and offer finer adjustment granularity. Moreover, before switching to magnetic switches, Wooting had already built a reputation among players through its self-developed firmware and features such as Rapid Trigger (RT) and linear actuation—enabling things like dual-key movement in Fortnite and throttle control in racing games. Magnetic switches pushed “adjustable actuation” to a more extreme yet still usable domain—and that, precisely, was the key.

    If the adoption of magnetic switches on keyboards was an intuitive technological progression, their subsequent—and especially domestic—explosion in popularity cannot be separated from the combined momentum of player sentiment and market competition. And the crucial inflection point was the rising popularity of Valorant.

    In 2023 and 2024, with the establishment of the VCT CN competitive system and the official launch of the Chinese servers, Valorant experienced a true breakout in China. The exposure brought by esports events extended beyond the game itself: the peripherals used by professional players were increasingly magnified as extensions of competitive prowess. From keyboards and mice to monitor refresh rates, any detail that could be quantified became a focal point of player discussion.

    On the professional stage, the value of keyboards was being redefined.

    In reports from ProSettings.net, the keyboard category had long been relatively “uneventful.” For most professional players, peripheral choices are influenced to some extent by sponsorships—keyboards in particular. This is because, in competition, the performance ceiling of keyboards was relatively easy to reach—at least in the era of traditional mechanical switches, when there was little technological evolution significant enough to affect keyboard choice.

    But starting in 2023, as the Wooting 60HE gradually expanded from the Fortnite scene into a broader range of games, the landscape began to shift. At that time, traditional mechanical switch products like the Logitech G Pro X were still the “default standard” on the esports stage, but the TKL (87-key) layout had already fully replaced full-size keyboards as the mainstream. By mid-2023, the Wooting 60HE entered the top five of ProSettings’ statistical rankings for the first time. Although its numbers had not yet reached market peak due to group-buy models and production constraints, the momentum was already evident.

    By August 2024, the situation had changed significantly. In Valorant usage rankings, the Wooting 60HE took first place, followed closely by the Razer Huntsman V3 Pro TKL. In cross-title overall statistics, the Razer Huntsman V3 Pro TKL ranked first, with the Wooting 60HE close behind. Most notably, within the Valorant rankings, these three magnetic and optical switch products—the Wooting 60HE, Razer Huntsman V3 Pro TKL, and Razer Huntsman V3 Pro Mini—together accounted for more than half of total usage.

    To some extent, this means that in competitive environments where “input latency” and “actuation response” sit at the core, magnetic switches, optical switches, and adjustable actuation have truly reshaped the landscape of professional peripherals.

    Turning back to the product side, the magnetic switch keyboard market in 2023 was still in its early days. Overall pricing carried a high premium, competition was not yet fully formed, yet iteration and product launches were happening at an unusually rapid pace. The first wave of domestic magnetic switch keyboards—represented by brands like Zuìlù—became the earliest “crab eaters.” They seized the window when Wooting products were nearly impossible to obtain, and against a backdrop of domestic shortages and reseller markups, entered the market at relatively controllable prices (around RMB 1,000), quickly drawing attention.

    What followed was a competitive rhythm all too familiar for domestic brands—the price war.

    Models adopting off-the-shelf driver solutions and using Hejin magnetic switches as a cost-controlled alternative to upstream suppliers like Gateron began to appear. A wave of low-priced magnetic switch keyboards sprang up almost overnight—models such as the Redragon M61, LTP68, and Jiangwan AE68 all made their debut in quick succession.

    However, early domestic magnetic switch keyboards suffered from a host of usability issues. Driver compatibility, actuation accuracy, and latency tuning were often subpar. Some models even exhibited signal drift or failures to save actuation settings. At the same time, the concept of the “magnetic switch keyboard” was gradually taking root in the mass market.

    By 2024, as the ecosystem, software, and gaming discussions around magnetic switch keyboards continued to heat up, competition across the entire market entered a white-hot phase.

    If one word were to describe the magnetic switch market in 2024, it would have to be—frenzied. A frenzied market, frenzied public discourse, frenzied products.

    In 2024, RT precision became the first chip placed on the table in the magnetic switch keyboard game. The initial round of elimination revolved around who could claim the most outrageous precision specifications. This was followed by “debunking” magnetic switch accuracy claims and entry-level instrumentation tests—echoing the vibe of hardware testing circles from years past, though largely only in flavor.

    Looking back, the noise of that period made it difficult to tell which advances were genuine technological progress and which were little more than marketing-driven hype. How much of it was self-amplification born of competitive anxiety, and how much followed some unspoken, tacit script, is impossible to verify.

    What is certain, however, is that the magnetic switch market of 2024 was a long-awaited downpour for a mechanical keyboard community that had already been squeezed to its limits. It revitalized certain teams and brands—and that opportunity became a lifeline they were willing to fight desperately to seize.

    As 2025 arrived, with market enthusiasm cooling and player understanding maturing, the competitive focus of magnetic switch keyboards began to shift. Compared with the endlessly hyped “precision myth,” latency performance gradually emerged as the true benchmark of experience. Interestingly, though, the change in standards did not bring about a change in how discussions were framed. Debates over the merits of magnetic switch keyboards remained deeply polarized. Behind this lay both deliberate brand strategies and the visible imprint of shaped user perceptions.

    Faced with such a wild and surging market, manufacturers began to lay their cards on the table.

    Next, let’s look at the recent moves of several manufacturers to see what kind of “battlefield” they believe magnetic switches truly represent.

    The Many Faces of Magnetic Switches

    Republic of Gamers (ROG)

    Although debates about the “big three” never really stop, if you look across the entire gaming hardware ecosystem, you will find ROG’s presence on almost every track. You might not rank ROG as your personal No. 1, but in terms of sheer execution and willingness to go all in, it is probably the brand most ready to charge at full speed.

    Looking back at the broader peripherals landscape, ROG currently sits in a rather subtle catch-up position compared with several long-established rivals. As mentioned earlier, peripheral usage on the professional stage tends to exert a powerful influence on consumer choices—and conversely, the pro scene itself is a condensed reflection of brand strength.

    In the mouse segment, industry leaders like Logitech at the top, the firmly entrenched Razer, the competition-focused ZOWIE, and a wave of emerging boutique brands riding trends like ultra-lightweight designs and honeycomb shells together define today’s ecosystem. ROG has released several noteworthy products in recent years—such as the Dragon Scale ACE series, which I personally admire—but overall, compared with its commanding presence in motherboards, graphics cards, and laptops, its reach and discourse power in the mouse market still fall short of these competitors. This is partly due to the ethical and strategic restraint expected of a large manufacturer, and partly because the mouse market itself is relatively ossified.

    In the keyboard segment, however, the picture looks different. This is a category that can still be redefined today, and keyboards have become a key strategic pillar within ROG’s peripheral lineup.

    Keyboards, mice, and headsets—the three core PC gaming peripherals—have an inherent synergy, especially the keyboard–mouse pairing, which is often sold as a bundle and drives mutual demand. When one component becomes compelling enough, it can feed back into the broader ecosystem and help form a closed loop of brand identity.

    Under this logic, the chips ROG has placed on keyboards are unquestionably heavy. It treats keyboards as a growth engine for its peripherals business and as a crucial vehicle for reshaping player perception of the brand—maintaining its established DNA while also striving to create new points of differentiation in design and user experience.

    Looking back at its product lines over the past few years, ROG’s strategic layout stands out as one of the most distinctive—and most deliberate—among major brands.

    The Night Demon series, built around a customization-first philosophy, broke into the high-end gaming crowd through DIY appeal; the Sorcerer RX LP low-profile optical keyboards, known for their distinctive feel, are almost in a class of their own among low-profile designs; and muscle-flexing, no-expense-spared products like the Night Demon Extreme have always been ROG’s forte.

    Across many of these products, ROG has demonstrated the confidence and resources of a top-tier manufacturer. Yet in the magnetic switch keyboard market of 2024—where “everything else is inferior, only higher specs matter”—ROG chose to limit magnetic switch adjustable actuation to a range of 0.1–4.0 mm. On paper, this specification is hardly eye-catching, and even seems at odds with ROG’s long-standing image as a “performance monster.”

    In 2025, ROG unveiled its ultra-flagship—the Shadow Fiend. Without a doubt, this is a product that feels “very ROG”: a forward-looking tri-mode magnetic switch architecture, an expansive software–hardware ecosystem, and, in some respects, even greater R&D investment and cost than the Night Demon Extreme.

    Yet even with the Shadow Fiend as its flagship, Republic of Gamers (ROG) chose to hold the line on that crucial “electronic cockfighting” metric—the adjustable actuation range. You can read this as ROG’s willfulness and stubbornness, or as the natural result of a cooling market where players and public opinion are no longer as extreme; a less charitable interpretation might be that ROG has already committed too much and is unwilling to back down.

    Beyond raw specifications, ROG’s two magnetic switch keyboards offer a number of genuinely practical features: RT toggle switches, touch panels and interaction buttons inherited from the Sorcerer line, all in an effort to make something that is not just another look-alike keyboard. What ROG is aiming for is a truly gaming-focused keyboard—one that proves its brand strength and industry standing.

    I suspect ROG may already have gained what it most wanted from this magnetic switch upheaval: its own interpretation of what a gaming keyboard should be.

    But the market’s response has been cold. The Shadow Fiend failed to recreate the momentum and buzz once enjoyed by the Night Demon Extreme. Split keyboards are simply too “ahead of their time” for mainstream players, and when combined with aggressive pricing, sales performance remained mediocre, leaving channels under considerable inventory pressure. Perhaps ROG misjudged market expectations for magnetic switches; perhaps it never intended this product to be a mass hit in the first place. Still, every act of persistence and experimentation comes at a cost.

    The magnetic switch battle is far from over, and ROG has to keep moving forward. The arrival of the Night Demon 98HE is clearly an attempt to reverse the Shadow Fiend’s downturn and reclaim initiative in the next phase of competition. ROG may well abandon some of its earlier convictions, opting for a more mainstream-friendly approach to capture market share.

    Having talked about ROG, let’s turn to another major player—one that has not directly joined the head-on competition in magnetic switch keyboards, yet has nonetheless reaped unexpected gains from the storm: Razer.

    Razer

    Perhaps even Razer itself did not expect to be pushed into the center of the spotlight on the “magnetic switch” stage. After all, what Razer has consistently championed in the Huntsman lineup is optical switches and analog optical switches. For a long time, optical switches were widely seen as the next-generation solution beyond mechanical switches.

    As discussed earlier, one of the core reasons Wooting abandoned optical switches in favor of magnetic ones lay in the structural bottlenecks of optical technology at the time. Wooting used prism-based optical switches that relied on phase detection to provide travel feedback and adjustment. This approach struggled to meet its requirements in terms of precision, fault tolerance, and long-term stability. Razer, by contrast, opted for the more demanding analog optical switch route—reading signals via light-flux detection. In theory, this offers more stable actuation behavior and a wider controllable range.

    That said, my impression of the first-generation Huntsman was far from positive. The only things that stuck with me were its balancing-bar optical switch structure—shared with Bloody keyboards—and Razer’s signature, extremely flamboyant lighting system. In that first iteration, the optical switch was treated as little more than “a faster silver switch.” It was not developed into the rich feature set we now associate with gaming keyboards, nor did it truly surpass mechanical switches in actual experience. And that was precisely the problem. The Huntsman, priced well above a thousand yuan, was disappointing in both feel and build quality: a flimsy chassis, loose bottom stand, cheap keycaps, the characteristically hollow typing feedback common to esports keyboards, and the ever-frustrating issue of accidental inputs. For a flagship product at that price, the experience left me asking—was this really a flagship?

    On the other hand, Razer’s performance in the mouse segment has been outstanding. From the DeathAdder series spanning entry-level to professional play, to the Viper line representing lightweight design, the ultra-flagship Viper Mini Wireless, the Basilisk emphasizing grip comfort and balanced functionality, and the ambidextrous Cobra focused on compatibility—Razer has effectively built a mouse lineup that covers every tier of players.

    Although Logitech dominated for a long time with the GPW, and the wave of ultra-light honeycomb mice had a dramatic impact on the market, Razer has always been the most tenacious competitor in this space, with one of the most stable positions. Its relentless iteration in mice, along with sustained competition in both technology and marketing, stems from a simple truth: within the esports peripheral ecosystem, the mouse has always been Razer’s core stronghold and spiritual totem. Riding on this momentum, Razer found itself with an unexpected “counterattack opportunity” when the magnetic switch war broke out.

    In recent years, Razer has not made many dramatic moves in keyboards. Even products like the “Scarab King” were clearly launched against the backdrop of directly competing with ROG’s Night Demon. Still, the Huntsman series has never truly faded from Razer’s core product lineup.

    The Huntsman TE, updated in 2019, established the foundational layout and design direction that still defines the series today. Then, in 2021, Razer officially introduced its “analog optical switch” system with the Huntsman V2—a critical turning point. This move pushed optical switches beyond mere “speed” into a new phase of being “adjustable and perceptible,” laying the groundwork for the later expansion of Razer’s entire input ecosystem. As the magnetic switch market exploded in 2023 and the industry chased ever more precise actuation and ever more extravagant technical narratives, Razer did not rush to embrace magnetic switches. Instead, it released the Huntsman V3 in 2023 and continued to deepen its analog optical switch approach.

    The second-generation analog optical switches brought a significant improvement in overall mold precision and, building on the previous generation, further opened up firmware capabilities. As a result, the Huntsman V3 Pro has reached a level of functionality that can be directly compared with magnetic switch keyboards. And in the ProSettings VCT 2025 player equipment statistics, the Razer Huntsman V3 Pro Mini and TKL secured second and third place on the leaderboard.

    So what, exactly, did Razer gain from this magnetic-switch war it seemed to “sit out”?

    Setting aside the obvious wins—sales revenue and player mindshare—I’d argue that, for Razer, nothing is more satisfying than finally beating its old rival, Logitech.

    For a very long time, Logitech’s mechanical keyboard lines—products like the G Pro X and G915 TKL—sat firmly at the top of virtually every gaming keyboard ranking. They were treated as the default standard for gaming keyboards. Now, Razer has leveraged analog optical switches—not magnetic switches—and ridden the market reshuffle triggered by magnetic switches to slowly pry open what once looked like an impregnable wall.

    Of course, this outcome is the result of multiple forces converging: Razer’s accumulated technical and marketing momentum, the leverage it built on the mouse side of the business, and also Logitech’s inertia after resting too comfortably on the success of the GPW, along with a noticeable skew in its product and marketing priorities in recent years. Perhaps this moment represents the peak of Razer’s combined strength and user mindshare in the FPS esports peripheral space.

    Having talked about Razer, let’s briefly introduce a particularly interesting angle. Although ROG and Razer have taken completely different paths—magnetic switches versus optical switches—if you trace things back to the supply-chain level, you’ll uncover a rather intriguing fact: most of their so-called exclusive switches actually come from the same supplier, 瑞讯瑞翼鲨. Whether due to exclusivity agreements, cost considerations, or other more complex, multi-dimensional factors is a topic for another day.

    Melgeek

    Melgeek is, without exaggeration, a phenomenon-level brand in China’s magnetic switch scene. Starting out as a design-driven studio (0.01 Studio), it quickly established a distinct aesthetic identity in the mass-production space through its MDA-profile keycaps and the MOJO series.

    Yet before the magnetic switch era arrived, Melgeek’s development had clearly entered a period of tension. Despite repeated attempts to break through—such as the modernist Modern97 and the pixel-inspired Pixel—none managed to sustain long-term momentum. The brand’s reliance on the MOJO design language became increasingly heavy, while these experimental efforts were undermined by operational missteps (the Pixel blind-box controversy being a prime example), which even generated negative backlash overseas.

    If brands like Lofree managed to build a stable core around “design + atmosphere,” then Melgeek, prior to the magnetic switch era, was constantly “searching for its next long-term meal ticket.” It desperately needed a decisive victory to complete a strategic pivot.

    That is why Made68 meant far more to Melgeek than just another “hit product.” It was a battle they had to win. Learning from earlier misfires—such as CYBER01, whose overly aggressive esports styling and pricing failed to resonate—Melgeek chose to simplify rather than escalate.

    Revisiting Made68 today, you can clearly see a deliberate shift in design language. The keyboard adopts a restrained, blocky “tofu-brick” form factor, with the front face stripped of almost all decorative elements. On the USB-C side, however, Melgeek introduced a lightbox structure inspired by electrical indicator lamps, paired with interchangeable side panels to provide visible avenues for personalization. The keycaps use Melgeek’s own near-OEM MCR height in a two-tone color scheme, preserving strong visual identity within an otherwise minimalist aesthetic.

    In stark contrast to its impressive sales figures, however, Melgeek’s performance in team operations and product cadence has been noticeably poor. In fact, latent product-level issues had already surfaced before the magnetic switch boom. Take MG keycaps as an example: aside from the Glimmer series, many colorways drew user complaints over color inconsistency, with the brand frequently responding that “renders differ from real products.” At a time when the custom keyboard ecosystem was still rough around the edges and supply chains lacked standardization, such flaws were often seen as industry norms and met with a degree of user tolerance.

    But these underlying problems were never truly resolved as the brand grew. They were merely obscured—until Melgeek’s audience expanded beyond a niche circle and into a broader market, where those issues resurfaced with greater intensity and frequency. Early batches of the Made68 were plagued by delayed shipments, inconsistent channel pricing, and chaotic supply pacing, all pointing to a structural mismatch between the team’s capabilities and the speed of its growth.

    More critically, after Made68’s explosive success, Melgeek’s iteration strategy visibly lost coherence. Driven by an aggressive hunger for market share, the brand opted for a high-risk approach during this year’s 618 shopping festival: “silent revisions plus price cuts.” The result was predictable—emotional backlash from its core user base and a loss of control over public opinion.

    Returning to magnetic switch keyboards themselves, the value of the Made series lies in the fact that it proved magnetic switches are not destined to serve esports alone. It challenged the market’s aesthetic prejudice at the time—that magnetic switch keyboards were merely “gaming keyboards”—and repositioned them as products suitable for everyday use and desk setups, pushing them toward a much broader audience. In doing so, it also exposed a genuine user demand for “beauty” that had long been obscured by certain manufacturers’ path dependence and product inertia. From Melgeek’s case in particular, we can observe a structural shift taking place in the magnetic switch market—from parameters to experience, from a single esports scenario to multiple contexts such as daily use, office work, and desk setups, and from switch-centric thinking to brand experience–oriented thinking.

    So what did Melgeek gain? In the early stage of the magnetic switch market, it secured the kind of “narrative authority” that only first movers enjoy, along with ample chips for the next round of competition—capital and market trust. This also continued Melgeek’s familiar success formula: using a single design to prop up the entire brand’s visibility and perception. Whether Melgeek can leverage the momentum of the magnetic switch market to undergo a truly make-or-break transformation, however, remains an open question.

    Or perhaps branding itself is always a matter of rowing upstream—stand still, and you fall behind. Whether Melgeek possesses the necessary resolve is not for me to pass judgment on.

    Having finished with Melgeek, let’s move on to another brand that has also emerged unexpectedly in the magnetic switch market—Iqunix.

    IQUNIX

    IQUNIX is, in fact, a relatively long-established brand. More than a decade ago, it was already making desktop and digital accessories on platforms like Digital Tail, with almost all of its products crafted from aluminum alloy—hence the nickname “the Aluminum Factory.” Over time, the brand gradually shifted its focus toward keyboards.

    After the OG80 brought it a moment of great acclaim, IQUNIX then slipped into a quiet period that lasted several years. This lull stemmed partly from wavering decisions at the management level, and partly from the brand being both aware of and exhausted by the extreme internal competition of the mechanical keyboard market. IQUNIX seemed to be searching for a new point of leverage, until the Super series finally established a clear move upmarket.

    Then the sudden rise of magnetic switches threw everyone off balance.

    Faced with this upheaval, the response of this “veteran” was remarkably swift. If ROG’s product strategy reflects the calculated, big-company style of careful planning before action, then IQUNIX’s performance can be described as all-in: rapidly integrating resources, mobilizing every available upstream and downstream solution and supply chain, and cutting decisively into the magnetic switch arena.

    At the same time, IQUNIX’s market instincts were sharp. When the EZ series launched, it targeted two key pain points. First, it filled a gap in the then-underrepresented RMB 1,000 finished-keyboard segment, offering users a high-quality ready-made product. Second, it served as a new technological experiment. The success of that experiment solidified IQUNIX’s resolve to invest further. As market share and user base accumulated, the EV series followed with even greater focus—iterating based on user feedback from the EZ series, while cleverly avoiding the sense of “forced iteration” that can alienate users.

    Through price differentiation and SKU overlap between the EZ63 (¥1299–1499) and EV63 (¥1099–1399), IQUNIX effectively locked down the fiercely contested mid-range magnetic switch market. It did not pursue a low-price strategy. Instead, it brought over its well-honed aluminum-alloy craftsmanship wholesale. The EZ/EV series set out to address a core pain point in the magnetic switch space: why should pursuing extreme performance require tolerating a sense of cheapness?

    IQUNIX’s ultimate advantage lies in its refusal to cut corners—whether in its self-developed software solutions or its willingness to invest on the hardware side. In this sense, it represents a form of “high-end value for money.” At least at the product level, IQUNIX rarely leaves behind deliberate weaknesses akin to “planned obsolescence.” This allowed it to successfully resonate with a segment of core users, planting the “Aluminum Factory” flag squarely on a magnetic switch battlefield otherwise dominated by parameter worship.

    But to attribute IQUNIX’s success solely to acting “fast” would be superficial—and entirely insufficient to explain it. Its victory is rooted in two crucial kinds of “slowness.”

    The first is thorough preparation. IQUNIX does not fight unprepared battles. From the outside, many of its moves may appear quick, but in reality, major actions are typically preceded by at least one to two years of preparation. The magnetic switch market exploded in 2023, yet IQUNIX began observing and evaluating as early as the start of that year whether this was truly “something worth doing.” Such depth of strategic judgment ensured that its entry was not blind trend-chasing.

    The second is attention to details beyond raw specifications. Take the angled slope design of the EV63, for example—it emerged directly from EZ series user feedback about wrist pain, as well as repeated reports of tendonitis within the community. Before the EV63 launched, IQUNIX’s internal development team spent over three months testing before settling on the most comfortable angle and incline. This commitment to getting the “beyond-the-specs” details right is something IQUNIX continues to do consistently.

    Clear objectives and decisive execution are IQUNIX’s greatest strengths.

    I am convinced that there are brands in this market with far greater scale and far more leverage within the supply chain than the “Aluminum Factory.” What they lack, however, is the same level of conviction. And it is precisely this kind of strategic hesitation that has given brands like IQUNIX a rare window for breakthrough in the magnetic switch era.

    After talking about the winners, it must be acknowledged that the market frenzy brought by magnetic switches has not been a shared joy across the industry. The gains and losses are uneven, and the cake created by magnetic switches is not something everyone gets a slice of.

    Next, let’s turn our attention to those brands that have stumbled in the magnetic switch wave—those that have underperformed, struggled, or been temporarily forgotten by the market.

    NuPhy

    Let’s start with an old friend of this channel—NuPhy. Chronologically speaking, NuPhy released its first magnetic switch keyboard, the Field75 HE, in mid-2024. In terms of timing, this wasn’t particularly early, but it wasn’t late either. However, instead of designing an entirely new keyboard, NuPhy chose to “magnetize” an existing model: the Field75, previously positioned as part of its gaming line and known for its highly distinctive appearance, was retrofitted with HE switches and refreshed colorways.

    This kind of grafting strategy is not hard to understand. From NuPhy’s perspective, in the magnetic switch market at the time, the Field75’s design easily stood out among most keyboard designs—and even today, it remains highly recognizable. At the same time, the Field75 itself was already something of an outlier within NuPhy’s lineup (not a native design), making it difficult to integrate smoothly into NuPhy’s core “minimalist aesthetics” marketing narrative.

    In NuPhy’s original plan, reusing a mature chassis and structural design while focusing its main efforts on integrating and tuning magnetic switches and firmware would allow the company to bring a product to market more quickly, catching the early-to-mid wave of magnetic switch hype. It would also avoid disrupting the positioning of its core product lines, such as the Air series.

    Reality, however, rarely unfolds so smoothly. While this strategy looked like a perfect way to hedge risks on paper, in practice it proved ill-suited to the emerging functional battleground of magnetic switches. It also overestimated the appeal of NuPhy’s design language to performance-focused, hardcore users.

    At the height of the “electronic cockfighting” phase, the Field75 HE’s Rapid Trigger (RT) performance was not particularly impressive. And because NuPhy had yet to launch its NuPhy IO web-based driver, it lagged behind in software ecosystem and deep programmability—areas that are central to the competitive edge of magnetic switch keyboards.

    More importantly, the design aesthetics that NuPhy had relied on for success—whether the minimalist style of the Air/Halo series or the retro radio-inspired look of the Field75—simply did not resonate with the magnetic switch market. In hindsight, this may be because the user profile differed significantly from NuPhy’s traditional audience. Neither the clean minimalism of Air and Halo nor the radio-inspired Field75 design generated much of a splash.

    In an effort to reverse course, NuPhy released a more compromised, more market-aligned product in March 2025: the BH65. This standard “brick-style” keyboard form factor was meant to pair with NuPhy’s subsequent accumulation of magnetic switch algorithms and software experience, offering a fresh start.

    By then, however, the magnetic switch market had already gone through multiple intense rounds of competition. During this period, NuPhy also experimented with price-war tactics. Some magnetic switch versions were priced to the point of feeling like “buy the switches, get the keyboard free,” especially since upstream suppliers were aggressively controlling switch pricing at the time. But this model—driving sales primarily through switch pricing—had already been played out by many manufacturers in the mechanical keyboard market years earlier. NuPhy knew full well that such tactics could only serve as a temporary stopgap and were unsustainable for long-term brand development. Recently, the company has been working on new magnetic switch keyboards, hoping they might help NuPhy secure at least a modest share of this market.

    Another brand I want to talk about may surprise quite a few readers—yet on reflection, it also makes perfect sense: Rapoo.

    Rapoo

    In the minds of many, Rapoo has long seemed like a relatively low-end peripheral brand. In reality, however, when viewed through the lens of technical depth and supply-chain capability, Rapoo is very much a “major peripherals manufacturer.” In recent years, Rapoo made a striking breakthrough with its VT series mice, demonstrating formidable strength in supply-chain integration and esports-oriented tuning. While the success of Rapoo’s mice still relies heavily on price competitiveness, the VT series—both in terms of R&D investment and real-world product experience—has emerged as a new force in the domestic esports mouse space. At the very least, it proves that Rapoo can integrate high-end sensors and components at extremely competitive prices, and that its R&D teams are capable of deep involvement in hardware and firmware tuning for esports peripherals. Yet its core brand has long been constrained by a “value-for-money” perception, making it difficult to command premiums in the high-end market.

    So when faced with the market reshuffle brought about by magnetic switches, Rapoo made a bold choice: it launched keyboards based on inductive switches. This was something most peripheral manufacturers would not dare to imagine, let alone attempt—or successfully execute. There is no doubt that Rapoo poured substantial resources into this effort, even launching a dedicated sub-brand, aesco. This was not a superficial rebranding exercise, but a genuine investment of capital and talent.

    From Rapoo’s perspective, along the mainstream magnetic-switch path, core algorithms, firmware optimization, and even switch design had already been captured by a small number of early movers and top-tier switch suppliers. Inductive switches, simply by avoiding monopolization and securing control over core technologies, already offered significant strategic advantages. On another level, Rapoo’s main brand had long been trapped by its “cost-performance” image, unable to break into the high-end market. By leveraging inductive switches and launching a new sub-brand focused on technology and hardcore performance, Rapoo was attempting a high-end transformation through a functional differentiation strategy. Finally, Rapoo’s decision to pursue inductive switches instead of magnetic switches may also have been based on internal technical assessments that identified potential advantages in inductive technology.

    Yet the outcome we see today is far from what Rapoo had hoped for. Inductive switches failed to achieve the expected success and at one point faded almost entirely from view. The aesco sub-brand, into which Rapoo had invested so heavily, also failed to fulfill its mission of propelling Rapoo into the high end. This localized setback quickly evolved into a deeper, systemic issue—a failure of strategic linkage across product lines. Although Rapoo’s VT series flourished in the mouse market, proving its technical and supply-chain strength, that success could not be effectively transferred to the keyboard category. The core reason lies in Rapoo’s choice of a non-mainstream inductive-switch path, and its failure to pivot in time toward the mainstream Hall-effect magnetic-switch solution after the market response turned unfavorable. As a result, Rapoo lacked a flagship product in the magnetic-switch keyboard segment—the very area with the greatest traffic and functional focus.

    Rapoo was effectively absent from the magnetic-switch keyboard boom. Its powerful supply-chain and R&D capabilities failed to find an outlet in the category where they most needed to be showcased. This failure to establish a high-end image, in turn, fed back negatively into the mouse lineup, limiting Rapoo’s ability to launch higher-margin mid- to high-end products or to credibly “flex its muscles” with ultra-flagship offerings. In the esports peripherals ecosystem, high-end images for mice and keyboards reinforce each other. Consumers expect a brand that can deliver extreme performance and cutting-edge technology across multiple categories. Put bluntly, Rapoo’s failure in its magnetic-switch strategy has evolved from a setback with inductive switches into a systemic obstacle in its broader high-end transformation. As for whether inductive switches or magnetic switches are ultimately superior, that technical debate is beyond the scope here—both still have substantial, foreseeable room for development.

    If we were to summarize why NuPhy or Rapoo stumbled, there would be much to unpack. On the micro level, we could dissect firmware iteration speeds for the Field75 HE, cost differences between aesco’s inductive switches and Hall-effect switches, or the delayed launch of the NuPhy IO driver. On the corporate level, the magnetic-switch test amplified existing issues: NuPhy’s supply-chain constraints rooted in its own organizational limitations, or Rapoo’s long-standing brand image being too deeply intertwined with low-end and internet-café markets.

    Yet none of these points—whether product-level flaws or broader corporate ailments—strike at the true core. That core lies in a brand’s stance toward the magnetic-switch market itself: its understanding of what truly matters in this market, and its determination to commit resources accordingly.

    The “feel” and “brand equity” that traditional manufacturers once treated as moats are rapidly losing their effectiveness in this new world of magnetic switches—one driven by absolute metrics and competitive outcomes. Sometimes, standing too high makes it harder to notice the ice beneath your feet quietly melting.

    And that brings us to our next topic—the new games, the new tickets, and the new hands being dealt.

    New Games, New Tickets, New Hands

    Resources explain why things happen. But power structures explain who makes them happen.

    If the former determines the inevitability of the magnetic switch era, then the latter determines where this wave ultimately flows. Technology, traffic, channels, costs—these once-separate forces have converged into valves of profit, and in the process, the roles and positions of every node along the industry chain have been quietly reshuffled.

    To truly understand why magnetic switch keyboards achieved explosive growth between 2023 and 2025, we must pull our perspective away from any single brand and look instead at the broader industry map: who controls upstream resources? Who defines performance standards? Who controls distribution and public discourse? And who is recombining these forces?

    In the traditional mechanical keyboard market, power was concentrated in brands—those who owned design, channels, and marketing. The emergence of magnetic switches not only strengthened switch manufacturers like Gateron and Kailh with direct-to-consumer capabilities, but also elevated previously overlooked solution providers (such as XingShan Yuedong) onto the table where power is negotiated.

    In fact, the development of chip solutions for traditional mechanical keyboards had long been relatively slow, for a simple reason: for years, players generally placed low demands on keyboard input performance, leaving limited room for differentiation.

    Magnetic switches changed that. They made the solution itself a core component of performance. This also explains why, in the early explosive phase of magnetic switches, products from small studios were able to stand out and seize early market opportunities. Those young creators—talented, passionate about gaming, and well-funded—displayed remarkable creativity and execution during this wave, and I genuinely admire that.

    But as the front lines stretched and competition shifted into a contest of scale and supply chains, their advantages often proved difficult to sustain. When facing seasoned factory veterans, small studios struggle to compete long-term in production capacity, cost control, sustained iteration, and channel dominance. Setting aside all the talk of “business warfare,” I think the most essential truth may simply be this: excellence does not always equate to success.

    Whether it was the custom keyboard studios of earlier years or today’s so-called “obsessive magnetic switch keyboards,” raw excellence often bred arrogance—leading to conflicts with customers and even widespread poor business practices. Behind this sense of superiority lies, in reality, a disregard for the industry itself. By contrast, the factory old hands may lack flair, but they have one thing others don’t: the ability to endure—perseverance, patience, and a deep understanding of how business rules actually work.

    In the end, these core powers are ceded to those who better understand the mechanics of commerce. And it is precisely these powers that grant upstream players the authority to issue the tickets for entry into the game.

    Whether a product is seen, believed, and ultimately paid for depends on how downstream channels and promotion distribute traffic, shape narratives, and complete the final conversion.

    Let’s start with the channels closest to us as players. Over the past few years, whether it was the explosive rise of livestream commerce or earlier models like Pinduoduo, both have fundamentally reshaped how the keyboard industry thinks about sales channels.

    Traditional e-commerce platforms—especially JD.com—have long been the main battlefield for male-oriented consumer electronics. Their core logic is classic shelf-based commerce: product pages, spec comparisons, and brand trust form a relatively rational but lengthy decision path. Users are often first “seeded” on content platforms, then head to JD to compare prices, perhaps browse reviews on Taobao, and only then place an order.

    The rise of livestream commerce completely shattered this rhythm. Purchasing is compressed into a single scene: watch a demo, listen to the pitch, place the order. The conversion funnel shrinks from five steps to one, and the relative power of brands within channels is reshuffled accordingly.

    At the same time, TikTok’s in-app shop ecosystem is opening up new breakout opportunities for mid-tier brands. Under traditional shelf-based e-commerce, ranking mechanisms, brand budgets, and accumulated reviews form natural barriers, allowing major brands to dominate for years. In algorithm-driven livestream and short-video environments, however, traffic becomes more decentralized and more interest-oriented.

    This means that emerging brands—those able to rapidly integrate off-the-shelf solutions and present them efficiently at relatively low cost—are, for the first time, gaining a realistic window to bypass the entrenched barriers of traditional giants and quickly capture market share.

    On the promotion side, if the keyboard content ecosystem used to be a comfortable corner—small but precise traffic, limited in conversion scale—then the influx of hot money has naturally brought new competition. In my view, this is not necessarily a bad thing. The breaking out of the keyboard content ecosystem benefits users; it is better than a stagnant, self-satisfied niche.

    Correspondingly, gaming creators command massive, young, and emotionally driven audiences. Magnetic switches became the perfect justification for consumption upgrades, enabling a wholesale replacement under the narrative of “faster, stronger.” Sales figures have proven that magnetic switches truly did break out of their original circle.

    But another side has gradually emerged as well. When products are placed into higher-frequency, more emotionally charged content environments, what gets repeatedly amplified and consumed is not only performance selling points, but controversy itself. Overwhelming waves of public-opinion crises are becoming the norm. This is because the performance narrative around magnetic switches is, in truth, extremely fragile. Once performance fails to meet expectations—or is “debunked” by competitors—the narrative and the trust behind it can collapse almost instantly.

    Many brands move large volumes quickly through streamer traffic, yet lack the after-sales and customer support systems of traditional brands. When product issues erupt, responsibilities among channels, brands, and solution providers become blurred, creating significant hidden risks.

    All of the phenomena discussed above ultimately point not to any single technology, but to long-standing issues of business ethics and responsibility boundaries within the keyboard industry.

    They create exceptionally fertile ground for profit-driven actors who lack long-term content investment, brand accumulation, and product self-discipline, yet are eager to cash out quickly. These players are often both direct beneficiaries of disorder within the industry chain and active amplifiers of repeated public-opinion crises.

    And this is precisely where the magnetic switch industry game becomes truly brutal:

    Being seen is, in itself, a form of power; being discussed repeatedly is a high-risk privilege.

    For now, this is where the market analysis of magnetic switches will pause. There are still many subjects worth exploring but left untouched—for example, brands like Keychron. Although their magnetic switch products have limited presence in the domestic market, overseas they have already built a non-negligible sales scale and product matrix, and in a certain sense, possess the qualifications to seriously discuss “in-house development” and long-term technical roadmaps. However, due to the limited scope of my own cooperation and communication with the brand, it would be difficult to offer a sufficiently informed, targeted discussion, so I will refrain from doing so here.

    As for those brands whose sales have already reached phenomenon-level status, there is little need for me to elaborate—readers will have their own judgments. In keeping with the writing boundaries and value stance I have consistently maintained, I will not comment on them one by one here. Live and let live; may we all mind our own waters.

    A Fork in the Road

    So—will magnetic switches become the next MX?

    Peeling away the layers of commercial noise and returning to the original question, after visiting factories, speaking with brands, and observing the power reshuffles and channel transformations behind this technological wave, my answer is actually quite clear: no.

    Whether you attribute it to the dividends of an era or to industrial opportunity, what truly established MX’s towering status was never extreme performance, but its unparalleled universality and compatibility. It accompanied countless players through their youth in dimly lit internet cafés, and late at night, it could just as easily become a writer’s most reliable input tool. MX became a standard precisely because it could adapt to almost any scenario.

    Magnetic switches, by contrast, are less an “upgrade” to MX than a process of extraction. With near thunderous force, they isolate the core attribute of competitive gaming from the body of the mechanical keyboard and amplify it to an extreme.

    For that very reason, my intuitive judgment is this: the explosive rise of magnetic switch keyboards is not, in essence, a comprehensive upgrade of mechanical keyboards, but a re-consolidation of the concept of the “gaming keyboard.”

    To be honest, for quite a long time I held clear reservations about magnetic switches. I once believed their use cases were too narrow, serving only a small group of gamers chasing peak performance; for the broader public, paying an added premium for that 0.1 mm of rapid stop or actuation travel offered very limited perceived value.

    But over this period—through conversations with industry friends, visits to offline internet cafés, and observing the real-world setups of game boosting studios—my conclusion changed fundamentally.

    I realized that even in scenarios where magnetic switch features are almost never used, as long as the word “gaming” is involved, magnetic switches have already become a necessary option. A magnetic switch keyboard is no longer merely an input device; it is the concrete embodiment of the abstract idea of the “gaming keyboard.”

    A perfectly straightforward example is the internet café.

    Imagine an internet café owner setting up a high-end private room. He will almost certainly choose a ZOWIE monitor, a flagship mouse from Logitech or Razer, and a magnetic switch keyboard. He cannot predict whether the customer who walks in wants to play Valorant, Black Myth: Wukong, or just a few casual rounds of League of Legends.

    But for him, equipping a magnetic switch keyboard is not about whether it is “good to use,” but about having “no weak links.” Even if it is only for that 1% of high-demand players, or for the handful of games that are extremely sensitive to input, this is infrastructure that must be in place—because it defines the competitive ceiling of the machine.

    The same logic applies to boosting studios. Even in games like Delta Force, where magnetic switch features are almost never actually used, many studios still outfit all their setups with magnetic switch keyboards.

    The reason is simple: magnetic switches have become a symbolic standard of “professionalism.” And it is precisely here that magnetic switches have completely redefined what a “professional gaming keyboard” means.

    In today’s context, a keyboard without RT functionality—no matter how good it feels—can never be considered complete in terms of its “gaming” identity.

    Fate has a sense of irony. After many twists and turns, it was video games that revived the mechanical keyboard category in the first place; now, games have once again become the new ticket of entry. The difference this time is that magnetic switch keyboards are actively stripping the concept of “gaming” out of the broader mechanical keyboard category—and this trend is already clearly reflected in shifts in market share.

    Looking back at more than two decades of domestic mechanical keyboard development, the first half of that journey revolved almost entirely around gaming and the internet café ecosystem, completing the initial accumulation of users. The second half, by contrast, was a continuous attempt to broaden usage scenarios—evolving new forms, nurturing the custom keyboard community, and striving to “de-game” the product, turning it into a more elegant, more universal symbol of desktop culture.

    Now, as the category gradually exhausts its own foundations through uncontrolled expansion, and is forced by changing circumstances to look back toward the gaming market, that once “de-gamed” source of revival has become an unavoidable competitive threshold it must now look up to.

    For some brands, the product-positioning anchors that once worked effortlessly, reused again and again without much thought, have completely collapsed. This is not the “original sin” of magnetic switches. Rather, it is the belated yet inevitable reckoning for years of trading long-term foundations for short-term profits, and evading sustained investment in technology and users through complacency.

    Looking back, gaming keyboards have always been on the stage. And over the next decade, the real story will not be the battle between magnetic switches and MX, but whether brands are willing to confront themselves—and rediscover where they truly stand.

    Magnetic switches are a mirror. They reflect not only the industry’s restlessness and anxiety, but also define the chips each participant brings to the table: sensitivity in product positioning, innovation and R&D capability, long-term investment in brand and content, channel and ecosystem strategy, and insight into user psychology.

    There is no business that works forever, no shortcut that stays open indefinitely. The winners of the future will be those brands that dare to face the reflection, confront their shortcomings, and commit to long-term value. Magnetic switches may ultimately be nothing more than a footnote in this game—a reminder, a mirror held up to the industry, reflecting the true direction forward in a faint but telling light.

    And finally, let’s talk about something slightly off to the side.

    In the past, there were many products similar in spirit to magnetic switches, yet none achieved this level of success. The core reason is simple: their technological maturity and timing never resonated with the market’s hunger for extreme performance. On the other hand, there are products such as electrostatic capacitive keyboards that likewise failed to distill an equally sharp and concrete scenario label like “gaming keyboards.” At the root of it all, perhaps their greatest competitors were never here to begin with.

    Still, none of this prevents these products from surviving in one form or another. In fact, electrostatic capacitive keyboards have been quite active in the custom scene this year. And for the custom keyboard world, magnetic switches have acted as a kind of crucible. I remember clearly that after the mechanical keyboard category took off, there was a period when many outsiders poured into the custom scene: small bosses who, constrained by resources, were “demoted” into custom competition, as well as young players drawn in by trends, eager to explore.

    Today, however, both hot money and users have been redirected en masse toward the magnetic switch market, which has formed its own version of a “custom” ecosystem. Traditional custom circles are now much quieter than before—but as a result, a smaller, more focused, and more dedicated group of players has remained.

    I think this may well be the ecological niche where custom keyboards truly belong. When speculators leave and the tide recedes, it returns to deep work on structure, design, and feel—requiring time, patience, and steady progress, built brick by brick.

  • When the End of the World Becomes a Trending Topic: A Guide to Traveling to Antarctica

    When the End of the World Becomes a Trending Topic: A Guide to Traveling to Antarctica

    Antarctica doesn’t often appear on the Chinese internet’s trending lists. Its most recent appearance, however, was rather unusual—sparked by an internal letter sent by a well-known company founder during a trip to Antarctica.

    Glaciers, penguins, and the polar day were suddenly placed in the same public arena as overtime, KPIs, and annual performance reviews. Naturally, people interpreted the situation in different ways. “The boss is at the end of the world, while employees are stuck at their desks” was the first reaction for many after reading that company-wide email. But for others, it was the first time they realized that Antarctica is no longer just a scene from documentaries—it’s a real place that can be “consumed” as a travel destination.

    For example, my partner. Her preferred vacation destination for next year has already shifted from Japan to Antarctica. I strongly suspect this incident had something to do with it. Following the principle of “she proposes, I execute,” I had to start digging into the details and figure out how “going to Antarctica” actually works. First comes the feasibility study, then a proper project plan. As for whether it will really happen next year—that depends entirely on how cooperative my wallet decides to be.

    This article isn’t meant to judge that letter, nor to discuss corporate management. It’s simply trying to do one thing: clearly explain what Antarctic travel itself is all about.

    When we talk about “going to Antarctica” today, what are we actually talking about?

    Who Governs Antarctica?

    Let’s start by clearing up a basic fact: Antarctica is not a country, and it does not belong to any country. It is the only place in the world that falls outside the sovereignty of any nation.

    Between 1908 and 1941, the United Kingdom, Australia, New Zealand, France, Norway, Chile, and Argentina successively made territorial claims over Antarctica.

    Antarctic research stations and territorial claims map (2015)

    Based on the so-called “sector principle,” these seven countries took the South Pole as the apex, used meridians and parallels as boundaries, and drew sectors whose bases were defined by a country’s coastline or a specific latitude. The resulting wedge-shaped areas became their claimed territories. In this way, the combined claims of the seven countries covered more than 80% of the Antarctic continent.

    However, the international community did not recognize these sovereignty claims, instead calling for Antarctica to be regarded as the “common heritage of all humankind.” That stance is easy to understand. Still, the seven claimant countries and the rest of the world could not reach a consensus. As a result, on December 1, 1959, Argentina, Australia, Belgium, Chile, France, Japan, New Zealand, Norway, South Africa, the Soviet Union, the United Kingdom, and the United States signed the Antarctic Treaty, temporarily setting aside the issue of sovereignty.

    The Antarctic Treaty, signed in 1959 and entering into force in 19611, established several fundamental principles for Antarctica:

    • Use exclusively for peaceful purposes;
    • Priority given to scientific research;
    • A freeze on all sovereignty claims;
    • A ban on military activities and nuclear testing.

    Today, the treaty has 50 member states, including 28 consultative parties and 22 non-consultative parties. As for the territorial claims made by the seven consultative parties, the remaining 43 member states neither recognize those claims nor have they put forward claims of their own.

    Thankfully, no one recognizes the seven countries’ demands—otherwise, traveling to Antarctica might require a U.S. visa, and diplomats could end up being posted to the South Pole. Still, even though there’s no passport stamp on entry, Antarctica is far from a free-for-all “no man’s land.”

    Antarctica today is a highly institutionalized and tightly managed space. Almost all legitimate Antarctic tourism activities must be conducted through companies that are members of IAATO (the International Association of Antarctica Tour Operators)2. Operators are responsible for managing visitor behavior, limiting landings, protecting the environment, and ensuring emergency evacuation capabilities.

    Who Goes to Antarctica?

    Many people assume that traveling to Antarctica is reserved for a tiny group of explorers, but that reality has changed dramatically.

    In the late 19th century, Antarctica truly was the last undeveloped continent on Earth. Whalers and seal hunters were likely the first humans to set foot on the Antarctic continent in search of opportunity. In the early 20th century, countries such as Japan, Germany, the United Kingdom, Sweden, and Norway all launched plans to explore Antarctica, and competition among them was at times extremely fierce.

    On December 14, 1911, a five-man expedition led by Norwegian polar explorer Roald Amundsen reached the South Pole, becoming the first team in human history to do so3. Just over a month later, on January 17, 1912, a five-man party led by British explorer Robert Falcon Scott arrived at the South Pole, only a little more than 30 days behind Amundsen4. The two men even visited each other’s ships at the time. Some readers might be interested in the stories of these two legendary figures—perhaps I’ll write about them in a separate piece someday.

    Today, the 29 consultative parties to the Antarctic Treaty operate 70 permanent research stations on the continent, while tourism around Antarctica began as early as the late 1950s. Over the past two decades, the number of Antarctic tourists has continued to grow—from just a few thousand per year in the early days to tens of thousands annually in recent years (with a temporary interruption during the pandemic). Most visitors come from Europe, North America, Australia and New Zealand, as well as Asia, where growth has been particularly noticeable in recent years. According to data from the International Association of Antarctica Tour Operators, in the pre-pandemic 2018–2019 season, 56,000 people traveled to Antarctica, with the largest number coming from the United States and the second-largest from China.

    The reasons behind this growth are not hard to understand.

    It is now 2025 (editor’s note: referring to the time of writing), and traditional “end-of-the-world” destinations have largely been developed. Whether it’s Machu Picchu, Easter Island, or even tourism within the Arctic Circle, these places are no longer rare. Prices for such destinations have been driven down significantly—I can even find Machu Picchu tour packages for just a few thousand yuan on platforms like Ctrip or Fliggy. For middle- and high-income groups, there is a clear desire for “non-replicable experiences.” Perhaps this also contains an element of what The Theory of the Leisure Class describes as “conspicuous consumption.”

    People’s growing desire for better travel experiences—and for producing truly unique photos to post on social media—has come into direct conflict with the limited capacity of Antarctic cruise ship berths.

    Although the cruise industry and polar equipment have become highly mature, and expedition ships are no longer the life-or-death gamble they were in the 19th century, Antarctica is still subject to numerous treaties that cap visitor numbers at a relatively low level. Even though tens of thousands of people now visit each year, that figure may still be lower than the single-day foot traffic at some popular national holiday attractions. I’m looking at you, Shanghai Disneyland.5

    Antarctica has shifted from an “exploration narrative” to a form of symbolic consumption. It symbolizes freedom of time, freedom of resources, and the act of “having been there” in an extreme environment.

    That said, I’m not criticizing consumption. On the contrary, I think consumption can be a good thing.

    The importance of tourism to Antarctica is self-evident. Carefully controlled tourism is not only unproblematic, but can be genuinely beneficial. Antarctica has no indigenous population to advocate on its behalf—it needs people to speak for it. Tourism can help build a global community that is willing to support and fund the protection of Antarctica. Many people have probably seen that iconic photo of a polar bear standing on a piece of floating ice. My view, shared by many others, is this: compared with being ignored entirely, a certain degree of responsible tourism is the better option.

    How Do You Go About It?

    Timing Window

    Antarctic tourism is only open during the Southern Hemisphere summer, typically from November to March of the following year. During the rest of the year, Antarctica enters a period of polar night, extreme cold, and extensive ice formation. Sea ice closes in, winds become uncontrollable, and the region is virtually unsuitable for any commercial navigation or landings.

    Even within this short five-month window, the experience varies significantly by month:

    November marks the transition from Antarctic spring into early summer, when the season is just beginning. Temperatures range from about −2°C to −1°C, with 18–21 hours of daylight. At this time, ice coverage remains thick and sea ice is dense, making the overall scenery closest to what many people imagine Antarctica to look like. However, wildlife activity is relatively limited: penguins have not yet entered their most active breeding phase, and landing site options are more restricted.

    As a result, prices in November are generally more affordable, with a slight increase in December.

    December to January is the peak season for Antarctic travel. Temperatures hover around 0.3°C to 0.5°C, with 16–20 hours of daylight. This is when Antarctica enters the polar day period, with nearly 24 hours of sunlight. Conditions are relatively mild, and penguins are in their nesting, incubation, and chick-rearing stages, making it the best time for wildlife observation. Most first-time visitors to Antarctica choose this window.

    From February to March, Antarctica takes on a different character. Ice begins to melt, improving maritime access and making conditions more flexible for zodiac cruises and photography. Juvenile penguins gradually grow, while adults begin taking their chicks out to sea. Whale sightings become more frequent, offering a richer visual experience. Late March is considered the prime time for whale photography.

    Routes

    Getting to Antarctica isn’t as simple as buying a plane ticket, the way you would for Iceland or Alaska.

    I usually break the journey into three segments. The first is flying from China to Argentina or Chile. The second is traveling from those countries’ major cities to the Antarctic gateway ports. The third leg is the journey from a sovereign country to Antarctica itself. In practice, most Antarctic trips rely primarily on sea routes, meaning you’ll be traveling by ship.

    Flying from China to Argentina or Chile

    Aside from China Eastern’s direct route from Shanghai (with a stopover in Auckland) to Buenos Aires, there are currently no other nonstop flights from China to Argentina or Chile. In most cases, you’ll need at least one connection to reach Buenos Aires (Argentina’s capital) or Santiago (Chile’s capital), and then take another flight to Ushuaia or Punta Arenas.

    China Eastern’s quasi-direct flight typically costs over RMB 20,000 round trip, and it’s unclear whether there will be significant discounts in the future.

    With some patience and luck, connecting flights can be much cheaper. However, many transit routes require transit visas, so preparation in advance is essential. That said, if you’re already planning a trip to Antarctica, visas are probably not your biggest concern.

    It’s also worth noting that on July 21, 2025, the Argentine government announced that Chinese passport holders with a valid U.S. visa can enter Argentina visa-free for up to 30 days. 6In other words, if you have a B1/B2 U.S. visa, you can enter both Chile and Argentina without applying for separate visas. If you overstay, you can either apply for an extension at immigration or pay a fine upon exit, without affecting future entries to Argentina.

    Based on my experience, it’s best to book international flights and South American domestic flights separately. This approach usually offers two practical advantages. First, splitting the tickets often results in a lower overall price. Second, it gives you greater flexibility, making it easier to add side trips within South America—such as Buenos Aires, Perito Moreno Glacier, Iguazú Falls, or even extending the trip to Torres del Paine in Chile or Peru.

    In real-world searches, round-trip international tickets from Beijing to Buenos Aires can often be found in the RMB 10,000–14,000 range if you monitor prices in advance, including options from higher-quality carriers like Turkish Airlines and Emirates.

    Once your Antarctic cruise dates are confirmed, it’s advisable to start watching international airfare trends right away. If you see prices that are clearly below the norm, that’s usually the time to buy. In general, I wouldn’t recommend waiting until less than a month before departure to book long-haul flights. The same applies to domestic flights within Argentina—booking early not only saves money, but also makes it easier to find flight times that connect smoothly.

    From International Cities to Antarctic Port Cities

    Whether you choose Ushuaia in Argentina or Punta Arenas in Chile as your embarkation port, the basic flight-planning logic is very similar. You’ll fly from Buenos Aires to Ushuaia, or from Santiago to Punta Arenas.

    One critical detail to watch out for is Buenos Aires’ airport layout. Ministro Pistarini International Airport (Ezeiza) mainly handles international flights and is quite far from the city center. Aeroparque Jorge Newbery Airport, on the other hand, serves mostly domestic flights and is much closer to downtown. If possible, avoid switching between these two airports on the same day. If you must transfer between them due to time constraints, be sure to leave a generous buffer—at least five hours. During peak times, the commute alone between the two airports can take more than three hours.

    Before boarding your Antarctic cruise, it’s highly recommended to reserve at least one buffer day in Ushuaia to account for flight cancellations, delays, or lost luggage. If you miss the ship due to upstream flight issues, there is usually no way to recover the cost of an expensive cruise ticket.

    The return journey also requires careful planning, since Antarctic cruises can be delayed when returning to port. Flights departing Ushuaia should ideally be scheduled after 11 a.m. International flights leaving Buenos Aires are best booked for the day after disembarkation. If time is truly tight, flights departing after 10 p.m. on the same day tend to carry a relatively manageable level of risk. As everyone knows, plans often struggle to keep up with reality.

    One more word of caution: be wary of the low-cost airline Flybondi. While its fares are cheap, flight cancellations and schedule changes are frequent. I have friends who received four schedule-change notifications from Flybondi in just three days. If your itinerary requires precise coordination with an Antarctic cruise or international flights—especially if you’re planning quick side trips—choosing a more reliable airline is usually the safer bet.

    If your South American journey extends beyond Antarctica, a more efficient approach is to book an open-jaw or multi-city ticket. For example, you could fly from China into Buenos Aires and return home from Lima or Santiago. This is often cheaper than buying two separate one-way tickets and also avoids unnecessary backtracking. Some European transfer routes (such as via Paris or Amsterdam) may require a Schengen visa, so be sure to check requirements in advance.

    From Argentina or Chile to Antarctica

    From Ushuaia in Argentina or Punta Arenas in Chile, there are generally two ways to reach Antarctica: a fly–cruise combination or a full voyage by ship.

    In recent years, a small number of high-end products have emerged that “fly over the Drake Passage,” taking passengers directly by plane to the Antarctic Peninsula before boarding a ship for activities. These options are more expensive, extremely limited in availability, and have not become mainstream. Antarctica21, for example, operates exclusively on a fly–cruise model.

    In simple terms, you fly across the Drake Passage and then board a ship near the Antarctic Peninsula. A two-hour flight replaces what would otherwise be two days of rough seas in the Drake Passage. However, flights to Antarctica are highly weather-dependent, and delays or cancellations are not uncommon. Across an entire Antarctic season, fewer than 10% of all visitors choose routes that include at least one flight.

    This model relies entirely on an extremely fragile logistics node: Teniente Rodolfo Marsh Martin Airport (IATA: TNM) on King George Island in the South Shetland Islands. In such a resource-constrained environment, flight windows are often measured in minutes. Flights are scarce, prices are higher than traditional ship-in/ship-out itineraries, and discounts are virtually nonexistent.

    A typical product is Antarctica21’s fly–cruise route, which departs from Punta Arenas in Chile, flies across the Drake Passage, and offers an 8–10 day itinerary, with prices starting at RMB 100,000–200,000.

    Wait—how did this start sounding like an advertisement for Antarctica21? To be fair, the company does claim to be the first in the world to pioneer fly–cruise Antarctic travel. They say so, and I believe them. I’m that easygoing as a consumer.

    Fly–cruise itineraries usually depart by plane from Punta Arenas and land at Chile’s Frei Station on King George Island in Antarctica. That means your flight-tracking app will record an exceptionally rare “Antarctica” check-in.

    Frei Station is Chile’s research station on King George Island, the largest island in the South Shetland Islands. The surrounding area hosts a dense cluster of international research stations, including China’s Great Wall Station7, Russia’s Bellingshausen Station, Uruguay’s Artigas Station, and South Korea’s King Sejong Station, making it one of Antarctica’s most concentrated scientific hubs.

    For the vast majority of travelers, however, a trip to Antarctica is fundamentally a voyage by sea.

    The most mainstream route today departs from the southernmost port cities of South America—most commonly Ushuaia in Argentina, or for some itineraries, Punta Arenas in Chile. Travelers board specialized polar expedition ships at the port, then cross the Drake Passage to reach the waters around the Antarctic Peninsula. This leg of the journey typically takes about two days.

    Before reaching the port city, tour operators may add stopovers in places like Santiago or Buenos Aires to raise the overall package price and increase margins.

    The Drake Passage, located between South America and Antarctica, is one of the roughest and most meteorologically unstable seas in the world. With no continental landmass to break the winds, the westerlies rage year-round, and wave heights can reach several meters or more. Ships inevitably endure constant rolling and pitching. For passengers, this often means prolonged physical discomfort, disrupted sleep, and a serious test of mental resilience.

    So promise me one thing: bring motion sickness medication. Antihistamines are the most common “seasickness pills” and are suitable for preventing mild to moderate motion sickness. They work by suppressing vestibular nerve signals to reduce dizziness and nausea, and are most effective when taken 30–60 minutes before sailing.

    Drug nameSuitable use
    Dimenhydrinate tablets (commonly used for motion sickness/seasickness)Suitable for people with mild or occasional motion sickness; some users may experience side effects such as drowsiness or dry mouth.
    Diphenhydramine tabletsHas antiemetic effects; adults can take it before departure. After taking it, avoid driving or performing tasks that require fine motor skills.
    Promethazine hydrochloride tabletsAlso a commonly used antihistamine that helps suppress motion sickness; should be taken according to the instructions or a doctor’s advice.

    These medications are widely available in pharmacies in China. You can simply ask the pharmacist for motion sickness or seasickness medication.

    Anticholinergic drugs are suitable for moderate to severe motion sickness. They work by blocking neurotransmitters such as acetylcholine, and are more effective for severe nausea and vomiting.

    Drug nameSuitable useNotes
    Scopolamine patchThis is a commonly used “patch-style seasickness patch” in China, usually applied to the skin behind the ear. Its effects typically last for dozens of hours. It should be applied about 4 hours in advance, making it suitable for long sea journeys or people who are prone to seasickness.Anticholinergic drugs have certain contraindications; people with conditions such as glaucoma or prostate enlargement should avoid using them. It’s best to consult a doctor or pharmacist before use.

    That said, ships usually carry seasickness medication on board. You may need to pay for it, but the price is generally not high—I’ve seen prices of around €1 per pill mentioned on social media. Seasickness is one of those things you don’t truly understand until it hits you. Once it does, you may find yourself unable to even get out of bed. I speak from painful personal experience.

    Ship Selection

    In Antarctic travel, a ship’s passenger capacity is a critical factor because it directly affects the quality of the experience. IAATO categorizes cruise ships operating in Antarctica into four classes:

    TypePassenger capacityLanding capabilityCharacteristics
    YAFewer than 12Most flexibleMostly sailing yachts or small yachts, with the widest choice of landing sites.
    C113–200Very strongTraditional small expedition ships with many landing sites and in-depth experiences.
    C2201–500LimitedMid-sized cruise ships; landings are possible but with fewer site options.
    CROver 500No landingsLarge luxury cruise ships, limited to scenic cruising only.

    Why does passenger capacity matter so much? Because Antarctic landings are governed by strict rules: only one ship may enter a site at a time; each landing site allows only one ship to land at once; and no more than 100 passengers may be ashore at any single landing. Ships carrying more than 500 passengers are not permitted to dock in Antarctica at all. As a result, ships with fewer than 100 passengers can land everyone at once without rotating groups. When weather conditions allow, these ships can usually conduct landings both in the morning and the afternoon.

    Unless there is a specific local requirement to further limit numbers, at any given time a maximum of 100 passengers from a single ship may be ashore.

    How Passenger Capacity Affects the Actual Experience

    • Around 100 passengers: Best experience. Everyone can land at the same time, with no need for rotation and plenty of time ashore.
    • Around 200 passengers: Good experience. Landings are done in rotating groups (half landing while the other half cruises by Zodiac), generally ensuring sufficient activity time.
    • Around 300 passengers: Noticeably reduced experience. Multiple rotations are required, leading to significantly longer waiting times.
    • 500 passengers and above: Not recommended. Ships of this size are prohibited from conducting landings, and passengers can only view Antarctica from offshore.

    The advantage of smaller ships lies in their flexibility: they have access to more landing sites, and each passenger gets more opportunities and more time ashore. Larger ships, on the other hand, benefit from greater tonnage, making crossings of the Drake Passage more stable under similar conditions. As for ice-class ratings, they are a lower priority for travelers—operators will have already taken those considerations into account.

    Pricing

    When it comes to Antarctic travel, price is a topic you can never really avoid.

    Peace of mind and saving money rarely come together. Planning everything yourself doesn’t necessarily make it cheaper either—the pros and cons need to be weighed carefully. As mentioned earlier, if you go with a travel agency for a customized itinerary, the trip often includes more than just Antarctica itself.

    The so-called “ship ticket” to Antarctica (which is actually a cabin on an Antarctic expedition cruise) is usually purchased in one of the following ways. For Chinese travelers, agents and specialized travel agencies are the most common channels.

    Buying via online platforms or OTA agents

    Ctrip / Tufeng (Ctrip’s polar travel section) is the most widely used platform among Chinese users. Simply searching for “Antarctic cruise” will bring up many package tours offered by different agencies. The platform typically handles cabin bookings, flights, and hotels as a bundle. As a customer, you usually only need to pay a deposit upfront, with the balance due around 120 days before departure. One odd thing is that most listings on Ctrip seem to be based on double occupancy, with prices shown per person. At first glance, they often appear to be under RMB 100,000 per person. In practice, prices usually start at around RMB 100,000 and go up from there, with no real upper limit.

    I even saw a package priced at RMB 18,000 per person. This was the route map:

    At first glance, it looks like a scam—but to be fair, it does technically “touch” Antarctica.

    Other platforms such as Fliggy, Qunar, and Mafengwo also offer Antarctic travel products, but Ctrip remains the dominant player. After all, Ctrip and its affiliated Tongcheng together account for roughly half of the domestic market.

    Buying through specialized polar travel agencies

    These agencies often charter entire ships or blocks of cabins, and typically provide Chinese-speaking tour leaders, expedition teams, and guaranteed landing arrangements. They tend to be more professional. Priority should be given to agencies that are IAATO members.

    That said, I won’t recommend any specific Chinese travel agencies. I don’t know them well enough, so I won’t comment or endorse.

    Booking directly through international operators’ official websites

    Common operators include Antarctica21, Quark Expeditions, Ponant, Silversea, Hurtigruten, and others. You can find full details and official website links on the IAATO operator list.

    With this option, you book the cabin directly on the operator’s website, and handle South American flights, hotels, and transfers yourself. Payments are usually in U.S. dollars, with generous early-bird discounts. Prices can fluctuate significantly, and occasionally there are substantial last-minute deals. The downsides are the lack of Chinese-language support and more complex visa and itinerary coordination. That said, when you see prices like USD 5,995 per person, these inconveniences suddenly don’t seem like such a big deal. Here’s the route map for one such itinerary—I’d say it’s better value than that RMB 18,000 package on Ctrip, at least it actually goes past Frei Station:

    If you’re considering a fly–cruise itinerary, there are currently four operators offering this model: Antarctica21, Aurora Expeditions, Quark, and Silversea. While the itineraries differ slightly, the general structure is similar. On Day 1, all except Silversea begin in Punta Arenas in southern Chile (Silversea includes round-trip flights between Santiago and Punta Arenas). On Day 2, travelers fly from Punta Arenas to King George Island in Antarctica. After several days cruising in Antarctica, the second-to-last day typically involves flying back to Punta Arenas.

    For Antarctica21, the ticket price includes one night at the Cabo de Hornos Hotel or a similar property in Punta Arenas on the first day of the fly–cruise journey, and one night at the same or equivalent hotel on the day you return from Antarctica (breakfast included). Onboard, daily breakfast and lunch are buffet-style, with a three-course dinner served each evening. Most operators structure their packages in a similar way. What’s not included are accommodations, meals, activities, and transportation outside the listed itinerary and emergency plans, as well as meals in Punta Arenas on the day you return from Antarctica.

    For reference, here’s last year’s price list for Antarctica21’s Magellan Explorer.

    Things to Keep in Mind

    • Book early: Popular departures—such as around the Lunar New Year or during the December–January penguin chick-rearing season—usually need to be booked 6–12 months in advance. The best cabins and early-bird discounts sell out quickly.
    • Price range: As you can tell from the examples above, prices vary widely. A classic Antarctic Peninsula trip of 8–12 days typically costs around RMB 100,000–250,000. More in-depth itineraries reaching the Antarctic Circle or including South Georgia Island usually last 15–25 days, with prices also starting from around RMB 100,000. There’s effectively no upper limit to Antarctic travel pricing—how high it goes depends on how far you’re willing to push it. That said, solo travelers can sometimes keep costs below RMB 100,000.
    • Essentials: Purchase travel insurance that covers medical evacuation. There are no hospitals in Antarctica, though ships usually have a medical room. Pay attention to baggage limits (for flights to Antarctica, carry-on luggage is often limited to 5 kg, with checked baggage capped at 15 kg), and make sure your passport has sufficient validity.
    • Risks: Weather has a major impact and may cause flight delays or cancellations. Choose operators with clear contingency plans and refund policies.
    • Compliance first: Only travel with IAATO member operators to avoid unregulated vessels and environmental risks.
    • Children: Based on my review of operators’ policies, the minimum age is generally 8 years old (12 years for routes that involve crossing the Drake Passage by ship, such as Antarctic Express). Children must be accompanied by a fully responsible adult who signs a liability waiver.

    At first glance, Antarctic travel may seem like a “luxury trip,” but once you break down the cost structure, it becomes clear that it’s not simply about brand premiums.

    The high price of Antarctic tourism mainly comes from three categories of non-compressible costs.

    First, the cost of ships and people. Vessels capable of navigating polar waters must meet polar-class standards, with double hulls, reinforced propulsion systems, professional crews, and onboard doctors. The construction, maintenance, and operation of such ships are far more expensive than those of ordinary cruise liners.

    Second, environmental protection and safety compliance costs. Every landing and every route must comply with the Antarctic Treaty System and IAATO regulations. Limits on visitor numbers, restrictions on landing rotations, and comprehensive emergency plans all deliberately reduce efficiency and raise costs.

    Third, the cost inherent to scale itself. Antarctic tourism is destined to remain small-scale. The black tire tracks of mass development have not yet been pressed onto the white continent. There is no “high volume, low margin” model here—only “few people, high costs.” When a ship carrying just one or two hundred passengers must shoulder safety and environmental responsibilities comparable to those of a research station, per-person prices naturally cannot come down.

    Packing

    For Antarctic travel (specifically Antarctic Peninsula expedition cruises that go beyond Frei Station), packing should follow three core principles: warmth, wind and water protection, and sun protection. During the Antarctic summer, temperatures typically range between −5°C and 5°C, but conditions are windy, damp, and UV radiation is extremely strong. Cruise ship interiors are warm, usually around 20°C; full protective gear is only needed during landings and Zodiac cruises.

    Many cruises provide waterproof outer jackets and tall waterproof landing boots—be sure to check with your operator in advance.

    Image source: Antarctica21

    Baggage limits are stricter for fly–cruise itineraries. Each passenger is usually limited to a total of 20 kg of carry-on and checked baggage combined; excess weight cannot be taken on the aircraft and must be stored at the hotel. Classic ship-in/ship-out itineraries generally don’t impose such strict limits, but it’s still best to keep total luggage under 30 kg. IAATO regulations prohibit drones in Antarctica (surely no one is planning to fly a drone there… right?). When landing, remember: “Leave nothing but footprints, take nothing but memories.”

    CategoryRecommended ItemsNotes & Advice
    Clothing (onboard leisure)Casual pants, T-shirts, hoodies, light jacket, slippers/sandalsShip interiors are warm and comfortable, much like a normal vacation; dinners are occasionally slightly more formal.
    Base layers (warmth)Thermal underwear (merino wool or synthetic quick-dry) 2–3 setsWicks moisture close to the skin; avoid cotton (gets colder once damp).
    Mid-layer insulationFleece jackets / wool sweaters / lightweight down jackets, 2–3 piecesLayer for landings; in good weather, one layer may suffice; also useful on deck for viewing.
    Outer protectionWaterproof shell pants (essential; bring your own or rent onboard) Waterproof gloves (one thick pair, one thin pair)Shell jackets are usually provided by the ship; pants often need to be brought. Waterproofing is crucial for Zodiac splashes. Thin gloves make photography easier.
    Head, neck, hands & feetWarm hat (ear-covering), scarf/neck gaiter, windproof face mask Thick wool socks 4–5 pairs Thin touchscreen glovesHeat loss from the head is significant—hat is essential. Wear two pairs of socks for landings; boots get damp and socks need frequent changes.
    FootwearNon-slip casual shoes for onboard use Tall waterproof boots for landings (provided by the ship)Personal shoes are worn only onboard; landing boots are rented/borrowed on the ship.
    Sun & skin protectionSPF 50+ waterproof sunscreen, lip balm, sun hat Hand cream/body lotion, sunglasses or snow goggles (polarized preferred)UV radiation is extremely strong; apply even on cloudy days. High risk of snow blindness—snow goggles are essential for glare reduction.
    Medication & healthSeasickness pills/patches (essential for ship crossings), personal medications Band-aids, stomach medicine, cold medicineFly-cruise routes reduce seasickness, but the classic Drake Passage often causes it. Bring sufficient prescription medication.
    Photography & electronicsCamera/phone, telephoto lens, spare batteries/power bank Memory cards, waterproof pouch/dry bagStrong Antarctic light—polarizing filters help. Batteries drain quickly in cold; bring extras. Waterproof protection is essential.
    Other essentialsWaterproof backpack/dry bag (to protect cameras), insulated bottle Swimsuit (ship hot tubs/sauna), earplugs (ship noise)Zodiacs splash water easily. Hot water is free onboard; bringing a bottle is convenient. Swimsuit optional (polar plunge activities).
    Documents & misc.Passport, printed visa/flight tickets, travel insurance policy Cash/credit cards (onboard spending), plug adaptersInsurance must include medical evacuation (no hospitals in Antarctica). USD and credit cards are accepted onboard.

    Extra Tips

    • Pack light, prepare smart: Don’t bring too many clothes. Most ships offer laundry service, or you can hand-wash with detergent sheets.
    • Color suggestions: Choose bright-colored hats or scarves. During landings, everyone often wears similar expedition jackets, and bright colors make it easier to identify each other.
    • Environmental awareness: Avoid single-use plastics. Before landing, ships will vacuum clothing to prevent bringing in foreign seeds or contaminants.
    • Photography: Bring a good-quality lightweight pair of binoculars (7× or 8× magnification recommended) and a solid zoom lens. Pack plenty of memory cards and spare batteries—battery life drops dramatically in cold conditions.
    • Gear: Affordable fleece layers and shell pants can be found on Taobao or at Decathlon; for high-end options, consider Arc’teryx or Patagonia.

    Check in advance with your travel agency or operator to confirm what gear is provided (such as expedition jackets and boots), so you can travel lighter.

    Here, I want to reiterate something every expedition leader says on every trip—and something someone always ignores: follow the instructions and guidance of your team leaders at all times. Never separate from the group. In Antarctica, the distance between life and death can be just a matter of minutes, especially in cases of acute hypothermia.

    What Do You Do in Antarctica?

    In Antarctica, visitors are not encouraged to “do more.” Instead, they are constantly reminded that there isn’t much you can do to begin with8.

    The core activity is landing visits, but “landing” does not mean free movement. In fact, many people who travel to Antarctica never get the chance to go ashore at all. Of the 37,000 visitors who went to Antarctica in 2015, about 10,000 never set foot on land.

    Every landing is strictly limited in terms of the number of people, the duration, and the area of activity.

    Before landing, staff provide detailed briefings, clearly outlining which areas may be entered and which must be avoided. The entire process is more like a controlled field study than traditional sightseeing. During landings, unless local conditions require additional guides, a guide-to-passenger ratio of 1:20 must be maintained at all sites.

    Before passenger boats approach Antarctica, visitors must first attend a safety briefing, then gather in the ship’s changing area to undergo biosecurity procedures. Clothing and personal items are vacuumed, and footwear is disinfected to ensure no non-native species are brought ashore. That said, non-native species have indeed been introduced to Antarctica due to mistakes—but as far as we know, these were not caused by tourists. Some studies suggest that scientific research activities have a greater environmental impact than tourism910.

    A typical expedition ship may carry hundreds of passengers, but at any given time only a few dozen are allowed ashore, with the rest waiting their turn in rotation.

    Landing sites are usually islands or stretches of coastline near the Antarctic Peninsula, rather than the core areas of research stations. Ships do not dock; instead, they anchor offshore, and passengers transfer to shore via small boats that have undergone biosecurity checks.

    Under staff supervision, visitors walk along preplanned routes and remain ashore for a limited time, usually between one and two hours. This brief and restrained presence is intended both for safety and to minimize long-term environmental disturbance.

    Just as important as landings is wildlife observation.

    Penguins are the most common “stars” of Antarctic tourism, followed by seals, while whales are more often encountered during coastal cruising. But unlike zoos or nature reserves, Antarctica imposes extremely strict boundaries on the act of “watching” itself. Visitors must keep a distance of at least five meters from all Antarctic wildlife, and must not actively approach, touch, or attempt to influence an animal’s behavior.

    Scientists have, on several occasions, studied and compared penguin colonies that receive regular visitors with those that have little contact with humans. The results were surprising: no definitive conclusion could be drawn. Among frequently visited colonies, some deteriorated, some remained stable, and some were even more vibrant than before11.

    In addition, a greater safety distance must be maintained from potentially dangerous or territorial wildlife, such as fur seals. Where feasible, a distance of at least 15–25 meters should be kept.

    If penguins approach humans on their own initiative, it is the humans who must step back. This rule may sound counterintuitive at first, but it is one of the most important principles of Antarctic tourism—animals have absolute priority over their own behavior. Of course, there are also cases where animals chase people. Generally speaking, being chased by a penguin is not a problem. But any wild animal, even a penguin, can cause serious injury to humans. Never underestimate the risk.

    Routine biosecurity procedures are critical to protecting Antarctica. You must: always maintain a distance of at least 5 meters (15 feet) from wildlife. Do not sit, kneel, squat, or lie down in wildlife areas.

    At sea, Zodiac cruising is one of the most common and most representative activities. Visitors board small inflatable boats in groups and move slowly between icebergs, sea ice, and coastlines. These excursions are not about speed or thrills, but about getting closer to ice formations and wildlife habitats.

    Running throughout the entire journey is a constant stream of science-oriented interpretation. Almost all legitimate Antarctic expedition ships are staffed with onboard teams made up of geologists, biologists, climate researchers, or experienced polar explorers. Through lectures, briefings, and on-site explanations, they help visitors understand the scientific context behind what they are seeing: how glaciers form and melt, how penguin breeding cycles are linked to changes in sea ice, and what role Antarctica plays in the global climate system.

    These explanations are not “optional extras,” but one of the key reasons Antarctic tourism is allowed to exist at all. To some extent, visitors are regarded as potential “nodes of dissemination,” rather than mere consumers.

    Of course, that is the theory.

    In my experience, as Antarctic tourism becomes increasingly commercialized, it is hardly surprising that the quality of guides is not always guaranteed. You may well encounter a guide who has no answers to even basic questions. My suggestion is to download some BBC documentaries onto your phone or tablet in advance—not only to learn something, but also to help pass the time during days without cellular service. Just remember to keep your devices warm. My iPad mini, for instance, couldn’t even charge properly in the cold.

    DON’T PACK A PEST! Help protect Antarctica’s unique environment from non-native species

    Antarctic tourism comes with exceptionally strict behavioral requirements. Before every landing, visitors must clean the soles of their boots and their equipment to prevent introducing non-native species or microorganisms into the Antarctic ecosystem; no natural objects may be taken away, whether stones, feathers, or seemingly insignificant fragments of ice; nothing may be left behind either, so please do not spit. Photography is allowed, but any form of interference is explicitly prohibited—even if it is “for a better shot.”

    You can download the Chinese version of the general visitor guidelines for Antarctica produced by IAATO here.

    Environmental Controversies

    Almost every discussion about Antarctic tourism eventually leads to the same question: in a place that is inherently fragile yet critically important to the climate system of all humanity, should humans be there at all?

    There is no easy answer. The question is often reduced to an emotional standoff—either the guilty indulgence of the wealthy, or the moral fastidiousness of environmentalists.

    It is true that Antarctica itself is not suited to human activity. Any entry entails additional emissions: fuel burned by ocean-going vessels, the carbon footprint of transporting supplies, and the potential pollution risks brought by concentrated human presence. No matter how careful one is, “zero impact” is impossible.

    More importantly, once tourism is treated as a replicable and scalable business model, an unavoidable question arises: if it is ten thousand people today, will it become a hundred thousand tomorrow?

    Antarctica’s ecosystem is extremely simple. Once disturbed, recovery often takes decades, or even centuries. A single disrupted breeding season for an Adélie penguin population affects not just one animal, but the generational continuity of an entire colony. From this perspective, any form of “recreational entry” seems hard to justify.12

    That said, compared with industrial fishing, resource exploration, or even potential geopolitical competition, tourism is at least a low-intensity, regulatable, and accountable form of human activity. More realistically, much of the political consensus, scientific funding, and public support for Antarctic protection stems precisely from the cognitive shift people experience after they have “seen” Antarctica. For many firsthand visitors, Antarctica is not a commodity, but a powerful form of environmental education.

    Antarctica is not an abstract existence completely isolated from human society. In fact, its fate has long been deeply entangled with ours. Global warming, ocean acidification, plastic pollution—none of these are problems Antarctica “created” on its own. Even without tourists, Antarctica is not a pristine, flawless utopia.

    Antarctic tourism is certainly not harmless, but neither is it inherently out of control. The reason it is still “reluctantly accepted” by most countries and research institutions is not because it is fundamentally right, but because it is confined within an extremely narrow institutional framework.

    This is why the existence of IAATO is so crucial. It is not a perfect organization, but at least at this stage it fulfills three core functions: limiting the number of passengers per vessel and per landing site, establishing and enforcing unified environmental codes of conduct, and providing a traceable system of accountability when accidents or violations occur.

    The premise that allows Antarctic tourism to exist is not “visitor self-discipline,” but systematic distrust combined with strict regulation. As I mentioned earlier, “compared with being completely ignored, a certain degree of responsible tourism is better.”

    As a brief aside on the Antarctic Treaty and resource extraction. The treaty declares Antarctica a natural reserve devoted to peace and science, and prohibits any activities related to mineral resource exploitation except for essential scientific research. However, this is not a permanent agreement. Fifty years after the treaty was concluded—that is, in 2048—this part of the agreement may be subject to review. The clauses banning mining and resource development could, and quite possibly will, be amended or repealed.

    We cannot know what the world will look like in 2048. But assuming the worst, I hope that before planetary-engine-like excavators appear on the Antarctic continent, I will have had the chance to see the white end of the world for myself.

    Conclusion

    After finishing everything about routes, timing, prices, and rules, looking back at the public debate surrounding Antarctica makes it easier to understand why it was amplified so quickly.

    What makes Antarctica unsettling is not simply that it is expensive or remote, but that too much symbolic meaning has been layered onto it in public narratives: it is framed as “the end of the world,” used as a counterpoint to the fatigue of everyday life, and treated as an experience meant to be displayed. When all of these projections converge on a single trip, Antarctica ceases to be just Antarctica, and becomes a screen onto which emotions and imaginations are cast.

    But when placed back on a realistic scale, Antarctic tourism is in fact an unusually restrained affair. It does not center on “arrival” as the core experience, nor does it emphasize personal conquest or a sense of achievement. Instead, it is composed of constraints, waiting, rules, and uncertainty.

    You cannot move freely. You cannot leave traces. You cannot even be sure that you will be allowed to land. All you can do is observe and listen within what is permitted, and try your best not to disturb anything.

    Precisely because of this, Antarctica is better understood as a journey about “boundaries”: boundaries that tell you what you cannot do, and remind you that you are not important.

    As a travel destination, it does not offer answers, nor does it attempt to restructure everyday life. The only thing it provides is a sense of scale—that the world is larger than the individual, and that nature is quieter than narrative.

    If this guide must have an ending, perhaps Antarctica can be understood this way: it is not a place meant to prove anything, nor a place meant to escape from anything.

    If one day I truly set foot on that white continent, what I will remember is not “I was there,” but that I was allowed to pass through, briefly.

    Hopefully, my wallet will allow it too.

    1. China formally acceded to the Antarctic Treaty in 1983 and attained consultative status in October 1985. ↩︎
    2. As of December 28, 2025, IAATO members are: https://iaato.org/about-us/member-directory ↩︎
    3. On December 14, 1911, a five-member expedition led by Norwegian explorer Roald Amundsen reached the South Pole, becoming the first humans in history to reach that location. https://zh.wikipedia.org/wiki/阿蒙森南极探险队 ↩︎
    4. Scott led two expeditions to the Antarctic region. During his first expedition, he set a new record by reaching 82° south latitude and discovered the Antarctic Plateau, upon which the South Pole is situated. On his second expedition, Scott led a five-man team that reached the South Pole on January 17, 1912. https://zh.wikipedia.org/wiki/羅伯特 ↩︎
    5. Beijing News: On the first day of the National Day and Mid-Autumn Festival holiday, Shanghai welcomed 3.58 million visitors, marking an 18.5% year-on-year increase.


      ↩︎
    6. Electronic Travel Authorization (AVE). Chinese citizens intending to travel to Argentina and holding a valid U.S. visa may apply for an Electronic Travel Authorization (AVE) from the Argentine Immigration Authority. For details, please visit: https://echin.cancilleria.gob.ar/zh-hans/visas ↩︎
    7. The station features infrastructure comparable to that of a small village, including essential living facilities such as a hospital and school, serving as a vital node in the Antarctic scientific research cooperation network. ↩︎
    8. The Antarctic Visitor’s Guide aims to ensure that all visitors understand and are therefore able to comply with the Treaty and the Protocol. Visitors are, of course, subject to the national laws and regulations applicable to activities in Antarctica.https://iaato.org/system/files?file=2025-01/ATCM-General-Visitor-Guidelines-A3-Poster.CN_190780.pdf


      ↩︎
    9. Chown et al. (2012): “Continent-wide risk assessment for the establishment of nonnative species in Antarctica”https://doi.org/10.1073/pnas.1119787109 ↩︎
    10. Loss of research and operational equipment in Antarctica: Balancing scientific advances with environmental impact.https://doi.org/10.1016/j.jenvman.2023.119200

      ↩︎
    11. [1] CARNEY K M, SYDEMAN W J. A review of human disturbance effects on nesting colonial waterbirds[J]. Waterbirds, 1999, 22(1): 68-79. https://doi.org/10.2307/1521995 [2] COBLEY N D, SHEARS J R. Breeding performance of Gentoo Penguins (Pygoscelis papua) at a Christopher site exposed to high levels of tourism[J]. Polar Biology, 1999, 21(6): 355-360. https://doi.org/10.1007/s003000050373

      ↩︎
    12. opert-Coudert, Y., Kato, A., Meyer, X., & Pellé, M. (2015). A complete breeding failure in an Adélie penguin colony correlates with unusual and extreme environmental events. Ecography, 38(2), 111-113. https://doi.org/10.1111/ecog.01182

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  • SSPAI Morning Brief: NVIDIA Unveils DLSS 4.5, Dell Launches XPS 14/16, and More

    SSPAI Morning Brief: NVIDIA Unveils DLSS 4.5, Dell Launches XPS 14/16, and More

    Morning Brief

    1. NVIDIA unveils DLSS 4.5, the Rubin platform, open models, and more
    2. Dell launches XPS 14/16 laptops
    3. HP introduces the keyboard-style mini PC Eliteboard G1a
    4. Intel releases Core Ultra 300 series AI processors
    5. LEGO launches smart bricks
    6. Rumors You Can Just Glance At

    NVIDIA unveils DLSS 4.5, the Rubin platform, open models, and more

    At CES 2026, NVIDIA announced DLSS 4.5, which introduces Dynamic Multi-Frame Generation, a new 6× Multi-Frame Generation mode, and a second-generation Transformer model applied to DLSS Super Resolution. The new DLSS Super Resolution addresses issues related to temporal anti-aliasing (TAA) and earlier super-resolution models in areas such as lighting, detail, and shadows. NVIDIA claims it improves image quality across all presets (including Quality and Balanced modes), with the most noticeable gains in Performance and Ultra Performance modes. All GeForce RTX users can try it by updating to the beta version of the NVIDIA App. DLSS Dynamic Multi-Frame Generation and the 6× Multi-Frame Generation mode will be available to RTX 50 series gamers in the full release scheduled for January 13. Source

    Comparison of edge detail with DLSS 4.5 Super Resolution

    The RTX Remix Logic update for classic games is expected to roll out later this month via the NVIDIA App. Building on existing RTX Remix features, the Remix Logic update introduces a new visual logic system that allows RTX Remix mods to respond visually to real-time in-game events. It provides mod developers with more than 900 configurable options, enabling dynamic effects triggered by various in-game events, and supports 165 classic games. Source

    Game scenes remade using RTX Remix Logic

    NVIDIA also announced four G-SYNC Pulsar monitors developed in collaboration with Acer, AOC, ASUS, and MSI. These displays feature variable refresh rate backlight strobing technology, delivering over 1000 Hz of effective motion clarity to further enhance motion sharpness and visibility. They also include built-in light sensors that intelligently adjust color temperature and brightness. Source

    The first four G-SYNC Pulsar monitors to launch

    NVIDIA ACE AI technology is expanding further. Total War: PHARAOH introduces a dynamic AI advisor powered by NVIDIA ACE to help players learn the game’s many systems and mechanics. Meanwhile, the AI teammate PUBG Ally in PUBG: BATTLEGROUNDS now supports long-term memory, allowing it to remember players’ past performance and in-game interactions and reference previous events in its responses. PUBG Ally will enter testing for PUBG: BATTLEGROUNDS Arcade users in the first half of this year, with support for English, Korean, and Chinese.

    NVIDIA also announced a series of AI upgrades for RTX GPUs and laptops, including native NVFP4 / FP8 precision support in ComfyUI; integration of RTX Video Super Resolution to accelerate 4K video generation; NVIDIA NVFP8 quantization for the LTX-2 audio-video generation model; AI Blueprints for generating 4K AI video from 3D scenes in Blender; and accelerated inference performance for small language models such as Ollama and llama.cpp. Source

    For developers and enterprise users, NVIDIA showcased the DGX Spark desktop AI supercomputer based on the NVIDIA Grace Blackwell architecture, featuring an ultra-cooperative design. The Rubin AI platform—an integrated six-chip system—was announced to have entered full mass production. NVIDIA also fully opened access to a suite of open models trained on its own supercomputers, including Clara for healthcare, Earth-2 for climate science, Nemotron for reasoning and multimodal AI, Cosmos for robotics and simulation, GR00T for embodied intelligence, and Alpamayo for assisted driving. Related physical AI open-source models, frameworks, infrastructure, and multiple robots also made their debut at CES. Source

    NVIDIA Rubin

    Dell launches XPS 14/16 laptops

    After nearly a year of retiring the XPS brand name, Dell unveiled the XPS 14 and XPS 16 laptops at CES 2026, targeting “enthusiasts who pursue ultimate performance.”

    The XPS 14/16 feature an all-aluminum chassis and an ultra-thin design, equipped with three USB-C/Thunderbolt 4 ports and 10W speakers. The 14-inch model weighs 1.36 kg, while the 16-inch version weighs 1.65 kg. Base configurations include a 1920×1200 IPS display, 16 GB LPDDR5X memory, 512 GB SSD storage, a 70 Wh battery, and an Intel Core Ultra 5 325 processor. The display supports a 1–120 Hz refresh rate and VRR technology. Both the XPS 14 and XPS 16 can be configured with lighter, high-resolution OLED display options, and higher-end versions powered by the Core Ultra X9 388H processor will be available later.

    Selected configurations of the XPS 14/16 went on sale on January 6, with the XPS 14 starting at $2,049 and the XPS 16 starting at $2,199.99. Entry-level and high-end configurations are expected to launch in February. In addition, an XPS 14 version preinstalled with Ubuntu 24.04 is scheduled to arrive later this year. Source


    HP introduces the keyboard-style mini PC Eliteboard G1a

    At CES 2026, HP unveiled the Eliteboard G1a mini PC, which adopts the appearance of a standard office keyboard. The device is just 12 mm thick, with the processor, memory, storage, speakers, cooling fan, and multiple ports all integrated inside the keyboard. Users simply need to connect the keyboard to a display and can then use it with the included Bluetooth mouse.

    Eliteboard G1a

    The Eliteboard G1a is available in two versions: one with a fixed USB-C cable and another with a detachable USB-C cable. It supports daisy-chaining up to two 4K displays. Inside, it is powered by AMD Ryzen AI 300 series processors, with configuration options ranging from AI 5 350 to AI 7 370 Pro. Memory support goes up to 64 GB of DDR5 via dual SODIMM slots, and storage capacity reaches up to 2 TB. The Eliteboard G1a also offers an optional fingerprint recognition module and includes a replaceable 35 Wh battery, with HP estimating around 3.5 hours of battery life. In terms of connectivity, the detachable-cable version caters more to conventional peripheral usage, while the fixed-cable version retains an additional USB4 port for external devices.

    Finally, the keyboard itself uses a membrane switch structure with 2 mm key travel, and the entire unit weighs just 750 grams. The Eliteboard G1a is expected to go on sale in March this year, with pricing to be announced closer to launch. Source


    Intel releases Core Ultra 300 series AI processors

    At CES 2026, Intel announced the Core Ultra 300 series processors, codenamed Intel Panther Lake. Built on Intel’s 18A (2nm) process, the high-end models in this lineup feature up to 16 CPU cores, 12 Xe cores, and an NPU delivering up to 50 TOPS. According to Intel, this results in up to a 60% boost in multi-threaded performance, a 77% increase in gaming performance, and battery life extended to as much as 27 hours.

    Full SKU lineup of the Core Ultra 300 series

    In addition, Intel revealed edge processors designed specifically for embedded and industrial environments. These processors offer wide-temperature support, enabling more stable performance in both higher and lower temperature conditions. They also deliver significant advantages in key AI workloads, including up to a 1.9× improvement in large language model performance, a 2.3× increase in video analytics efficiency, and a 4.5× boost in vision–language–action model throughput.

    Laptops powered by the Core Ultra 300 series began pre-orders as early as January 6, with global availability starting on January 27. Additional laptop models are expected to roll out gradually in the first half of 2026. Edge computing systems equipped with the third-generation processors are scheduled to launch in Q2 2026. Source


    LEGO launches smart bricks

    At CES 2026, LEGO unveiled its Smart Bricks. In appearance, the Smart Brick is indistinguishable from a classic 2×4 LEGO brick, but inside it houses a miniature computer. Unlike previous LEGO Mario components that relied on external batteries, the Smart Brick uses a custom ASIC chip, allowing for a compact design with support for wireless charging. The Smart Brick is equipped with inertial sensors, light sensors, and an NFC reader, enabling it to detect movement and tilt gestures, and to recognize nearby new light panels or minifigures embedded with Smart Tags. It can form a Bluetooth mesh network, allowing bricks to sense each other’s position and orientation.

    LEGO Smart Brick

    According to LEGO’s demonstrations, when a player moves a LEGO spaceship, the Smart Brick emits real-time engine sounds; if a vehicle flips over, the audio switches to a crash sound; and when Emperor Palpatine sits on his throne, the system automatically plays the “Imperial March.” LEGO said the Smart Brick supports firmware updates via a smartphone app and that its capabilities will continue to expand in the future. This technology is expected to inspire more creative combinations—for example, using a duck-quacking tag on a helicopter model to create a playful “duck helicopter.”

    The LEGO Smart Brick will officially go on sale on March 1, 2026. The first wave of Smart Brick sets will be led by the Star Wars series and will include three kits: Darth Vader’s TIE Fighter priced at $70 (473 pieces), Luke’s X-Wing Fighter priced at $100 (584 pieces), and the Death Star Duel scene priced at $160 (962 pieces). Each set includes at least one Smart Brick and a corresponding Smart minifigure. It is worth noting that due to the hardware cost of the Smart Brick, these sets offer fewer pieces and smaller model sizes than traditional sets at the same price point. Source


    Rumors You Can Just Glance At

    • At CES 2026, Samsung showcased an OLED foldable display said to have no visible crease. The panel uses a laser-perforated metal plate that disperses pressure during folding, resulting in a crease-free visual appearance. The technology is expected to appear in the Galaxy Z Fold 8 in the second half of 2026, or in Apple’s foldable device. Source
    • iPolish demonstrated a press-on nail patch at CES 2026 that can change color through electrochemical methods. Source
    • On January 5, SanDisk announced the launch of a new gaming SSD brand, SANDISK Optimus, intended to replace the WD_BLACK and WD Blue lines inherited from Western Digital prior to the split. Source
  • SSPAI Morning Brief: Honor Unveils Multiple New Products, Douyin to Support Dolby Vision, and More

    SSPAI Morning Brief: Honor Unveils Multiple New Products, Douyin to Support Dolby Vision, and More

    Morning Brief

    1. Honor unveils multiple new products
    2. Douyin to support Dolby Vision
    3. Public Platform Assistant mini program to discontinue service
    4. Leica is independently developing a full-frame CMOS sensor
    5. Withings Body Scan 2 smart scale debuts at CES 2026
    6. Nintendo fixes unstable network connectivity issue with the Switch 2 dock
    7. Vietnam introduces mandatory rules on skippable ad durations

    Honor unveils multiple new products

    On January 5, Honor introduced the Honor Power2 smartphone via an online launch event, alongside the Honor Pad X10 Pro, Honor Pad 10 Pro, and a range of Honor Choice IoT products.

    The Honor Power2 features the industry’s first 10,080 mAh fourth-generation Qinghai Lake battery, while keeping the device thickness to 7.98 mm. It supports 80W SuperCharge fast charging and 27W reverse charging, and incorporates a smart charging engine to improve charging efficiency and battery longevity.

    In terms of connectivity, the Honor Power2 is equipped with the Hongyan six-wing antenna system and Honor’s in-house RF enhancement chip C1+, supporting 25 antennas in total. It also adopts a parallel dual-rail antenna design to improve performance in weak-signal environments. For positioning, it uses a multi-source fused positioning engine with support for dual-frequency GPS and triple-frequency BeiDou. On the performance side, it debuts the Dimensity 8500 Elite chipset and features an over-40,000 mm² Ice-Sealed liquid cooling system. The device has passed SGS Gold Label five-star certifications for drop resistance, impact resistance, and compression resistance, offers IP68, IP69, and IP69K dust and water resistance, and comes with a 6.79-inch 1.5K eye-care display and a 50-megapixel OIS main camera.

    Core product highlight image, image sourced from Honor.

    The Honor Power2 is available in Sunrise Orange, Snowfield White, and Phantom Night Black. Pricing is set at RMB 2,699 for the 12 GB + 256 GB version and RMB 2,999 for the 12 GB + 512 GB version, with government-subsidized prices of RMB 2,294.15 and RMB 2,549.15 respectively. Pre-orders are now open, with official sales scheduled to begin at 10:08 a.m. on January 9. Source


    Douyin to support Dolby Vision

    On January 5, Dolby Laboratories and Douyin announced a partnership under which Douyin will bring Dolby Vision to users on the platform, enabling the creation and sharing of higher dynamic range video content.

    According to Dolby, iPhone users can now publish and watch Dolby Vision videos within the Douyin app, and can use Douyin’s built-in editing tools as well as compatible editing apps such as Jianying to create Dolby Vision content. Support for more device types will be rolled out gradually.

    Dolby noted that the rise of short-video platforms has reshaped how people share and consume content. Through this collaboration, the two parties aim to make it easier for creators to use Dolby Vision on mobile devices for both content creation and distribution. Source


    Public Platform Assistant mini program to discontinue service

    Tencent WeChat’s Public Platform Assistant mini program announced on January 3 that it will cease providing services starting March 2, 2026. According to the official statement, users who wish to continue managing public accounts on their phones can download the “Public Account Assistant” app from app stores, or manage their public accounts via “WeChat” → “Official Accounts.” Source


    Leica is independently developing a full-frame CMOS sensor

    Recently, Dr. Andreas Kaufmann, owner and Chairman of the Supervisory Board of Leica Camera AG, revealed in a podcast that Leica is currently independently developing a full-frame CMOS sensor. The project reportedly began around four years ago, in 2022, around the time of the Leica M11’s release. The entire development process is expected to take about five years, meaning that the earliest Leica M12 model equipped with Leica’s in-house CMOS sensor could appear as soon as 2027.

    By way of comparison, the Leica M11, Q3, and SL3 use customized versions of Sony’s IMX455 sensor. The exact sensor models used in the M10R, Q2, and SL2 remain somewhat disputed, but they are also supplied by Sony. Meanwhile, the SL2-S and SL3-S use customized versions of Sony’s IMX410 sensor. Source


    Withings Body Scan 2 smart scale debuts at CES 2026

    Smart health brand Withings unveiled the Body Scan 2 smart scale at CES 2026. The new model primarily features a redesigned form factor and adds functions such as hypertension risk detection and cellular health assessment.

    In terms of design, Body Scan 2 moves the display from the surface of the scale to the pull-out handle used for ECG measurements, allowing users to view data more easily.

    On the sensor side, the Body Scan 2 can measure up to 60 different body metrics. Its most notable new feature is impedance cardiography (ICG), which evaluates the heart’s ability to pump blood to organs throughout the body, enabling hypertension risk assessment. Another newly added capability, bioelectrical impedance spectroscopy (BIS), uses extremely low-intensity electrical currents to measure total body water, from which it derives key indicators such as cellular age, active cell mass, and metabolic efficiency. All collected data is analyzed by Withings’ “clinically validated” AI models to generate more accessible health insights, including hypertension risk evaluations and assessments of blood glucose regulation. The system also combines these results with the user’s vital signs to identify health trends and provide a range of recommendations for improving overall health.

    Product appearance images, courtesy of Withings.

    The scale is priced at $599.95 and is scheduled to go on sale in the second quarter of 2026. Source


    Nintendo fixes unstable network connectivity issue with the Switch 2 dock

    Recently, Nintendo quietly addressed an issue with unstable Ethernet connectivity on the Switch 2 dock through firmware version 21.1.0. Some players reported that after installing the update, performing a full power-off restart allowed the Ethernet port to connect to the network normally.

    Players speculate that the earlier instability may have been caused by a defect in the Realtek chip used in the Switch 2, and that this update could represent a workaround Nintendo has found for a potential hardware issue. Source


    Vietnam introduces mandatory rules on skippable ad durations

    Recently, the Vietnamese government issued Decree No. 342 (Decree 342/2025), which introduces more detailed regulations for digital advertising and will take effect on February 15, 2026. Under the decree, platforms running online video and animated image ads in Vietnam must ensure that users can skip or close ads within a maximum of five seconds. Longer “non-skippable” ad formats lasting 7 to 30 seconds will no longer be permitted.

    The new rules also apply to static image ads, requiring advertisers not to implement mechanisms that force users to wait before closing ads. For pop-up and other non-fixed-position ads, the decree prohibits the use of hard-to-identify or misleading close buttons, and requires that users be able to close ads with a single, clear action.

    In addition, the decree mandates that online ads provide clear icons and guidance to allow users to report illegal content, and to opt out of or stop viewing inappropriate ads. For ads deemed illegal by authorities, advertisers, service providers, distributors, and publishers must remove or disable them within 24 hours of receiving notice. Telecommunications operators and internet service providers are also required to restrict access to the relevant illegal ads or services within 24 hours of receiving an official request. Source

  • SSPAI Review | Apps Worth Watching Recently

    SSPAI Review | Apps Worth Watching Recently

    Welcome to this episode of Pai Review. You can use the table of contents to quickly jump to the sections you’re interested in. If you’ve discovered other apps worth checking out, or topics you’d like us to cover, feel free to join the discussion in the comments.

    New Apps Worth Paying Attention To

    Although SSPAI has long been dedicated to discovering and introducing quality apps across platforms, there are still many excellent apps—impressive in design, functionality, interaction, and overall experience—that we haven’t yet covered. They might be long-standing apps, or newly released ones, and we’ll introduce them to you here.

    Bauhaus Clock: A New macOS Screensaver Option

    • Platform: macOS
    • Keywords: screensaver, clock

    @PlatyHsu: Screensavers already sound like a concept from a bygone era. Today, their role is more about visual decoration and temporary screen masking. Especially on larger external displays, a good-looking screensaver tends to draw quite a bit of attention. Perhaps because macOS already comes with a rich set of built-in screensavers—and because the screensaver development framework has long been neglected—it’s been rare in recent years to see truly good third-party screensavers (those cash-grab listings on the App Store don’t count).

    Bauhaus Clock is the first genuinely good macOS screensaver I’ve discovered in a long time. If you’ve used iOS 6, you probably still remember the Swiss railway clock in the Clock app back then. Bauhaus Clock follows a similar idea: its core function is simply to display a realistic Bauhaus-style clock on the screensaver screen.

    Displaying a clock isn’t difficult in itself, but Bauhaus Clock gets the details remarkably right. From the metallic sheen of the hands, to the shadows cast on the dial, to the recessed luminous coating on the markers, everything is rendered with great fidelity. There are three movement styles to choose from: quartz (one tick per second), mechanical (one-quarter tick per step), and digital (smooth movement). In quartz mode especially, the developer even recreated the subtle wobble of the hands as they move.

    The dial comes in 13 color themes. When switching themes, the markers, numerals, and hands all change to matching colors along with the dial. I especially recommend Glacier blue, Pistachio green, and Lavender purple—color combinations that make you want to steal them outright for a blog theme.

    At night, Bauhaus Clock automatically switches to dark mode along with the system theme. The effect resembles a wall clock after the lights go out: luminous markers glow softly with a grainy texture against a pure black background (14 colors available), faintly outlining the hands.

    The other “small touches” in Bauhaus Clock are equally well executed. For example, none of the controls in the settings panel use standard system styles; instead, they’re custom-drawn, with highlights and shadows that feel distinctly skeuomorphic. Another detail is that the clock markers subtly jitter at intervals to prevent burn-in (even though Macs don’t currently use OLED displays—perhaps this is for users with OLED external monitors, or simply preparation for future OLED MacBooks).

    If there’s one downside… anything with “Bauhaus” in its name is rarely cheap, and Bauhaus Clock is no exception. At $19, its price is already on par with many indie apps. The developer spends quite a bit of space in the FAQ explaining why it’s worth the price—no need to read it to guess the reasons: meticulous craftsmanship, free updates, never discounted, and so on. At this price, it’s hard for me to strongly recommend it. If it perfectly matches your aesthetic, or can serve as visual material (à la MKBHD), then this clock is genuinely beautiful and worth what it costs. Otherwise, saving the money might already buy you a month’s worth of emotional value from ChatGPT.

    Bevel: An All-in-One Health Assistant That Covers Both Fitness and Nutrition

    • Platform: iOS / watchOS
    • Keywords: health data, fitness training

    @Vanilla: Bevel is a health app on iOS that also offers an Apple Watch companion, enabling integration across health monitoring and workout training. Recently, Bevel made its core features free to use, keeping only Bevel Intelligence as paid, unlockable content. As a health app, Bevel offers an extremely comprehensive feature set, covering most of our needs related to fitness and overall health. Let me walk you through it.

    The Bevel app is divided into four tabs: Home, Journal, Fitness, and Vitals. As the name suggests, the Home tab serves as a dashboard, aggregating data such as stress, energy, nutrition, and various health metrics. The Journal tab allows us to manually log health-related behaviors such as caffeine intake, mood, added sugar, ketogenic diet, hydration, alcohol, device usage in bed, and pre-sleep meals. It also displays automatically recorded data, including steps, strength-training time, and cardio duration.

    The Fitness section presents workout-related data such as monthly views, activity summaries, effort output, muscle balance, and training frequency. This is also where you can add, manage, and sync strength-training modules. The Vitals tab shows metrics like VO₂ max, HRV baseline, resting heart rate baseline, body weight, and body fat percentage.

    That said, my favorite features in Bevel are tucked away behind the plus button in the bottom-right corner. Tapping it opens an add menu, where functions are mainly split into two categories: nutrition and training. For nutrition, you can log each meal in multiple ways, including text input, image import, taking photos, scanning, or direct search. For training, you can automatically generate templates based on your needs, view existing templates, or log individual activities.

    Here I want to focus on Bevel’s strength-training template feature. Whether you’re using automatically generated templates or creating your own, you can choose exercises from a large movement library and add them to your templates. Each exercise comes with animated demonstrations and detailed guides, clearly showing primary and secondary muscle groups. Once a workout starts, the Apple Watch client syncs automatically, and you can record the weight and reps for each set at any time. Doesn’t this moment remind you of the Strong app?

    As a paid feature, Bevel Intelligence can chat with you in real time, offer personalized suggestions based on your condition, and even generate nutrition and training plans directly for you, which is very convenient. If you’re looking for a health or fitness tracking app, Bevel is well worth trying—it offers most features for free and is exceptionally feature-rich.

    Bevel is available for free on the App Store. All features except the AI functions are free to use, with a subscription price of RMB 328 per year.

    Qie Ting: Luo Yonghao Launches an AI Book Explanation Tool

    • Platform: iOS
    • Keywords: audiobooks, AI narration

    @Snow: Last week, Luo Yonghao unveiled an AI audiobook app incubated by his team, called Qie Ting, at his so-called “Tech Spring Festival Gala.” Unlike traditional audiobooks that focus on vividly reading texts aloud, Qie Ting relies on an AI engine to first understand the full content and then reinterpret it, using scripts of 30,000–40,000 words or 1–2 hours of audio to help you absorb information efficiently.

    Qie Ting carries forward the refined, light-skeuomorphic design language of Smartisan OS. Its main bookshelf screen currently includes content from more than 10,000 books. If you’re not sure where to start, you can narrow things down using the category buttons at the top, or jump to the rankings page and explore included titles from lists such as Douban Hot Picks or recommendations from The Beijing News.

    As mentioned at the beginning, Qie Ting’s core feature is not “audiobooks” in the sense of word-by-word narration, but rather book “explanations.” By tapping the “Play Book Explanation” button, you can access key points distilled by the AI engine, along with supplementary background and extended information. It’s essentially the book equivalent of film or TV explainers: the AI creator helps condense the core storyline, organize the structure and logic, cite references to broaden context, and even convey its own interpretations and takeaways. Because this kind of secondary creation is constrained in length, it can only present certain facets of the original work and cannot fully reproduce it. For this reason, I don’t think Qie Ting can completely replace reading the original book. I’d recommend using it more as a way to filter interests or as a supplementary follow-up. Qie Ting currently does not support directly reading e-books; if an explanation sparks your interest, you can tap the in-app purchase link to buy the corresponding physical book via JD.com.

    Each explanation in Qie Ting is available in both text and audio formats. You can choose to read the text in full screen, or have it read aloud by an AI voice. The AI narration supports basic features such as fast forward and rewind, playback speed adjustment, sleep timers, shuffle, and continuous playback. You can choose from four voice models: Xiao Wen (male), Xiao Su (female), and their respective “Late Night” versions. Compared with the standard voices, the late-night versions are deeper and more soothing, making them especially suitable for listening before sleep. You can also optionally add background music to the AI narration to further enhance the listening atmosphere. Unfortunately, the celebrity voice models and timbre-cloning features demonstrated at the tech event have not yet been rolled out in this version, so overall vocal expressiveness falls slightly short of expectations.

    In addition, Qie Ting currently does not support importing or analyzing local books. Given that the existing library is still relatively limited in scope, it may not cover everyone’s reading needs. That said, considering its relatively low paywall—free users have no limits on reading volume, with differences mainly in audio quality and ads—it works well as a supplementary reading tool.

    You can download Qie Ting for free from the App Store.

    FunKey: Bringing Realistic Mechanical Keyboard Typing Sounds to the Mac

    • Platform: macOS
    • Keywords: typing sounds

    @化学心情下2: Beyond the clear sense of rhythm that provides positive feedback while typing, the mechanical sounds produced by a mechanical keyboard can also bring auditory pleasure to the act of input—whether your colleagues or roommates sharing the space find it pleasurable is perhaps another matter. On Mac keyboards, the relatively “short” key travel inevitably makes some users who are already accustomed to mechanical keyboards feel that the experience lacks a certain “punch.” Fortunately, a developer has finally noticed this “problem” and released a mechanical keyboard sound effect app for Mac users: FunKey.

    Although it may sound a bit like an absurd case of overengineering, after actually buying and using it, I found FunKey to be quite entertaining. The app doesn’t just offer mechanical keyboard sound effects—it even includes mouse click sounds. You could say that if you can think of it, FunKey probably provides it.

    In FunKey, there are more than a dozen mouse sound effects alone, which you can freely choose from according to your preferences. As for mechanical keyboard sounds, FunKey also offers a wide variety, with the settings menu describing the general tonal characteristics of each option. There are simply too many variations to describe one by one, so if you’re interested, it’s best to try them out yourself.

    You can download FunKey from the Mac App Store. It is priced at RMB 22.

    Anx Reader: A Cross-Platform Reader Integrated with Large AI Models

    • Platform: iOS / iPadOS / Android / Windows / macOS / HarmonyOS
    • Keywords: reading, AI translation

    @大大大K: I’ve recently been reading some English novels, and quite often I still need to rely on Chinese translations for reference. Manually creating bilingual files is too much trouble, while the built-in translation tools in most reading apps feel overly mechanical and fail to capture the “spirit” of literary works. I later stumbled upon Anx Reader, an open-source and free app that supports integration with large AI models. It not only translates quickly, but also enables a range of Q&A features.

    Anx Reader supports true cross-platform use and runs on Windows, Android, iOS, macOS, and HarmonyOS. The app mainly adopts a Material 3 design style, with some controls on iOS featuring a liquid-glass-like effect. Anx Reader also offers dedicated optimizations for E-Ink devices: when E-Ink mode is enabled, the app switches to black text on a white background and adapts to the refresh behavior of e-ink screens.

    When it comes to reading features, Anx Reader’s standout strength lies in its AI support. There is a dedicated AI tab in the app’s navigation bar; tapping it opens a conversational mode where you can ask the AI to summarize, explain, or analyze a specific book, or to provide summaries and suggestions based on your overall reading activity within the app. You can also dive into the AI settings to define custom prompts for specific conversation types, enabling more targeted and relevant responses.

    During reading, you can tap the AI button in the top-right corner to have the AI generate a mind map and reading guide for the book. You can also use word selection search or full-text translation to assist with reading foreign-language materials. The AI-generated translations are more natural than those from typical translation tools, and they do a better job of conveying the colloquial expressions often found in novels.

    In addition, Anx Reader supports data synchronization via WebDAV, delivering a more seamless cross-platform experience. However, during synchronization, Anx Reader may upload your book files. If you’re using services that charge based on data usage, such as Nutstore, you’ll want to keep an eye on your bandwidth consumption.

    Anx Reader is currently available for free download from its official website and GitHub. Note that iOS users need to pay when downloading via the App Store, though the developer encourages users to install it for free on iOS devices through self-signing.

    App Updates You Shouldn’t Miss

    Beyond “new” apps, many familiar names on the App Store continue to iterate and roll out updates, adding more interesting and practical features. SSPAI aims to help you filter through App Store updates worth paying attention to, so you can quickly catch up on the latest developments from apps and their developers.

    Life Footprints 2: Annual Summary and 3D Globe Mode Added

    • Platform: iOS
    • Keywords: location tracking, annual summary

    @ElijahLee: The location-tracking app Life Footprints has released a major 2.0 update, introducing a 2025 annual summary, a new 3D globe mode in the trajectory overview, an ink-black map style, and custom time-range viewing.

    First up is the 2025 annual summary, which appears on the map on the app’s home screen. The summary consists of 10 pages, analyzing the 10 cities you visited in 2025, the total number of location points recorded throughout the year, the average number of points recorded per day, as well as various daily habits. At the end, you can generate a concise annual recap to save or share on social media. If you don’t see the annual summary entry in the app, you can tap the globe icon in the bottom-right corner to reprocess the data.

    In the trajectory overview, the new version adds a 3D globe mode that displays your global footprints on a three-dimensional Earth. Notably, this is a real-time, data-rendered 3D globe that you can freely rotate to explore. It also includes small delightful touches such as stars, airplanes, and meteors. Tapping the globe lets you enter full-screen mode, where a lively BGM soundtrack plays automatically. For users who travel across countries or continents, this feature is particularly appealing—your footprints are no longer flat data points, but transformed into a kind of spatial memory.

    The update also adds an ink-black map style, which—along with the turquoise green option introduced in the previous version—looks especially refined. Custom time-range viewing is available on the home screen: you can view trajectory statistics by default ranges such as a single day, a month, or a full year, or manually select start and end times to generate a trajectory map for a specific period. This feature is ideal for recording life stages such as travel or business trips, slicing your footprint data into meaningful time segments for easier reflection later on.

    You can download Life Footprints for free from the App Store. Most features are available at no cost, while a subscription unlocks exclusive profiles, trajectory analysis, sports modes, and more. The subscription fee is RMB 12 per year.

  • SSPAI Morning Brief: Clicks launches the Power Keyboard and Communicator phone

    SSPAI Morning Brief: Clicks launches the Power Keyboard and Communicator phone

    Morning Brief

    1. Clicks launches the Power Keyboard and Communicator phone
    2. Pebble releases the Round 2 watch
    3. DeepSeek publishes a paper introducing the efficient training technique mHC
    4. ASUS notifies channels of price increases starting today
    5. A new batch of works enters the public domain
    6. BYD surpasses Tesla to become the world’s top EV seller in 2025
    7. Rumors You Can Just Glance At

    Clicks launches the Power Keyboard and Communicator phone

    On January 2, tech startup Clicks Technology unveiled its first batch of new products following its physical keyboard cases.

    Among them, the Clicks Communicator phone is positioned as a “modern communication companion,” with a role similar to that of a Kindle alongside an iPad, intended primarily as a user’s secondary phone. The device runs Android, features a candybar design, and comes with a 4-inch display and a full physical keyboard. It weighs 170 grams and measures 12 mm thick. To reduce information overload, the system interface is deeply customized based on Niagara Launcher, abandoning the traditional app grid in favor of a minimalist message aggregation center. In terms of hardware, the Communicator is equipped with a 50-megapixel rear camera and a 24-megapixel front camera, while retaining a 3.5 mm headphone jack, a mute switch, and a MicroSD card slot. A signal-light button on the side changes color according to notification type. The device is powered by a 4000 mAh battery. Details about the processor and storage have not been disclosed. The Communicator starts at $499 (approximately RMB 3,487), with an early-bird pre-order price of $399, and is expected to ship later this year.

    The other new product, the Clicks Power Keyboard, is a two-in-one device combining a Bluetooth keyboard and a power bank. It supports MagSafe and Qi2 wireless charging standards and can magnetically attach to the back of a phone. The keyboard features a sliding design and, in addition to serving as a physical keyboard for phones, can connect via Bluetooth 5.4 to up to three devices such as tablets and smart TVs. The Power Keyboard weighs 180 grams, is 15.2 mm thick, and has a battery capacity of 2150 mAh, of which 500 mAh is allocated specifically for keyboard use. The product is priced at $109 (approximately RMB 790), with an early-bird price of $79, and will officially go on sale this spring.


    Pebble releases the Round 2 watch

    On January 2, smartwatch brand Pebble announced the Pebble Round 2. As part of the brand’s reboot plan, the Round 2 is a revival of the Pebble Time Round released in 2015, aiming to recreate the classic circular design that was once known as the “thinnest in the industry,” now updated with more modern technology.

    In terms of hardware design, the Pebble Round 2 addresses one of the biggest drawbacks of the original model—its overly wide bezels. While retaining an ultra-thin 8.1 mm stainless steel case, the new model features a 1.3-inch color e-ink display with a pixel density doubled from the previous generation to 283 ppi, along with backlight support. The Round 2 keeps physical side buttons, allowing users to rely on tactile, eyes-free operation in scenarios such as meetings.

    To achieve a battery life of 10 to 14 days, the Pebble Round 2 makes clear trade-offs in functionality. It retains only basic health features such as step counting and sleep tracking, and does not include a heart rate sensor, making it unsuitable as a dedicated fitness-tracking device. On the software side, it runs the open-source Pebble OS and is compatible with thousands of watch faces and apps. A built-in microphone supports voice input and replies, but due to limitations imposed by Apple’s system, this feature currently mainly targets Android users, with iOS support set to roll out first in the EU. Previously, Pebble released a low-cost AI smart ring with recording and transcription capabilities, and the company has stated that it plans to bring similar AI features to its watches in the future.

    The product is priced at $199 (approximately RMB 1,390) and is now available for pre-order on the official website, with shipments expected in May this year. For customers who previously pre-ordered the square-faced Pebble Time 2, the company is also offering the option to switch their reservation to the Round 2 while retaining their place in the queue.


    DeepSeek publishes a paper introducing the efficient training technique mHC

    On January 1, DeepSeek released a technical paper co-authored by its founder Liang Wenfeng, proposing a new deep learning architecture called “Manifold-Constrained Hyper-Connections” (mHC). The research aims to optimize computational efficiency, enabling larger-scale models to be trained at lower cost in environments with limited computing resources.

    The mHC technique is a further refinement of the “Hyper-Connections” architecture. Hyper-Connections were originally proposed by researchers at ByteDance in September 2024, with the goal of improving upon the mainstream ResNet (Residual Network) architecture invented by He Kaiming and others at Microsoft Research Asia. The approach was designed to address signal attenuation in deep networks—where information gradually weakens as it propagates through layers, preventing deeper layers from receiving effective signals—as well as model collapse, in which different inputs become increasingly similar or even converge after successive layers of processing.

    The DeepSeek team points out that while ByteDance’s approach increased network complexity, it overlooked the rapidly rising memory costs in large-model training, resulting in limited real-world scalability. In response, DeepSeek’s mHC approach introduces specific manifold constraints that force data flows to operate only along certain geometric trajectories (manifolds). This preserves the advantages of hyper-connections while successfully addressing memory and cost bottlenecks, achieving what the paper describes as “almost negligible computational overhead.” According to the paper, the DeepSeek research team conducted experiments on models with 3 billion, 9 billion, and 27 billion parameters, and the empirical results show that mHC offers better scalability than traditional architectures while maintaining stability during large-scale training.

    The paper was uploaded to arXiv under Liang Wenfeng’s personal account. Previously, Liang had personally published only DeepSeek’s most important technical papers, such as those related to the R1 and V3 models, and in this work he is listed as the final author. This move confirms that he remains deeply involved in core research and development, and is widely seen as a signal that the technical direction for DeepSeek’s next-generation core models has been set. Market expectations suggest that DeepSeek may follow the R1 release strategy and unveil a new large model before the Lunar New Year holiday in mid-February.


    ASUS notifies channels of price increases starting today

    According to VideoCardz, ASUS sent a “2026 Product Price Adjustment Notice” to its partners on December 30 last year, announcing that price adjustments will take effect starting January 5, 2026.

    The notice states that due to structural volatility in the global supply chain, multiple key components are facing severe cost pressures, particularly DRAM and NAND memory. These changes stem from “adjustments in global foundry capacity allocation,” “rising investment costs in advanced process nodes,” and “structural gaps in the industry caused by demand for AI computing power.”

    Although ASUS did not specify which models would be affected, it clearly stated that it would implement “strategic price adjustments for certain product portfolios.” As the effective date of the price increase comes just ahead of the opening of CES 2026, industry analysts believe that ASUS’s upcoming next-generation hardware—especially AI PCs and gaming devices expected to be unveiled at CES—will be the first to be impacted, potentially setting new market price benchmarks.

    ASUS emphasized that the adjustment is a “necessary decision made after long-term absorption of and responses to cost pressures,” with the goal of “ensuring stable supply and maintaining quality and service standards.” Regarding subsequent impacts, ASUS business representatives will proactively contact partners to provide detailed explanations and assist in planning the most appropriate response strategies or configuration recommendations.

    ASUS’s public relations department has confirmed the authenticity of the document, while clarifying to the media that it is an internal commercial communication intended solely for channel partners, rather than an official press release issued to the public.


    A new batch of works enters the public domain

    On January 1, 2026, the world marked its annual milestone for copyright expiration. Works by renowned figures such as Freud, Einstein, and Toynbee entered the public domain across jurisdictions including the United States, Europe, and China.

    In the United States, with the expiration of copyright protection for works published in 1930, books such as William Faulkner’s As I Lay Dying and Sigmund Freud’s Civilization and Its Discontents, as well as films like All Quiet on the Western Front, entered the public domain. Paintings by Piet Mondrian and Paul Klee, the original “Betty Boop” doll, and Disney’s earliest depiction of Pluto (then known as Rover) are also no longer subject to copyright restrictions, making derivative creations based on these early materials possible.

    In jurisdictions that apply a copyright term of “the author’s lifetime plus 70 years,” such as the European Union, the United Kingdom, and Russia, works by authors who died in 1955 have now reached the end of their protection period. This means that works by physicist Albert Einstein, Dale Carnegie—the author of How to Win Friends and Influence People—and Nobel Prize–winning writer Thomas Mann are no longer protected by copyright in these regions.

    In jurisdictions that apply a copyright term of “the author’s lifetime plus 50 years,” including China and most parts of Asia and Africa, works by authors who died in 1975 have reached the end of their protection period. This includes figures such as Chiang Kai-shek, historian Arnold J. Toynbee, Soviet composer Dmitri Shostakovich, and political philosopher Hannah Arendt.


    BYD surpasses Tesla to become the world’s top EV seller in 2025

    According to The New York Times, Tesla lost its position as the world’s largest electric vehicle manufacturer in 2025, being surpassed by BYD for the first time. Data released on December 31 show that Tesla’s annual deliveries fell 9% year on year to 1.64 million vehicles, with fourth-quarter sales plunging 16% due to policy impacts. In contrast, BYD’s annual sales of pure electric vehicles rose 28% to 2.26 million units, and the company achieved significant expansion across Asia, Europe, and Latin America thanks to its pricing advantage.

    Tesla’s sales decline was primarily driven by a sharp shift in U.S. policy. Despite Elon Musk’s strong support for Donald Trump in the 2024 election, after Republicans regained control of the White House and Congress, they swiftly repealed the federal EV tax credit of up to $7,500 and began rolling back clean air regulations. As the dominant player holding about 45% of the U.S. EV market, Tesla became the biggest casualty of these policy changes, with fourth-quarter deliveries dropping sharply from 496,000 a year earlier to 418,000 units.

    Beyond the deteriorating external environment, Tesla’s own lagging product updates were also a key factor. Its flagship Model Y has seen no major refresh since its launch in 2020, while the newly introduced Cybertruck has delivered disappointing sales. In the European market, Tesla’s sales have already been overtaken by Volkswagen. In addition, Musk has shifted the company’s focus toward robotaxis and humanoid robots, which have yet to generate meaningful revenue, and Tesla has fallen behind Alphabet-owned Waymo in the deployment of autonomous driving.

    Industry analysts predict that the U.S. EV market will remain sluggish in 2026, with a recovery unlikely until 2027, when more low-cost models priced below $30,000 enter the market. Despite weak vehicle sales, Tesla’s stock price remains near historical highs, as Wall Street continues to bet on its long-term potential in autonomous driving. Meanwhile, although BYD is unable to enter the U.S. market due to high tariff barriers, it has firmly established its leadership in the rest of the world.


    Rumors You Can Just Glance At

    • Recently, multiple Reddit users complained that Duolingo was displaying subscription ads through its real-time events feature, a practice prohibited by App Store review guidelines and one that could potentially lead to removal from the store. Duolingo later appeared to have stopped showing the ads.
    • According to official data from Stack Overflow, the site added only 3,862 new questions in December 2025, a figure that has fallen below the level seen in August 2008, shortly after the platform’s launch.
    • Internal Meta documents reviewed by Reuters show that in response to pressure from global regulators cracking down on scam ads on social media, Meta developed a set of countermeasures known as the “Global Playbook.” The documents reveal that rather than fully verifying advertisers’ identities or eliminating scams, Meta made it harder for regulators to discover violating ads by manipulating search results in order to pass compliance reviews. For example, in Japan, Meta teams found that regulators searched public ad libraries using specific keywords such as celebrity names to identify scam ads. Ahead of regulatory reviews, Meta selectively cleaned up search results related to those keywords, creating the impression that scam ads had been significantly reduced. In addition, when regulation was tightened in one region, algorithms would automatically divert scam ad traffic to other regions with looser oversight. Previously, Meta had faced tough questioning from governments in Japan, Singapore, and elsewhere over the proliferation of investment scams and AI-generated fake celebrity endorsement ads on Facebook and Instagram.
    • On the evening of January 3, Lei Jun revealed during a New Year livestream that Xiaomi’s original vehicle delivery target for 2025 had been set at 300,000 units, later raised to 350,000, and ultimately surpassed 410,000 units. He also announced that Xiaomi’s vehicle delivery target for 2026 is 550,000 units. During the four-hour livestream, Lei Jun and his engineering team completely disassembled a YU7. After the teardown, Lei Jun addressed a series of recent public controversies surrounding Xiaomi Auto. Regarding marketing claims such as “1,300 kilometers on a single charge” and “instant braking from 200 km/h,” Lei Jun said these statements originated from driving demonstration videos meant to showcase the SU7’s range and braking performance, with full videos available as evidence, but were taken out of context during dissemination. He also acknowledged that “fine-print marketing” is a bad industry practice, accepted the criticism, and said that since November last year he has required business teams to use larger, clearer text whenever possible.