Author: kiwi

  • New Stuff 231|What Have the Editors at SSPAI Been Buying Recently?

    New Stuff 231|What Have the Editors at SSPAI Been Buying Recently?

    @Tp: Moondrop LAN 2 REF Edition + MC2

    • Reference price: Earphones ¥299, upgrade cable ¥139

    Picking up from the previous post, when I went to buy the NiceBuds, I first noticed the ¥99 Bamboo 2 in the shop and felt a bit tempted. But after browsing around on Bilibili, I realized it didn’t really have anything that stood out to me. On top of that, many people mentioned issues like easily broken pins and inconsistent volume between the left and right earpieces, so I passed on it. While looking up related impressions, I discovered that the LAN 2—released in two versions—actually received quite decent reviews. After some comparison, I decided to pick one up to get a taste of what people call “Hi-Fi.”

    Moondrop’s LAN 2 comes in a POP version and a REF version. The former has a moderate boost in the low frequencies and, according to the official description, is more suitable for pop music, while the latter is better suited for instrumental listening. Since I don’t like that kind of bass that pounds your head, I chose the REF version. In my personal experience, the REF version gives a very clean and transparent listening impression. Especially when listening to instrumental albums with no vocals, such as The Moonlight Zoo, or the orchestral sections in Sodagreen’s album Winter, Ended, each instrument is clearly distinguishable while still blending together harmoniously. Even with pop music, the REF version performs quite well to my ears.

    What surprised me the most was how these earphones helped me notice small details in arrangements that I used to overlook. For example, at the beginning of Wu Qingfeng’s Outsider, there’s a faint “da-da” sound in the background. I first noticed this detail with the LAN 2 REF. When I went back to listen with other earphones, I found that the sound was actually there too—but it was easily masked by other melodies and hard to pick out.

    In terms of comfort, the LAN 2 is quite comfortable for me. The stock cable in particular is soft and slim, making it much more comfortable than a similar in-ear model I tried before. After switching to the MC2, however, the cable became thicker, and the over-ear section no longer used the relatively rounded, wrapped design of the stock cable, making the cable feel much more noticeable on my ears.

    MC2 (left) vs. stock cable (right)

    As for why I bought the MC2 cable: on one hand, the stock cable uses a 4.4 mm connector. Although Moondrop includes a 4.4-to-3.5 mm adapter, having an extra dangling adapter never feels quite right. On the other hand, I wanted in-line controls to change tracks. While the three-stage volume buttons on the side of the iPod nano 7 can be used to skip tracks without waking the screen, I still have to take the device out, which is a bit inconvenient. As for sound quality, honestly, I can’t really tell any difference between the stock cable and the MC2.

    For an ordinary listener like me, who isn’t a hardcore audiophile, the LAN 2 REF version does bring a somewhat different listening experience. At the very least, since getting it, I’ve switched my daily listening from EarPods to these.

    @张奕源Nick: Snapmaker U1 Color 3D Printer

    Note: We also produced a video hands-on of the Snapmaker U1 at the same time. The content differs from New Stuff and can be used as a supplement to the text version. Click to watch.

    Friends, I’ve recently been wanting to properly organize both my home and office desks, which is what got me interested in 3D printing.

    The 3D printing community strongly embraces the open-source spirit, and on various model platforms you can find all kinds of fun and practical storage box designs. For someone like me, with potentially large and ongoing needs, batch printing makes more sense than buying finished products—both economically and in terms of customization. With 3D printing, you can adjust dimensions and even iterate through trial and error, which fits my personalized needs much better.

    As it happens, Snapmaker (Kuàizào Technology) recently launched their consumer-grade color 3D printer, the Snapmaker U1, on JD.com. Our office got one right away, and I kicked off my 3D printing journey by “borrowing the company machine.”

    Snapmaker U1 exterior

    The biggest highlight of the Snapmaker U1 is a system called SnapSwap™—an independent four-head parallel setup. Put simply, this system allows four independent print heads to work on a single print job together, eliminating the need for mid-print filament swapping and purging, and enabling true one-pass multicolor printing.

    The basic idea works like this: before a print job starts, the U1 preheats all four print heads. Once preheating is complete, all four heads remain on standby. During printing, when a specific head is needed, the machine switches to it directly. The U1 uses a steel-ball positioning coupling structure, ensuring precise alignment and secure locking when the print-head exchanger grabs a head—without relying on screws, magnets, or additional motors. The entire head-switching process can be completed in as little as five seconds.

    Independent four-head parallel system: all four print heads stay on standby, and the machine simply “grabs” whichever one it needs

    This independent four-head system isn’t just for show—it delivers real efficiency gains. With traditional single-head printers, multicolor printing requires filament swapping and purging, which means stopping the print mid-job and manually changing materials. After each swap, the printer also has to purge the nozzle, producing a significant amount of waste. This back-and-forth costs both time and material, making it far from economical. With the U1, manual filament swapping and purging are eliminated. All four heads are prepared in advance, and automatic head switching during printing is so fast it’s practically negligible. In effect, you can complete multicolor prints in roughly the same time as single-color ones, dramatically boosting efficiency.

    The machine can also print with multiple materials in a single job

    Thanks to this capability, there are plenty of time-saving workflows you can explore. I often print storage boxes of the same size in different colors, so when setting up a job I’ll place multiple models in different colors on the same build plate. That way, the printer can produce multiple components in one go, saving the time of repeatedly starting new jobs, reheating the machine, and reloading materials. If you want the finished product to look a bit more playful, you can also assign colors while arranging the layout. From my simple comparisons, as long as the base model is the same, there’s little difference in total print time between single-color and multicolor jobs. So the strongest impression the U1 left on me is that even multicolor printing remains highly efficient—you don’t have to worry about it slowing you down.

    You can tweak colors during layout to fully leverage the U1’s efficiency advantages

    And because there’s no repeated mid-print filament swapping, the U1 only needs to purge the print heads once at the start of each job. The larger and more frequent your print batches, the more material cost you save. All waste material is neatly collected in the waste box, which only needs to be emptied about once a week.

    The waste box is hidden at the rear of the machine

    Beyond its core four-head parallel system, the Snapmaker U1 performs well in other areas too.

    First, print quality is solid. All my print jobs use the standard 0.4 mm nozzle and the default 0.2 mm layer height, yet the U1 still delivers sufficiently fine layers and detailed results.

    The built-in Charmander model: scales and horns are rendered with impressive detail

    Second, nearly all functions are automated—one-click filament unloading and loading, automatic multi-head calibration, automatic bed leveling, and more. Combined with parameter adjustment and camera monitoring via the mobile app, you can basically walk away once a print starts. Many of my prints are set up after work and left to run overnight in the office; I just pick up the finished parts the next day, which is incredibly convenient.

    Real-time print progress monitoring via the mobile app

    Snapmaker has a strong following overseas. While searching for tutorials and references, I came across many YouTube creators reviewing and sharing their experiences, and the maker community seems to really appreciate Snapmaker’s high value-for-money products with a distinct design ethos. Interestingly, before the U1 arrived, our office already had an older 3D printer, but few people paid much attention to it. Since getting the U1, however, many colleagues have started asking how to print their own items or proposing product ideas. It really shows that when a printer is efficient and easy to use, it can spark creativity.

    Multicolor products printed with the Snapmaker U1

    The Snapmaker U1 is currently available in stock on JD.com. After national subsidies, prices start at RMB 4,504.15, making it highly competitive in its class. If you’re looking for a low-fuss, high-efficiency desktop color 3D printer, the Snapmaker U1 is definitely worth a look.

    @鲸鱼鱼: Cookie Budget — Lifetime Membership

    • Reference price: RMB 68

    As a long-time SSPAI reader, I feel a certain obligation to tinker with budgeting apps—and to spend money on an app to track how I spend money. After using MoneyWiz and MOZE on and off for several years, I realized my needs are actually very basic: by the end of the month, I just want to know roughly where my money went. For me, these professional, feature-heavy budgeting apps feel a bit “over-specced.” So when I heard that MOZE’s subscription price was about to increase, even though I was reluctant to part with its polish and professionalism, the higher fee made me reconsider whether it was really necessary. That’s when I started looking for a new budgeting app.

    After asking fellow editors and AI for recommendations, I downloaded several budgeting apps to try briefly. Cookie Budget stood out as the one that impressed me the most at first glance. First, its overall design is clean, and the little cookie icon—true to its name—adds a touch of cuteness. Second, Cookie offers a feature specifically for tracking software subscriptions, with support for multiple currencies and automatic entries upon renewal. Subscription management and expense tracking are unified in one place, so there’s no need to jump between apps—perfect for my lazy instincts. Third, in terms of functionality, it covers everything I need, including iCloud sync and basic reports.

    Widgets, icons, and subscription management

    However, as I explored more features, I also noticed some less intuitive design choices. Cookie’s accounting logic differs slightly from MoneyWiz and MOZE. For example, the latter apps use receivables and payables to cover scenarios like loans, reimbursements, and paying on someone else’s behalf. In Cookie, these are split into more specific entry points, such as lending assets, borrowing assets, reimbursement records, or initiating a bill refund to calculate split payments. Take splitting the cost of milk tea with colleagues as an example: in MOZE, one transaction plus a receivable does the job, but in Cookie, you need to record the total first and then handle the split as a refund-based AA collection. The receivable flow feels more roundabout. That said, laziness really is the primary productivity driver—I simply treat all AA receivables as reimbursements. While this sacrifices some statistical granularity, the steps align better with my thinking and feel smoother to use. There’s another limitation in Cookie’s categories as well: a single transaction can’t be assigned to multiple categories. If you buy groceries, household supplies, and toys in one supermarket trip, you have to record three separate transactions in Cookie.

    The reimbursement record and subscription management buttons are also inconsistently placed—one on the left, the other on the right

    In addition, Cookie feels a bit rough around the edges in some details:

    • Expense categories support hierarchies, but all default categories are single-level. Some are very broad, like clothing, food, housing, and transportation, while others—such as water bills, electricity bills, or snacks—really belong at a second level. It takes quite a bit of effort to reorganize everything properly.
    • Subscription information defaults to the “app subscriptions” category, but for convenience I deleted that category and replaced it with a broader “applications & software” category. When creating new subscriptions, however, they still default to the now-nonexistent “app subscriptions” category. I couldn’t find any way to change this default, so I have to manually adjust it every time.
    • The feature hierarchy isn’t very clear, and some actions are hidden away. Subscriptions have auto-recording enabled by default, but there’s no option to toggle this when creating a new subscription. For subscriptions where I want to confirm renewal at expiration, I can only disable auto-recording afterward by going into the subscription details and using the menu in the top-right corner.

    That said, Cookie overall meets my needs and simplifies my workflow for both subscription tracking and general expense logging. The development team has also maintained a steady cadence of one or two updates per month in recent years, continually refining the product. And considering that its lifetime membership price is relatively affordable among budgeting apps, it still feels like a worthwhile investment overall.

    @路中南: Cat Slow Feeder

    • Reference price: RMB 20

    I have two cats at home. The pure-black older one was adopted years ago from a rescue shelter in Shenzhen with Lao Mai, and it’s of the same lineage as the office’s calico cat, Diandian. However, this creature has had one habit unchanged for years: eating far too fast. Perhaps that’s exactly why it’s overweight (7 kg+), and why it occasionally vomits piles of undigested kibble—something that’s become even more frequent in winter. If it happens when no one’s home and the robot vacuum blindly rolls over it, the trouble can be huge. And yes, that did happen to me last month.

    Let’s just call it Black Pig. From its official name “Juanjian,” to the nickname “Little Black,” and finally to the moniker “Black Pig,” it only took about two years. Over those two years, I tried quite a few methods to ease its vomiting (it’s heartbreaking to watch your clumsy eldest vomit): switching to warm water in winter (helpful, but easily contaminated by dust), making a DIY rolling bottle feeder (which it completely ignored, only charging like a pig whenever the automatic feeder dispensed food), and so on. This time, Taobao recommended a cat slow feeder, and after using it for two weeks, here are my thoughts.

    Why is it called a “slow feeder”? Because the cat has to “solve a puzzle” to earn its food reward. Before buying, I read a lot of reviews for similar products, and many negative ones complained that “my cat doesn’t know how to use it,” so the feeder ended up unused. I, however, was full of confidence—and that’s thanks to our second cat, Er Huang. The uniquely named second son, a mischievous spirit cat who purrs the moment you touch his haunches. His “intelligence fur length” (note: the fluffy fur at the tips of a cat’s ears—folklore says its length is directly proportional to a cat’s intelligence) should have no trouble with a level-three difficulty feeder. And sure enough:

    The look a smart cat gives while watching a dumb cat eat

    Comparing the two cats’ behavior, Er Huang uses his paws to flip and dig out the kibble underneath with ease. Black Pig, on the other hand, only knows how to push around with his head. Sometimes he even has to follow the second cat while eating just to get a few bites.

    The confusion of a pig who only knows how to shove with his head (4× speed)

    Either way, Black Pig’s eating speed has slowed down. And because I put more fragrant, tastier domestic cat food in the tray (ad space available here), Black Pig now refuses to eat the diet food from the automatic feeder. Instead, he either sneaks off alone to shove the puzzle tray in search of food, or tails along behind the second cat to eat some leftovers.

    This tray is definitely a “I bought it and I’m OK with it, but I wouldn’t recommend you buy it” kind of product. First, it requires a certain level of feline intelligence. Second, it’s better suited for larger items like freeze-dried treats or snacks, rather than regular kibble. Kibble tends to get stuck in the narrow gaps of the mechanisms, making it hard for cats to retrieve, and over time it also goes stale.

    @JIAJUN: Mickey Paw Mug

    • Reference price: Mickey Paw Mug: ¥129, Pingu Money Tree: ¥79, Mushroom: ¥89

    Sometime last autumn or winter, a gift suddenly appeared on my desk—air-dropped by a colleague. When I opened it and saw Mickey’s little paw, I could only think: wow, this is way too good a gift.

    As a present, it’s a solid 120 out of 100. Perhaps to achieve that adorable paw shape, the mug itself is very large and very heavy. Although the official demo shows two different ways to use it, only after actually trying it did I realize how taxing it is to drink from something with a net weight of 780 g. With the first grip, holding hot water makes your hand feel scalded, and it also feels a bit unstable; with the second, hand-supporting grip, the feel is completely different from a normal mug and hard to get used to. I personally give its practicality a 60 at best, and had no choice but to give up on using it as a daily cup.

    For a while, I couldn’t think of a better use for it, so I put it back in its box and let it lie quietly in a corner.

    After N days, during a major cleanup at home, I felt it would be such a waste to leave something this cute unused. Looking around, I noticed that it fit perfectly with a Pingu money tree I already had at home—turns out it makes a pretty nice flower vase, and I was very satisfied. A few months later, the other unused paw finally found its own plant as well: a mushroom from Furry Forest.

  • From Retina Classics to the Future of Apple Silicon: Ten Years, Three Generations, and My MacBook Evolution

    From Retina Classics to the Future of Apple Silicon: Ten Years, Three Generations, and My MacBook Evolution

    Preface

    As someone entering middle age, I’ve already started to feel nostalgic.

    Before the iPhone, the Apple product that left the deepest impression on me was probably the MacBook. As the first computer I bought with my own money after starting work, my MacBook journey happened to span three distinct eras:

    • Astonishing & iconic: MacBook Pro with Retina (2014, 13-inch);
    • A performance beast: MacBook Pro with i7 (2019, 16-inch);
    • A chip-driven reinvention: MacBook Pro with M2 Pro (2023, 14-inch).

    Over the past decade-plus, the MacBook lineup has undergone dramatic changes. These weren’t just incremental hardware upgrades, but profound shifts in design philosophy, user experience, and ecosystem integration.

    A side-by-side look at the three MacBook Pros

    As my primary productivity tool, this piece isn’t merely a list of devices. It’s a decade of growing alongside the MacBook—a record of how I used it to move from being a reader to becoming a content creator.

    The MacBook Pro that travels with me on business trips

    Planting the Seed: MacBook Air

    Starting in 2006, Apple abandoned PowerPC and fully transitioned to Intel, ushering in a new era of collaboration between Apple and Intel.

    In 2008, Steve Jobs pulled a laptop out of a manila envelope in that now-legendary keynote moment. With its unibody aluminum design—so thin that even its thickest point was slimmer than competitors’ thinnest—it didn’t just stun the audience in the room. It also planted a seed deep in my heart.

    The Stunning Impact of Retina

    In early 2015, I bought my first Apple device: a 13-inch MacBook Pro with Retina (the base model).

    If the MacBook Air stood for thin and light, then this generation of the MacBook Pro with Retina represented balance. In terms of design, it carried on the unibody aluminum chassis, with an excellent build quality. By removing the optical drive and mechanical hard disk, Apple ensured a slimmer profile—far lighter and thinner than the laptops I used back in college. The glowing Apple logo on the lid remains a classic to this day.

    More importantly, it offered an exceptionally rich selection of ports: MagSafe magnetic charging, HDMI video output, an SD card slot, Thunderbolt 2, and two USB-A ports. It was a true “all-round productivity machine” that could handle almost any task without the need for a dongle.

    The display deserves special mention. Seeing a Retina screen for the first time was genuinely breathtaking, and even by today’s standards, it still holds up well. I remember a friend who had just bought a MacBook Air (non-Retina); after seeing my screen, they immediately regretted their purchase.

    With an Intel Core processor, a Retina display, plentiful ports, and a scissor-switch keyboard—paired with macOS’s clean interface, free from pop-ups and virus anxiety—it laid the foundation for my trust in the MacBook as a machine that is “open the lid and get to work,” stable and reliable.

    Thanks to the Thunderbolt 2 port, I also entered the era of a dual-monitor desk setup: the MacBook Pro as the main machine, connected to a Xiaomi 34-inch curved display, forming my version 1.0 desktop setup.

    My desk setup in 2019
    My desk setup in 2020

    A Small Interlude

    The Product I Most Hope to See Revived: the 12-inch MacBook

    The design of the 12-inch MacBook could be considered the pinnacle of Apple’s design at the time—and even today, it hardly feels outdated. Limited by its performance, however, it could only ever be a toy for a very small group of users. With the arrival of the M-series chips, which offer far better performance, thermals, and power efficiency, this line has become the product I most want Apple to bring back.

    A Monster and the Controversy

    A Leap in Performance and Intel’s Struggle

    As my work began to demand more performance, I upgraded to the 2019 16-inch MacBook Pro (i7 processor, 32GB RAM). There’s no denying it: at the time, this machine was a bona fide performance monster.

    From dual-core to six-core, from 13 inches to 16 inches—the performance jump was massive. Image editing times dropped dramatically, and running multiple virtual machines became effortless. This was Apple pushing the Intel-based MacBook Pro to its absolute limits.

    But constrained by thermal design, it also gave rise to the infamous “single heat pipe trying to tame an i9” moments—one of the reasons I opted for the i7 instead. Under heavy load, the chassis temperature would spike rapidly, and the fans would roar like a jet taking off, seriously affecting my focus while working.

    That said, the return of the scissor-switch keyboard, the excellent speakers, and Touch ID were all welcome highlights of this generation. On the downside, only Thunderbolt 3, USB-C, and the headphone jack remained. All other ports were cut—even staples like the SD card slot and HDMI—making external expansion a clear drawback.

    The Touch Bar was another source of controversy. Intended to replace physical function keys, it did bring novelty to certain applications, but ultimately proved to be a productivity hindrance rather than a help.

    While I fully acknowledge that the 16-inch MacBook Pro was a powerful, workstation-class machine, who could have imagined that in less than two years it would be replaced by ARM-based MacBook Pros?

    To better tame this performance beast and improve the overall experience, I chose the following accessories to build my desktop setups from version 2.0 to 3.0.

    • Thunderbolt 3 dock: a single cable to solve everything—connecting external displays while providing stable power and data transfer, greatly reducing the clutter of multiple cables on the desk.
    • Cooling: to address the high heat output of Intel chips, I initially placed the laptop on a stand. This not only raised the screen to eye level, reducing neck strain, but also helped with airflow. Still, passive cooling wasn’t enough for the i7, so I later added an active liquid-cooling solution. Even then, the results were far from ideal.
    My desk setup in 2021
    My desk setup in 2022
    My desk setup in 2023

    Reshaping and the Future

    In 2020, Apple kicked off its transition to the ARM platform.

    Fifteen years later, the Mac once again changed its chip architecture.

    For Apple, raw performance may not be the ultimate goal, but power efficiency and thermal control are areas where it refuses to compromise. During the years of collaboration with Intel, many Mac products suffered from overheating issues. With the rapid maturation of the ARM architecture, Apple could finally move it onto the Mac with confidence.

    People who are really serious about software should make their own hardware.

    Today, Mac chips are designed entirely by Apple. By integrating various functions onto a single chip, Apple not only reduces costs but also achieves tighter integration. In-house silicon enables Macs to work more seamlessly with other Apple devices, strengthening the ecosystem and breaking down barriers between products.

    The M-chip Revolution: A Cross-Generation “Dimensionality Reduction”

    Moving from Intel flagships to a MacBook Pro powered by the M2 Pro chip was nothing short of a generational leap.

    The most immediate sensation is “calmness.” Tasks that once sent fans into a frenzy can now be completed quietly and coolly by the M2 Pro. At the same time, it achieves a near-perfect balance between performance and battery life. Intel laptops used to feel like they lost their soul once unplugged; M-series Macs can deliver a full day of efficient work without ever touching a power outlet.

    In terms of design, Apple performed a kind of “course correction.” With a return to a more classic look, today’s MacBook Pro may not appear as thin and light as before—but the Pro line has always been a tool for professionals. Thinness was never the core of “Pro”; usability is. This return to practicality is the best interpretation of what “Pro” truly means.

    Compared to the Intel era, the return of MagSafe, HDMI, and the SD card slot—along with support for high-impedance headphones—signals that Apple has finally acknowledged the core, practical needs of professional users.

    The Mini-LED display delivers stunning contrast, and ProMotion’s high refresh rate turns every scroll and every viewing moment into a visual pleasure. As for the notch, that’s simply a matter of personal taste.

    After experiencing the size and weight of the 16-inch model, I decisively chose the 14-inch this time. It strikes a better balance between performance and portability—lighter than the 16-inch, yet more powerful than the 13-inch.

    As for this generation of desk setup, the guiding principle was “subtraction.” I removed all unnecessary accessories and upgraded the external display to an LG UltraFine 4K, aiming to match the color accuracy of the MacBook Pro’s built-in screen.

    My desk setup in 2024
    My desk setup in 2025

    MacBook and Apple Vision Pro

    At present, Apple’s MacBook lineup positioning is already very clear:

    • MacBook Air focuses on light productivity: 13-inch and 15-inch;
    • MacBook Pro targets professional use: 14-inch and 16-inch.

    There are rumors that in the spring of 2026 Apple will release a MacBook aimed at the education market, powered by an A-series chip and priced lower. If this model does arrive, Apple’s MacBook lineup will become even more complete and better aligned with different user needs.

    Apple Vision Pro

    With the release of Apple Vision Pro, it’s natural to ask: will it eventually replace the MacBook as the next-generation productivity tool?

    For MacBook users, Vision Pro brings qualitative improvements in several areas:

    First is the “infinite” and “mobile” nature of physical displays. Vision Pro offers the Mac Virtual Display feature, fundamentally redefining the concept of a workspace. While MacBooks are constrained by physical screen size, Vision Pro can project the Mac desktop onto a massive, adjustable virtual display—essentially letting you carry a top-tier 100-inch monitor with you at all times.

    Second is an upgrade in multitasking space. Traditional MacBook multitasking relies on Mission Control or switching between apps. In Vision Pro, the Mac desktop can exist as one window, surrounded by natively running web pages, email, or even 3D models. This hybrid layout of Mac + visionOS apps greatly enhances the intuitiveness of multitasking.

    Finally, Vision Pro naturally ushers in a shift in the “center of computation.” In the past, the MacBook was the computing core and the screen was merely for display. In the era of spatial computing, the MacBook gradually becomes a high-performance computing module without a screen. Users may no longer care about the MacBook’s display quality, brightness, or size, because the visual experience is taken over by the headset.

    Image generated by Google Gemini

    That said, the current Vision Pro experience is far from perfect: wearing comfort, the limited number of third-party visionOS apps, and the exploration of efficient input methods are all issues that still need to be addressed.

    So at this stage, the relationship between the two is more about coexistence and complementarity rather than direct replacement. The MacBook, with its powerful M-series thermal management and long battery life, is well suited for sustained, high-intensity workloads (such as code compilation or complex modeling), while Vision Pro focuses on delivering extreme visual presentation and spatial interaction.

    Epilogue

    My ten-year journey with the MacBook is also a microcosm of Apple’s shift from a hardware-spec arms race to an ecosystem built around in-house chips. We’ve lived through the golden age of the classic scissor-switch keyboard, the growing pains of the butterfly keyboard, and the struggles of Intel processors—only to finally arrive at the perfect triangle brought by Apple silicon: battery life, performance, and silence.

    For me, the core value of the MacBook has long gone beyond the simple combination of a screen and a processor. It represents a way of working that is efficient, stable, and aesthetically pleasing. That’s also why I’ve consistently held the MacBook in higher regard than the iPhone.

    Across these three pivotal evolutions over ten years, which generation of MacBook design or experience is your favorite? Feel free to share your own experiences in the comments.

  • SSPAI Morning Brief: WeChat Official Accounts Roll Out “Paid Boosting” Feature, and More

    SSPAI Morning Brief: WeChat Official Accounts Roll Out “Paid Boosting” Feature, and More

    Morning Brief

    1. WeChat Official Accounts roll out “paid boosting” feature
    2. Ubiquiti launches AC1200 travel router UTR
    3. Logitech releases G304 X LIGHTSPEED mouse
    4. China Media Group releases its Top 10 Domestic and International Science & Technology News of 2025
    5. NVIDIA reaches licensing agreement with AI chip startup Groq
    6. Google lists Android Mini Bot Maze figurine
    7. Rumors You Can Just Glance At

    WeChat Official Accounts roll out “paid boosting” feature

    On December 24, WeChat Official Accounts officially rolled out the “Paid Boosting” feature. Creators can access the “Paid Boosting” module in the Official Accounts backend and choose already published content for promotional boosting. Specifically, the feature allows creators to either increase readership or gain new followers. This service is paid and purchased using WeChat Beans. For individual creators with fewer than 10,000 followers, a free “Content Boost” feature is available. Together, “Paid Boosting” and “Content Boost” form a complementary traffic growth system that combines paid promotion with free incentives. Source


    Ubiquiti launches AC1200 travel router UTR

    On December 22, Ubiquiti announced the launch of the UTR Travel Router (UniFi Travel Router). This model allows users to sync their home network configuration while traveling, ensuring a consistent connectivity experience on the go. The UTR travel router measures 95.95 × 65 × 12.5 mm, weighs 89 g, has no built-in battery, and is powered via USB-C. It features a 1.14-inch status display. The router provides two 1GbE RJ45 uplink Ethernet ports, supports AC1200 Wi-Fi, and includes a USB-C port that supports USB network sharing. The official price is USD 79. Source


    Logitech releases G304 X LIGHTSPEED mouse

    On December 24, Logitech China listed the G304 X LIGHTSPEED mouse on its official website. The mouse retains the classic G304 design, but switches from replaceable batteries to a built-in 290 mAh lithium battery, with a claimed battery life of 106 hours. It uses a USB-C port for charging, weighs 57 g, and features a centered weight balance. The mouse supports both 2.4 GHz wireless and wired connections, is equipped with the HERO 25K sensor and the new-generation LIGHTSPEED technology, and comes in black, white, purple, and pink color options. Pricing has not yet been announced. Source


    China Media Group releases its Top 10 Domestic and International Science & Technology News of 2025

    On December 24, China Media Group released its Top 10 Domestic and International Science & Technology News of 2025. Source

    2025 Top 10 Domestic Science & Technology News:

    1. China builds three world-class science and technology innovation centers
    2. The State Council issues Opinions on Deepening the Implementation of the “AI+” Initiative
    3. Tianwen-2 successfully launched, marking China’s entry into asteroid exploration and sample return
    4. “Artificial Sun” fusion device sets a “hundred-million-degree for a thousand seconds” record
    5. China’s large-scale AI model DeepSeek draws global attention
    6. “Zuchongzhi-3” quantum computing prototype sets a new world record
    7. China’s first electromagnetic catapult aircraft carrier Fujian commissioned, ushering the PLA Navy into the three–aircraft-carrier era
    8. Shenzhou-22 spacecraft launched in an emergency mission, creating a historical milestone with “uncrewed” operations
    9. Jiangmen Neutrino Experiment large-scale scientific facility officially enters operation
    10. A series of robotics competitions held as China’s embodied intelligence industry flourishes

    2025 Top 10 International Science & Technology News:

    1. China leads rapid global development of renewable energy
    2. Most detailed connectivity map of the mammalian brain completed
    3. Antimatter qubits demonstrated for the first time
    4. AI-powered virtual cells open a new paradigm for biological research
    5. China launches an international scientific program in the field of fusion
    6. Gravitational wave signals verify Hawking’s black hole area theorem
    7. World’s first scalable photonic quantum computer prototype unveiled
    8. Artificial “form vision” research restores sight to blind patients
    9. Scientists observe a massive black hole merger event
    10. World Federation of Engineering Organizations General Assembly releases the Shanghai Declaration 2025

    NVIDIA reaches licensing agreement with AI chip startup Groq

    On December 24, AI chip startup Groq announced that it has entered into a non-exclusive licensing agreement with NVIDIA covering Groq’s inference technology. Under the agreement, NVIDIA will be able to use Groq’s technology in future chip designs, while several Groq executives—including its founder and president—will join NVIDIA. CNBC reported that the deal effectively amounts to NVIDIA acquiring Groq for $20 billion in cash, but NVIDIA denied this claim to other media outlets. Groq’s announcement also stated that the company will continue to operate independently, and that its GroqCloud business will remain in operation. Groq focuses on developing Language Processing Unit (LPU) chips designed to deliver high-performance, low-cost inference. Source


    Google lists Android Mini Bot Maze figurine

    Google’s official store has recently listed an Android a-MAZE-ing Collectible figurine. The figure stands about 3 inches (approximately 7.6 cm) tall, features a fully transparent shell, and contains a green marble maze structure inside. Users can tilt the figurine in different directions to guide a small metal ball through the maze. The robot’s arm joints are also articulated. The collectible is currently priced at $24. Source


    Rumors You Can Just Glance At

    According to The Information, OpenAI is discussing increasing the weight of sponsored advertising content within relevant Q&A responses in ChatGPT, as well as adding pop-up ads to the sidebar to better support shopping and similar use cases. Sources say OpenAI intends to remain “restrained” in its approach to advertising. Source

    On December 24, according to Yicai, Bilibili stated that individuals who fabricated and spread false information claiming that “all Bilibili videos will require a paid membership to watch starting next year” have been apprehended and placed under administrative detention in accordance with the law. Bilibili also said it reserves the right to pursue further legal action against those responsible. Source

    GTA copyright holder Take-Two Interactive has ordered DOS.Zone to take down an original GTA: Vice City save/load tool that allowed the game to be played directly in a web browser. Source

    Microsoft Distinguished Engineer Galen Hunt, whose LinkedIn post previously drew widespread attention, has posted again to clarify rumors that “Microsoft will rewrite Windows in Rust to replace C and C++,” which were sparked by his earlier remarks. Source

    Gmail’s Hindi-language help documentation has mentioned a feature allowing users to change their @gmail.com email address, noting that the change will be “gradually rolled out to all users.” Users will be able to change their Gmail address once every 12 months, up to a maximum of three times. Source

    Around 1:00 a.m. local time, Steam store servers experienced a large-scale outage, with connection issues also affecting some Valve game servers. Services are currently being gradually restored. Source

  • Ring in Christmas Cheer and Welcome the New Year With These 9 Holiday Films

    Ring in Christmas Cheer and Welcome the New Year With These 9 Holiday Films

    🎄 Merry Christmas!

    As the Christmas atmosphere grows ever stronger on shopping streets and social platforms alike, decorating your home in full holiday style—like lifestyle influencers do—may not be so easy. But spending a weekend evening watching a Christmas-themed movie is always within reach. Whether it’s the heartwarming holiday romance Love Actually or the adventurous animated classic The Polar Express, both feel like perfect seasonal choices. In this special edition of What to Watch, we’ve selected 9 films ideal for Christmas viewing, hoping to bring you a touch of warmth during these cold winter days.

    The What to Watch column will periodically release themed special editions. While keeping an eye on weekly new releases, we also revisit beloved classics together.

    You can check out previous recommendations here or by clicking the tag #WhatToWatch at the end of the article. If you’d like more in-depth film and TV content, feel free to follow our spin-off column What to Watch Café. And as always, if you have other suggestions, you’re welcome to share them in the comments—thank you for your continued support and love for What to Watch.

    [Film] Charlie and the Chocolate Factory

    Non-professionals are advised to watch this film accompanied by chocolate.

    @潘誉晗: The mysterious gates of Willy Wonka’s chocolate factory have been shut for fifteen years. All this time, no one has ever been seen entering or leaving, yet rich and tempting chocolate aromas continue to waft out from within. One day, Wonka announces that he has hidden five golden tickets inside five chocolate bars—whoever finds one will earn the chance to tour the chocolate factory.

    I think Charlie and the Chocolate Factory is an almost perfect choice for a Christmas family movie. For children, it’s a fairy-tale chocolate kingdom filled with wonder—like winning a golden ticket from the film itself, bringing pure joy. For adults, it offers a chance to see the world through children’s eyes and reflect on how grown-ups should provide the right guidance as kids grow up.

    The five children represent archetypes in a very deliberate way: the gluttonous grinder, the rich pay-to-win tycoon, the elite player, the tech geek, and the lucky chosen one. Their different backgrounds and the ways they obtain their golden tickets predetermine the choices they’ll make—and the consequences they’ll face—on this adventure. The film makes its message crystal clear: excessive greed, arrogance, and vanity are among the worst traits in the world, and they ultimately harm oneself. What’s truly precious is having the kind of pure kindness and childlike heart that Charlie embodies.

    When the visionary Tim Burton brings Roald Dahl’s story to the screen, he also reminds us that family is a child’s most important school. As long as a family is together, even living in a drafty little house and eating cabbage with cabbage soup every day can still be a source of immense happiness.

    [Film] The Shop Around the Corner

    • Keywords: Drama / Comedy / Romance
    • Also known as: The Shop Around the Corner
    • Runtime: 99 minutes
    • Where to watch: Youku Video; Douban link

    A “long-distance romance” story set on Christmas Eve, 1940.

    @利兹与青鸟: When it comes to Christmas movies, the classic It’s a Wonderful Life often tops various “best Christmas films” lists. But another lesser-known gem starring James Stewart, The Shop Around the Corner, is just as perfect for the holiday season. Directed by the renowned Ernst Lubitsch, a master of romantic comedies, the film carries his signature lighthearted and playful style, filled with witty dialogue and richly drawn ensemble characters, transporting viewers back to a small corner shop during Christmas in the last century.

    How did young people fall in love in 1940? Storylines we’re familiar with today—online romance and office love affairs—were already cleverly and elegantly constructed in The Shop Around the Corner decades ago. The film tells the story of a man and a woman who, by a twist of fate, become pen pals. In real life, they are bickering rivals, coworkers in the same shop who can’t stand each other; yet through anonymous letters, they unknowingly become soulmates who deeply admire one another. This dual relationship between the two leads is the film’s greatest highlight, generating plenty of humor as their circumstances shift, while taking the audience’s emotions on a gentle roller coaster.

    Beyond the central romance, the everyday ensemble scenes inside the shop are equally delightful: a stubborn boss who holds all the power, sly and mischievous employees sneaking moments of slacking off—elements that feel wonderfully true to life while remaining highly entertaining. When the plot veers toward an unexpectedly chaotic point and viewers begin to worry about how it can possibly be resolved, Lubitsch once again diffuses the tension with a light and witty touch, reminding us that this is the highest form of a truly heartwarming, family-friendly comedy.

    [Film] Everyone Says I Love You

    • Keywords: Comedy / Romance / Musical
    • Also known as: Everyone Says I Love You
    • Runtime: 101 minutes
    • Where to watch: Tencent Video; Douban link

    A warm and romantic all-star musical.

    @甜约翰: Set in New York, the film tells the story of a family with very different personalities, each bravely pursuing true love. Free-spirited Juna lives in a large, happy family—her mother Steffi and stepfather Bob have maintained a close friendship with Juna’s biological father, Joe Berlin, for many years. Her sister Skylar is about to walk down the aisle with her fiancé Holden, only to fall for a convicted criminal. Joe Berlin, who has remained single for years, meets a married woman while on vacation and ends up chasing her from Venice to Paris. Meanwhile, the family also includes an eccentric brother Scott, the innocent sisters Lane and Laura, and an adorable grandfather. With Christmas just around the corner, will they be able to find true love?

    This 1996 all-star musical was written, directed, and starred in by the “little old man” himself, Woody Allen. The film continues his signature style: a tightly structured script, concise storytelling, just-right choreography and musical design, and of course, Allen’s characteristically rambling musings. It carries a strong sense of classic Broadway tradition, yet moments like a dancing soul at a funeral and a duet by the Seine add a touch of lightness and warmth. Through his lens, every member of this middle-class family feels especially endearing, while New York, Paris, and Venice appear irresistibly romantic—almost as if this is what love itself looks like.

    Everyone says they love you—but what exactly is love? Is it that once-in-a-lifetime spark, or the quiet companionship that grows over time? Perhaps no one truly knows. With Christmas just around the corner, why not look for an answer in this film?

    [Film] A Christmas Carol

    • Keywords: Drama / Animation / Family / Fantasy
    • Also known as: A Christmas Carol
    • Runtime: 98 minutes
    • Where to watch: Tencent Video; Douban link

    A darker fairy tale better suited for adults.

    @甜约翰: The protagonist, Ebenezer Scrooge, is a thoroughgoing miser—selfish by nature and notoriously stingy. He treats his employees and nephew harshly, and even beggars on the street dare not ask him for alms. After his business partner dies, he becomes even more unrestrained. As Christmas approaches, Ebenezer, alone at home, encounters three spirits in succession—the Ghost of Christmas Past, the Ghost of Christmas Present, and the Ghost of Christmas Yet to Come. These extraordinary experiences awaken another side of his humanity, and he finally repents, deciding to change his ways.

    This film is adapted from Charles Dickens’s novella of the same name, written in 1843. The original work is one of Dickens’s “Christmas Books” (alongside The Chimes and The Cricket on the Hearth), and the phrase “Merry Christmas” itself gained widespread popularity because of this story. Directed by Robert Zemeckis of Forrest Gump fame, the film combines a solid script, a dark visual style, unsettling elements, and the use of performance capture technology, resulting in a richly textured and distinctive cinematic experience.

    Of course, the film also carries a deeply educational theme: if you could see your own past, present, and future, what kind of life would you choose? It’s also worth noting that Jim Carrey, who plays the lead role, along with familiar faces such as Gary Oldman and Colin Firth, all deliver strong performances, adding plenty of highlights to the film.

    If you’re in the mood for something other than the warmth-and-fuzzies of Love Actually, this darker fairy tale for adults may be just the right choice for Christmas night.

    [Film] Klaus: The Secret of Christmas

    • Keywords: Comedy / Adventure / Coming-of-Age
    • Also known as: Klaus
    • Runtime: 96 minutes
    • Where to watch: Netflix; Douban link

    The most selfless acts are often the most moving.

    @SHY: Even the youngest children know the story—when the year draws to a close, a white-bearded old man in red sets off from the far north, riding a reindeer-drawn flying sleigh to visit homes around the world, quietly leaving gifts to be discovered upon waking. But where did this well-known legend come from? Here, I’m not talking about Saint Nicholas as you may have heard of him, but a story that might have truly happened in 19th-century Norway.

    When we think of Christmas, we naturally picture family reunions and festive decorations. This story, however, begins in a bleak, icy town that feels as though it has stepped straight out of a Lovecraftian myth. Jasper, a spoiled young man exiled there by his postmaster father, desperately tries to complete his delivery quota, only to find the townsfolk locked in deep-seated hostility, vowing never to interact with one another. At his lowest point, he reaches an understanding with the woodsman Klaus—and through acts of kindness born from selfish motives, they gradually weave the fabric of a new tomorrow.

    From letter-writing wishes and naughty lists to reindeer sleighs, chimney stockings, and even the iconic “Ho-ho-ho,” the film cleverly connects all the familiar elements of Christmas into a whimsical and imaginative symphony. With carefully planted foreshadowing and steadily advancing narrative threads, it traces the growth of Jasper and the townspeople alike. The striking contrast before and after their transformation naturally elevates Klaus into the figure we now recognize as Santa Claus.

    Built upon exquisite art direction, the creators use hand-drawn 2D animation to simulate three-dimensional lighting and textures, giving the film its distinctive “2D-rendered-as-3D” visual style—truly a feast for the eyes. Guided by pure love and goodwill, long-standing feuds are resolved, a harsh and frozen land is turned into a haven of laughter and joy, and warmth is carried out into the world. This beautiful legend is one I’m happy to believe in—and one of the finest interpretations of the origins of Santa Claus.

    [Film] The Big Bad Fox and Other Tales…

    • Keywords: Comedy / Adventure / Healing
    • Also known as: The Big Bad Fox and Other Tales…
    • Runtime: 83 minutes, with a post-credits scene
    • Where to watch: Youku; Douban link

    Since it’s come to this, I’ll just be Santa Claus myself!

    @SHY: The curtain slowly rises, and the show begins. The stage is a seemingly ordinary little farm. An overly responsible pig teams up with a not-so-bright duck and rabbit to escort a baby dropped off by a stork back home, setting off on a long journey. The scene then shifts to the Big Bad Fox plotting with Mr. Wolf to steal chickens—only to be mistaken for a mother by newly hatched chicks, forcing him to take on the responsibility of childcare. And as the year draws to a close, the duck and rabbit accidentally “kill” Santa Claus. Determined to step up and save Christmas, they join forces with the pig for a series of absurd and hilarious adventures.

    Benjamin Renner, director of Ernest & Celestine, brings his own illustrated book to the screen. Using the premise of animals putting on a stage play, he weaves together three standalone stories, occasionally breaking the fourth wall. Although only the final segment is directly related to Christmas, every childlike adventure is infused with a strong festive spirit. The corners of the frame are filled with delightful details—watching a snail on a tree branch repeatedly miss falling leaves, or the frog janitor stealing the spotlight during the end credits—there’s always a moment that will have you laughing out loud.

    Embracing the watercolor style that French animation does best, the film uses simple lines to sketch a cast of vividly distinct characters, gently telling a warm bedtime story with a brisk pace and a fresh, lighthearted mood. No matter how chaotic the journey may be, the adventure always ends with a heartwarming payoff. Just as the closing line says, everyone finds their own happiness—and that’s what matters most. With its uniquely French humor and delightfully silly charm, this whimsical, all-ages family fairy tale is the perfect festive treat to enjoy with friends and family.

    [Film] The Holdovers

    • Keywords: Drama / Comedy
    • Also known as: The Holdovers
    • Runtime: 133 minutes
    • Where to watch: Bilibili / iQIYI; Douban link

    A sincere and quietly moving slice-of-life film.

    @甜约翰: Set in the 1970s, the film follows Paul, a teacher at Barton Academy. Aloof, somewhat arrogant, and accustomed to keeping to himself, he isn’t particularly popular on campus. Having never married and lacking close family or friends, Paul is left with no choice but to stay at the school over the Christmas holidays. Remaining with him are Angus, a troublemaking student who is constantly causing problems, and Mary, the school’s head cook. And so, three very different people form an unlikely “alliance of the stranded,” spending an unforgettable Christmas break together…

    Directed by Alexander Payne (Nebraska, Paris, je t’aime), the combination of an eccentric teacher, a problem student, and a strong-willed cook may not sound novel, but the film stands out thanks to its solid script and high level of overall execution. The character work is especially compelling: a lonely, middle-aged single teacher; a rebellious student acting out in the wake of his parents’ divorce; and an African American mother who lost her son in the war. Three people who are, in different ways, “without a home,” move from mutual unfamiliarity to understanding, eventually opening up to one another and forming a temporary family for the holidays.

    Familiar without feeling formulaic, the film offers an alternative expression of “family without blood ties.” Paired with its rich sense of nostalgia, it feels heartfelt and deeply affecting—a genuinely sincere work that also happens to be perfectly suited for Christmas viewing.

    [Film] Carol

    • Keywords: Drama / Romance / LGBTQ+
    • Also known as: Carol
    • Runtime: 118 minutes; Douban link

    With Christmas approaching, it’s time to revisit Carol.

    @利兹与青鸟: Adapted from Patricia Highsmith’s 1952 novel The Price of Salt, the story unfolds in the cold of winter. Cate Blanchett plays Carol, a mother on the brink of divorce, while Rooney Mara portrays Therese, a sales clerk with a passion for photography. The two meet in a department store shortly before Christmas, exchange one lingering glance in the sea of people, and fall in love at first sight—only to suffer for a relationship that was deemed taboo by the society of that era.

    The film follows a familiar romantic narrative on the surface, yet director Todd Haynes creates a distinctive aesthetic space, amplifying sensory experiences of sound, sight, and touch to make this love story restrained, subtle, and unmistakably different. Shot on film, Carol has a soft, timeworn, grainy visual texture. Doors, windows, mirrors, and halos of light are frequently used as foreground obstructions, forming a barrier of time and space between the two women bound by love, while also positioning the audience outside the frame, observing that era from a distance. The score is flowing and densely woven, perfectly complementing the visuals and drawing viewers deeper into the delicate emotional shifts of the protagonists.

    Of course, for a love story, what matters most may be the intangible chemistry between the leads. The performances are nuanced and exceptional; in the face of such powerful on-screen chemistry, dramatic conflicts and plot mechanics feel almost secondary. Through subtle glances, restrained emotions, and expressive body language—through countless meaningful looks exchanged—this pure and genuine love is more than enough to move the audience.

    [J-Drama] A 29-Year-Old’s Christmas

    • Keywords: Drama / Romance
    • Also known as: 29歳のクリスマス
    • Runtime: Around 46 minutes per episode × 10 episodes; Douban link

    I like who I am right now.

    @潘誉晗: “On my 29th birthday, I started going bald, couldn’t go to Paris Fashion Week, was transferred from the fashion department to a company-run restaurant, got dumped by a jerk, was soaked to the bone in the rain, and panicked over the possibility that I might be pregnant with that jerk’s child—thankfully I wasn’t, and could finally breathe a sigh of relief…” For Noriko, a day that should have been a happy birthday celebration turned out to be truly miserable. Work, romance, family, friendship—those seemingly ordinary problems of everyday life all came crashing down on her at once during her 29th year.

    Society often feels deeply unfair to women. Men can still be seen as charming well into their forties, while women, once they reach a certain age, are told that if they don’t “solve” the issue of marriage, all that remains is to be chosen. That’s why I love this drama, and admire Noriko so much. Even in Japan in 1994, she proves—amid a strongly patriarchal atmosphere—that a woman can still be outstanding in her own right. When she questions her mother’s constant pressure to get married, her retort feels like it speaks for countless women: “In this male-dominated society, even when the pressure is so intense that I start losing my hair, no matter how hard my work is, I tell myself to keep going and keep trying. Please don’t dismiss my efforts as unfilial.” Exactly—if you’re capable of supporting yourself, why place your happiness in the hands of another person who may not even be reliable?

    As Noriko’s 29th Christmas approaches, she’s on the brink of turning 30. Yet at this moment, she is no longer anxious, nor filled with regret, because she has received the best Christmas gift of all: facing herself honestly. I think many women need a Christmas gift like this, too.

    More

    [Film] That Christmas @SHY: After a chaotic Christmas pageant, the children head home carrying their own worries. As a snowstorm gradually engulfs this small town in England, Santa Claus is about to face the biggest crisis of his career. Adapted from the children’s book of the same name by Love Actually director Richard Curtis, and featuring voice performances by Bill Nighy and others, this charming animated film uses Christmas to weave together a cast of characters and intertwined events, ultimately crafting a joyful, feel-good ending. Brimming with laughter and heartfelt moments, it’s a warm companion for year-end viewing.

    🙋: What films do you feel like watching this Christmas? Feel free to share with us in the comments! Click here to see more themed watchlists 📽

  • SSPAI Morning Brief: Samsung Unveils 2026 Odyssey Series Monitors, and More

    SSPAI Morning Brief: Samsung Unveils 2026 Odyssey Series Monitors, and More

    Morning Brief

    1. Samsung unveils 2026 Odyssey series monitors
    2. Spotify bans accounts linked to Anna’s Archive
    3. FCC bans all foreign drones from entering the U.S. market
    4. Paramount steps up its bid for Warner Bros.
    5. DingTalk releases AI DingTalk 1.1 “Mulan”
    6. 007: First Light release delayed
    7. Rumors You Can Just Glance At

    Samsung Unveils 2026 Odyssey Series Monitors

    On December 24, Samsung announced the launch of five 2026 Odyssey series gaming monitors, including the Odyssey G6, Odyssey 3D, and Odyssey G8.

    Among them, the 32-inch, 6K-resolution Odyssey 3D (model G90XH) supports glasses-free 3D and features real-time eye tracking, adjusting visual depth and angles based on the viewer’s eye position. It offers dual refresh-rate modes of 165Hz and 330Hz, with a 1ms GtG response time. The first batch of games optimized for its glasses-free 3D experience includes The First Berserker: Khazan, Stellar Blade, and Lies of P: Overture.

    Odyssey 3D

    The 27-inch Odyssey G6 (model G60H) supports dual refresh-rate modes, offering QHD resolution at 600Hz and HD resolution at 1040Hz. The 32-inch Odyssey G8 (model G80HS) operates in dual modes of 6K resolution at 165Hz and 3K resolution at 330Hz. The 27-inch Odyssey G8 (model G80H) supports dual modes of 5K resolution at 180Hz and QHD resolution at 360Hz.

    The 32-inch Odyssey OLED G8 (model G80SH) features a 4K-resolution QD-OLED panel with a 240Hz refresh rate and 300 nits of brightness. It carries VESA DisplayHDR™ True Black 500 certification and, via the DP 2.1 (UHBR20) standard, supports video transmission bandwidths of up to 80Gbps. All models are compatible with both AMD FreeSync Premium and NVIDIA G-Sync, and will be showcased at CES 2026 in Las Vegas in January 2026. Source


    Spotify bans accounts linked to Anna’s Archive

    On December 22, Spotify confirmed that it has disabled user accounts associated with the piracy organization Anna’s Archive. The group claimed over the weekend that it had scraped approximately 86 million audio files and metadata for 256 million tracks from Spotify, stating that the data represents more than 99.6% of Spotify’s listening activity and describing the action as the creation of an “open music archive.” Source


    FCC bans all foreign drones from entering the U.S. market

    On Monday, the U.S. Federal Communications Commission (FCC) added all foreign-manufactured drones and key components to its “Covered List” of untrusted suppliers, deeming these unmanned aircraft systems to pose an “unacceptable risk to U.S. national security.” The move effectively blocks drone products from non-U.S. manufacturers—including DJI—from entering the U.S. market.

    The measure took effect immediately on December 22, 2025, one day ahead of the deadline previously set by Congress for a national security determination on Chinese-made drones. After the ban came into force, new drone models and related components on the list can no longer obtain the FCC equipment authorization required for import and sale. Drone models that were already imported, authorized, and sold are not affected and may continue to be used. In a statement, DJI said that “the administration has not disclosed the information on which it based its decision.” Source

    On December 23, a spokesperson for China’s Ministry of Commerce said the country firmly opposes the move, arguing that the U.S. is overstretching the concept of national security and using state power to suppress foreign companies, including Chinese enterprises—calling it a典型 example of market distortion and unilateral bullying. The spokesperson urged the U.S. to stop its erroneous practices and immediately withdraw the measures. Source


    Paramount steps up its bid for Warner Bros.

    After Warner Bros. Discovery announced a deal with Netflix and rejected a hostile takeover bid from Paramount, Paramount has shifted to making a direct offer to shareholders in an effort to further optimize its proposal and push the transaction forward.

    Paramount, led by David Ellison, said that his father—Oracle founder and billionaire Larry Ellison—will provide an irrevocable personal guarantee valued at $40.4 billion. Paramount stated that its revised proposal offers Warner Bros. Discovery greater flexibility in debt refinancing arrangements, representations, and interim operating covenants. To demonstrate the Ellison family’s ability to fund the $40.4 billion portion of the all-cash $108 billion acquisition offer, the new proposal also disclosed records showing that the Ellison family trust holds 1.16 billion shares of Oracle stock.

    Paramount also announced that if the deal is blocked during regulatory review, the breakup fee it would pay to Warner Bros. Discovery would be increased from the previous $5 billion to $5.8 billion, matching the level offered by Netflix. Source


    DingTalk releases AI DingTalk 1.1 “Mulan”

    On December 23, DingTalk held the AI DingTalk 1.1 product launch and ecosystem conference in Hangzhou, announcing its upgrade from a traditional mobile internet application to an AI-native operating system (Agent OS). At the event, DingTalk unveiled multiple new products, including DingTalk Real, a new terminal designed for enterprise agents that offers real-time data access, permission-controlled execution, and process monitoring—providing a trusted runtime environment for enterprise-grade agents. It also introduced Enterprise Agent OS and the agent orchestration platform “Wukong,” which can coordinate multimodal models, enterprise systems, and various agents to enable cross-business automated collaboration.

    In addition, DingTalk rolled out a range of industry-specific intelligent agents such as AI Printing, AI Recruitment, and AI Travel, and showcased real-world applications including order recognition and quality inspection in manufacturing. AI Sheets, AI Meeting Notes, and the collaborative translation tool DingTalk A1 also received multimodal upgrades. DingTalk further announced plans to launch a dual-version strategy—separate China and overseas editions of DingTalk—to meet global business needs and strengthen compliance capabilities. Source


    007: First Light release delayed

    IO Interactive has announced that its upcoming title 007: First Light has been delayed to May 27, 2026. The game was originally scheduled for release in March 2026. IO Interactive said that while the game is already highly playable, the team wants to use the additional two months for final polishing and optimization, and promised to share more information in early 2026.

    007: First Light is the first game based on the James Bond IP in nearly a decade. Developed by the studio behind the Hitman series, it focuses on the origin story of James Bond before he earns the 007 designation and becomes a legendary agent. Source


    Rumors You Can Just Glance At

    On Tuesday, the U.S. Department of Justice released nearly 30,000 pages of documents related to Jeffrey Epstein, including an email from a prosecutor that reveals former U.S. President Donald Trump flew on Epstein’s private jet eight times in the 1990s—contradicting Trump’s claim on social media in 2024 that he had “never flown on Epstein’s plane.”

    According to three sources familiar with the matter, NVIDIA has informed Chinese customers that it plans to begin shipping its H200 AI chips in mid-February 2026, ahead of the Lunar New Year holiday. Separately, MLex reports that Alibaba is also considering purchasing between 40,000 and 50,000 MI308 AI chips from AMD. The MI308 is designed specifically for the Chinese market, aiming to comply with U.S. export regulations while still supporting large-scale AI training and inference workloads.

    Marvel Studios officially released the first trailer for Avengers: Doomsday on December 23, confirming that Chris Evans will return as Steve Rogers. Back in January, Evans had said in an interview that he had happily bid farewell to Marvel Studios and dismissed rumors of a return.

  • SSPAI Morning Brief: Huawei Hosts nova 15 Series & All-Scenario New Product Launch, and More

    SSPAI Morning Brief: Huawei Hosts nova 15 Series & All-Scenario New Product Launch, and More

    Morning Brief

    1. Huawei hosts nova 15 series and all-scenario new product launch
    2. NVIDIA begins sales of the RTX PRO 5000 72GB Blackwell graphics card
    3. TCL launches the Note A1 tablet
    4. EA mobile game Real Racing 3 to shut down on March 19, 2026
    5. NetEase Games’ Top Chase official servers announce shutdown
    6. Porsche China confirms it will shut down all self-built charging stations
    7. Rumors You Can Just Glance At

    Huawei hosts nova 15 series and all-scenario new product launch

    On December 22, Huawei held the nova 15 Series and All-Scenario New Product Launch, unveiling a range of new products including the nova 15 series, HUAWEI MatePad 11.5, the HUAWEI WATCH 10th Anniversary Edition, and HUAWEI HarmonyOS Smart Home.

    HUAWEI nova 15 Ultra features a 6.84-inch display and is powered by the Kirin 9010S processor. The device is 6.8 mm thick and packs a 6,500 mAh battery, supporting 100 W Huawei wired SuperCharge and 50 W Huawei wireless SuperCharge. It supports Tiantong satellite communication and BeiDou satellite image messaging, and is rated IP68 & IP69 for dust and water resistance. On the rear, it is equipped with a variable-aperture OIS main camera, a large-aperture periscope telephoto camera, and an ultra-wide macro camera—all using 50 MP RYYB sensors. The front camera is a 50 MP F2.0 ultra-light-gathering portrait camera. In addition, both the front and rear feature a 1.5 MP multispectral Red Maple original-color sensor, marking the first time a Red Maple sensor has been introduced on the front camera. The back cover uses a brocade fiber finish and comes in Vibrant Green, Versatile Purple, Zero White, and Phantom Night Black. Pricing starts at RMB 4,199.

    HUAWEI nova 15 Pro also comes with a 6.84-inch display and the Kirin 9010S processor, paired with a 6,500 mAh battery and 100 W Huawei wired SuperCharge. It supports BeiDou satellite image messaging and carries an IP65 dust- and water-resistance rating. Both the front and rear cameras include Red Maple sensors. The rear camera setup consists of a 50 MP RYYB OIS main camera, a 12 MP RYYB OIS telephoto camera, and a 13 MP RYYB ultra-wide macro camera, while the front camera is a 50 MP F2.0 portrait camera. Color options match the Ultra model, with a starting price of RMB 3,499.

    HUAWEI nova 15 is equipped with a 6.7-inch display and the Kirin 8020 processor, along with a 6,000 mAh battery. It supports 100 W wired SuperCharge, BeiDou satellite image messaging, and IP65 dust and water resistance. The rear camera system includes a 50 MP F1.9 main camera, a 12 MP RYYB OIS telephoto camera, and a Red Maple sensor, while the front camera is a 50 MP F2.4 portrait camera. Color options are the same as the nova 15 Pro, with prices starting at RMB 2,699. The nova 15 series officially goes on sale on December 25.

    HUAWEI MatePad 11.5 (2026) features an 11.5-inch display. The standard version is powered by the Kirin T82B processor, while the PaperMatte Edition uses the Kirin T82 processor. It houses a 10,100 mAh battery. The PaperMatte Edition’s eye-care Cloud Clear Soft Light Display introduces a new nano magnetron optical coating technology, reducing screen reflectivity by 60% and eliminating 99% of ambient light interference, while also incorporating circularly polarized light technology. Available colors include Feather Sand Purple, Island Blue, Frost Silver, and Deep Space Gray. Pricing starts at RMB 1,799, with sales beginning on December 25.

    The HUAWEI WATCH 10th Anniversary Edition is largely consistent with the HUAWEI WATCH 5. It features an exclusive colorway blending Celestial Blue and Polar White, and is available in 42 mm and 46 mm sizes. The watch is crafted from aerospace-grade titanium alloy and 904L steel, with “10 YEARS” engraved on the crown and strap. The HUAWEI WATCH 10th Anniversary Edition goes on sale on December 25, starting at RMB 2,799. Meanwhile, the HUAWEI WATCH GT 6 adds a new 41 mm Ice Snow Blue color option, launching on January 1, 2026, priced at RMB 1,488.

    On the HUAWEI HarmonyOS Smart Home front, the Xiaoyi Assistant has been upgraded, and the new HUAWEI HarmonyOS Smart Home Hub X2 Pro has been introduced. New product lines include the Smart MINI Pro Sun–Moon–Star Diamond series, the Smart Switch Mondrian Moonlight series, the Oslo Mother-of-Pearl series, and the Mondrian Kintsugi series. Huawei also launched three tiers of pre-installed solutions—Standard, Professional, and Premium—along with three tiers of 24-hour rapid smart retrofitting solutions, as well as an entry-level smart installation package. Source


    NVIDIA begins sales of the RTX PRO 5000 72GB Blackwell graphics card

    On December 19, NVIDIA announced the official launch of the RTX PRO 5000 72GB Blackwell graphics card. Compared with the initially released RTX PRO 5000 Blackwell featuring 48GB of VRAM, the new model increases memory capacity by 50%. NVIDIA said the 72GB version supports local training, fine-tuning, and prototyping of models with larger parameter sizes, giving AI developers greater flexibility to scale their systems according to budget and project requirements. Aside from memory capacity, the RTX PRO 5000 72GB Blackwell remains unchanged from the original version: it is still based on the GB202 GPU, with 14,080 CUDA cores (110 SMs), 2,064 TOPS of AI performance, a 300W power draw, and 1,344 GB/s of memory bandwidth. The only difference lies in the memory configuration—the original RTX PRO 5000 Blackwell uses 24 × 16Gb GDDR7 chips, while the new version upgrades to 24 × 24Gb GDDR7 chips. Source


    TCL launches the Note A1 tablet

    TCL has launched the Note A1 tablet in overseas markets. It features an 11.5-inch TCL signature NxtPaper paper-like display with color support. The Note A1 weighs 500 g, measures 5.5 mm thick, and comes equipped with an eight-microphone array. The display includes anti-glare, anti-reflection, and anti-fingerprint treatments, offering a paper-like reading and writing experience. The tablet is positioned for productivity use, with its note-taking system providing AI-assisted templates, voice transcription, real-time translation, and AI-powered summaries. The Note A1 is set to launch on Kickstarter soon with a crowdfunding price of $419. Source


    EA mobile game Real Racing 3 to shut down on March 19, 2026

    On December 19, EA announced that its mobile game Real Racing 3 will be shut down on March 19, 2026. The game has been officially removed from major app stores as of today, but players who have already downloaded it will still be able to continue playing until March 19, 2026. In-game purchases have been disabled, meaning players can no longer use real money to buy in-game currency or item packs; however, any unspent in-game currency already owned by players can still be used. Before the shutdown, the developers will release one final update, granting all players an Audi S1 e-tron quattro, a 2023 Rimac Nevera, and 1,000 gold as a “thank-you gift for player support.” Players who already own both vehicles will instead receive additional gold. Source


    NetEase Games’ Top Chase official servers announce shutdown

    On December 17, Top Chase released an announcement regarding the shutdown of its NetEase (official) version. Due to adjustments in development and operation strategy, the game will cease operations at 10:00 on February 26, 2026. Starting from 10:00 on December 17, 2025, download access across all platforms will be closed, meaning players will no longer be able to download the game, and in-game purchases as well as new user registrations will be disabled. At 10:00 on February 26, 2026, the game’s servers will be shut down entirely, and the official NetEase website for the game will also be taken offline and become inaccessible. From the date of the shutdown announcement until 10:00 on February 26, 2026, any unused “Top Coins” remaining in existing players’ accounts can continue to be used. Source


    Porsche China confirms it will shut down all self-built charging stations

    According to a December 22 report by Yicai, Porsche China has confirmed that its self-built charging network will gradually cease operations starting March 1, 2026, involving a total of around 200 charging stations. Porsche China stated that from March 1, 2026, it will orderly dismantle its Porsche Privileged Charging service facilities, after which it will shift toward deeper cooperation with leading charging network operators in the industry. This adjustment applies only to Porsche’s privileged charging scenarios; other charging options will continue to operate normally. These include charging stations installed at Porsche Centers (dealerships), Porsche Destination Charging stations, and third-party brand chargers integrated into the Porsche Charging Map, all of which will remain available. Source

    Rumors You Can Just Glance At

    NetEase’s Eggy Party announced on December 22 that, due to adjustments in its cooperative operations strategy with Xiaomi, the Xiaomi-channel version of the mobile game will cease operations on the Xiaomi platform at 15:00 on February 23, 2026. A character asset recovery service has been launched simultaneously. From 10:00 on December 22, 2025, downloads on the Xiaomi platform will be closed, and players will no longer be able to download the game; in-game purchases and new user registrations will also be suspended. At 15:00 on February 23, 2026, operations on the Xiaomi platform will officially end, and players will no longer be able to log in via Xiaomi channels. Source

    According to internal notices originating from GameStop employees, Nintendo will no longer restock the Switch 2 Mario Kart World bundle. The bundle’s stock-keeping unit (SKU) has reached the end of its lifecycle and will not be produced again. The bundle is still currently available for purchase, and staff are advised to actively recommend it to customers. Compared with buying the console and the game separately, the bundle saves consumers an additional $29.99 and offers excellent value. Future restocks of Nintendo Switch 2 products will consist only of the base console. Source

    On the evening of December 22, sexually explicit content appeared in multiple livestreams on the Kuaishou platform. Kuaishou responded that around 22:00 that night, the platform was attacked by gray- and black-market actors. Repairs are underway, and the incident has been reported to relevant authorities and the police. Kuaishou subsequently shut down its livestream section and has since fully restored normal operations. Source

    Bloomberg reports that Baidu will partner with Uber and Lyft to conduct autonomous ride-hailing tests in the United Kingdom. Source

    According to Reuters, sources familiar with the matter revealed that NVIDIA expects to ship H200 chips to China in mid-February, ahead of the Lunar New Year holiday, though the actual situation may change depending on government decisions and other factors. Source

    The HTC Weather app ceased operations on December 18. The existing app and widgets will no longer receive updates, and users will need to switch to alternative products. Source

    After pledging in October not to use generative AI in finished games, Battlefield 6 was found by players to be highly suspected of using generative AI to create decorative items in paid content packs, with clear errors visible in the depicted weapon designs. Source

  • SSPAI Review | Apps Worth Watching Recently

    SSPAI Review | Apps Worth Watching Recently

    Welcome to this edition of SSPAI Review. You can use the table of contents to quickly jump to the sections you’re interested in. If you’ve discovered other interesting apps or topics worth paying attention to, feel free to join the discussion in the comments.

    New Apps Worth Paying Attention To

    While SSPAI has long been dedicated to discovering and introducing high-quality apps across platforms, there are still many excellent apps—outstanding in design, functionality, interaction, and overall experience—that we haven’t yet covered. They might be long-standing apps or newly released ones, and we’ll introduce them to you here.

    Awake: A New App From a Veteran Developer—You Must Complete Tasks to Turn Off the Alarm

    • Platform: iOS, iPadOS
    • Keywords: Smart alarm clock, daily briefing

    @ElijahLee: Awake is a smart alarm clock app designed to make sure you actually wake up—by requiring you to complete tasks before you can turn the alarm off. It comes from the developer of the well-known scheduling app Structured. Awake is more than just a simple alarm clock; it’s a personalized morning assistant.

    Getting started with Awake is very straightforward. When you first open the app, a short and simple onboarding flow teaches you how to use it to wake up. In the tutorial, you’re required to rotate your iPhone three full circles before moving on to the next step—this perfectly reflects Awake’s design philosophy: you must complete a task to dismiss the alarm. In the following steps, you configure your wake-up time, bedtime, and alarm cycle in just three steps to finish setting up the alarm. Thanks to iOS AlarmKit, alarms set via Awake have system-level priority and cannot be disabled.

    Awake’s interface is clean and minimal. The app displays your upcoming bedtime, sleep, and wake-up times in a timeline (Schedules) view for the next few days, which you can browse by swiping up or down. The most creative feature is the set of tasks (Missions) required to turn off the alarm. When the alarm goes off, you can’t simply swipe it away—you have to complete a task. Awake offers two free tasks: rotating your iPhone and solving math problems. It also supports tasks via third-party apps such as the puzzle app Art of Fauna and the language-learning app Lengo. With a paid subscription, you can unlock additional tasks like turning on room lights, scanning a QR code, or walking a few steps. These tasks help activate your brain and shake off drowsiness more effectively.

    The Morning Briefing feature displays a short summary after you dismiss the alarm, helping you start the day more prepared. You can customize the briefing content yourself; currently supported items include the current weather, calendar events, Structured tasks, and one sec Pomodoro sessions, with future plans for sleep analysis, daily podcasts, and more. This feature feels like a morning stand-up meeting—shifting you from passively waking up to actively planning your day.

    You can download Awake for free from the App Store. Most features are available at no cost, while a paid subscription unlocks all alarm-dismiss tasks, all briefing integrations, all alarm sounds, support for multiple timelines, and more. Pricing is RMB 5.75 per month (early-bird price RMB 3.99/month), RMB 22 per year (early-bird price RMB 15.8/year), or a one-time purchase of RMB 156.

    Alyx: Scientifically Tracking Caffeine, Letting Coffee and Health Coexist in Harmony

    • Platform: iOS
    • Keywords: Caffeine

    @Vanilla: I think many coffee lovers like myself have had concerns like these: Did I drink too much coffee today? Will that afternoon cup affect my sleep quality at night? If you share these worries, you might want to try an app called Caffeine Tracker: Alyx. It lets you log coffee intake in multiple ways and automatically calculates caffeine content, then uses intake time and sleep time to estimate how much caffeine remains in your system—helping you understand, in real time, how caffeine is affecting your body. Compared with the feature list itself, I’m even more interested in Alyx’s UI interactions and its use of AI.

    Let’s start with how you log coffee. Alyx supports two main ways to add new records.

    The first is to tap the “+” button in the bottom-right corner of the app. You can quickly log a drink using presets or by creating your own caffeinated beverages. Alyx comes with a rich set of built-in templates—Espresso, Espresso-Based, Brewed Coffee, Cold Coffee, Instant Coffee, Tea, Energy Drink, Soda, and more—covering pretty much all the caffeinated drinks you’re likely to encounter in daily life.

    If you can’t find what you’re looking for among the templates, you can create a custom drink. When doing so, you can either manually enter the caffeine content or let AI automatically identify it for you. In addition to drink templates, you can also directly input a caffeine amount, or type in a description and let Apple Intelligence analyze the caffeine content from text. Before logging, you’ll also need to specify the exact date and time of intake.

    The second method leverages Apple Intelligence’s Visual Lookup API, allowing you to add caffeine intake simply by taking a photo. Long-press the camera button on the right side of the iPhone to bring up the Visual Lookup capture interface. Take a photo of the drink, tap the “Search” button in the bottom-right corner, switch to the “Alyx” tab, and you’ll see Alyx automatically identify the beverage and its caffeine content. Choose the appropriate option, and it’s added to Alyx automatically.

    Beyond these two core input methods, Alyx also integrates with system features like Siri Shortcuts, widgets, and action buttons, making it easy to trigger logging in ways that fit different users’ habits and preferences.

    Alyx offers a variety of charts, including yearly intake, weekly intake, daily intake, caffeine metabolism curves, and sleep correlations, helping you understand how coffee impacts your health. It also includes an AI-powered sleep prediction feature that provides real-time analysis based on caffeine intake, intake timing, and sleep schedules.

    At the very bottom of the main screen, there’s also an “Honors Board,” showing the highest caffeine intake across different time spans—monthly, weekly, daily, or per single intake. In the settings, you can change the theme colors, manage your drink library, and adjust parameters like sleep time and daily caffeine limits.

    As a caffeine tracking and analysis app, Alyx really stands out in both UI interaction design and feature depth. For coffee enthusiasts—or anyone reliant on caffeine—it’s an excellent health management tool. That said, it’s worth noting that Alyx’s AI sleep analysis should be treated as a reference only. When I fed the same scenario to Gemini 3.0 Pro, I got completely different results.

    Alyx is free to download from the App Store, but a subscription is required to unlock features in the Caffeine Club, such as adding custom drinks, viewing more charts and widgets, and accessing sleep analysis. Pricing is $1.99 per month or $9.99 per year.

    GitHub Store: A One-Stop Hub for Discovering Open-Source Projects

    • Platform: Android / Windows / macOS / Linux
    • Keywords: Open-source projects

    @BigBigBigK: If you’re looking for free and open-source app projects, what could possibly beat GitHub? In the past, I could only learn about great GitHub projects through social media and similar channels. That changed a few days ago when I discovered an app called GitHub Store. It brings together nearly all application projects on GitHub—mobile and desktop alike—so you can tap into GitHub’s virtually endless resources through a single app.

    GitHub Store itself is a cross-platform client written in Kotlin, with a UI fully built around the Material 3 design language. On Android, it also supports dynamic color theming. In terms of functionality, GitHub Store uses GitHub’s official search API to fetch project information across the entire site, then filters repositories based on whether they have installable release assets, supported platforms, version tags, and more. It also pulls in README.md files and statistics, making it easy for users to review each project.

    The Trending and New tabs in GitHub Store only surface apps relevant to the current platform you’re using. The search function, however, has no such restrictions—you can even search for macOS or Windows apps while using the Android version.

    The desktop version of GitHub Store is relatively more basic, while the Android version offers richer features. For example, it can automatically update installed apps (though for now it only tracks apps installed via GitHub Store itself), or directly add repositories to Obtainium for more granular installation management. It can also integrate with AppManager, a high-privilege tool, to manage and control app behavior.

    One thing to note is that GitHub Store will prompt you to log in after a few uses. By linking to GitHub through a third-party app and using a personal token, you can lift API rate limits. GitHub Store supports Android, Windows, and Linux, and can be downloaded for free from GitHub.

    Traffic Light: A More Beautiful Way to Track Your Data Usage

    • Platform: Android
    • Keywords: Data usage tracking

    @Peggy_: I’m not sure what kind of mobile plan everyone is on these days, but since I’ve long had Wi-Fi at home and at school, I don’t use much mobile data. To cut costs, I downgraded to a cheaper plan—and from then on, I started rationing my data whenever I was out. Traffic Light is a beautifully designed data usage tracking app, and its biggest strength is simply how good it looks.

    To get Traffic Light to accurately track your data usage, you’ll need to grant the necessary permissions in advance—such as disabling battery optimization to prevent the system from killing it in the background, and granting usage access so it can collect data more precisely. Once authorized, you can clearly see your Wi-Fi usage and mobile data usage at a glance.

    On its statistics pages, Traffic Light shows data usage for the current day and week. Wi-Fi and mobile data are displayed in different colored blocks, and the vertical axis of the chart includes a horizontal reference line that adjusts based on your usage, making it easy to quickly gauge overall consumption. If you want to see detailed daily usage, just tap the history statistics page in the center of the main screen.

    When it comes to design, nearly every button in Traffic Light’s interface is interactive. From the button used to change themes to each small icon on the statistics pages, tapping them triggers haptic feedback and icon animations, which revert on a second tap. These touches make what would otherwise be a dull data-tracking tool feel lively and fun.

    Beyond usage statistics, you can also grant notification permissions to have Traffic Light display current network speed and real-time data usage. Overall, while its functionality isn’t irreplaceable, its polished design and attention to detail make it a pleasant app to keep on your phone and play around with from time to time.

    You can download and try Traffic Light via F-Droid. The app is open-source and completely free.

    App Updates You Shouldn’t Miss

    Beyond brand-new apps, many familiar faces on the App Store are constantly iterating and updating, adding more interesting and practical features. SSPAI aims to help you filter through the app updates worth paying attention to, so you can quickly catch up on the latest developments from apps and their developers.

    Cuto 3.1: Set Curated Live Wallpapers on iPhone

    • Platform: iOS / Android
    • Keywords: Live wallpapers

    @化学心情下2: Cuto has long been a wallpaper app I keep installed on both iPhone and Android, largely because its wallpapers are handpicked and consistently high in quality. The app recently released version 3.1, introducing live wallpaper support, allowing your selected wallpapers to come to life when the screen lights up.

    The principle behind live wallpapers is actually quite simple. iOS already allows users to set Live Photos as lock screen wallpapers, and Cuto’s live wallpapers are essentially Live Photos. All you need to do is download these Live Photos and set them as wallpapers in the system to see the animated effect.

    Open Cuto’s “Live Wallpapers” collection, or look for wallpapers marked with a Live icon in the top-left corner. Find and download a live wallpaper, then open its preview page and tap the play button in the bottom-left corner to preview the animation. If you’re satisfied, tap the download button in the bottom-right corner to save the wallpaper to your system photo library.

    Next, go to the “Wallpaper” section in iOS Settings, select the live wallpaper you just downloaded, and manually set it as your lock screen wallpaper. On the settings page, tap the Live icon to enable the animation, and your live wallpaper setup will be complete.

    Due to iOS system limitations, the animation effect only plays for a few seconds when the screen lights up. Additionally, since iOS does not provide an API for configuring live wallpapers, there’s no way to automate the process with Shortcuts—you’ll need to set them manually.

    According to the developers, future updates to Cuto will support user-created live wallpapers, such as a “video to Live Photo” feature that lets you convert videos into lock screen live wallpapers with one tap. Live wallpaper support for the Android version is also in development. Compared with iOS, Android imposes fewer restrictions, allowing for higher image quality and smoother animations.

    Cuto’s live wallpaper feature requires a subscription to download. You can visit the official website to download Cuto for your platform of choice.

    Lorqa Update: Floating Real-Time Subtitles With Custom Model Support

    • Platform: macOS
    • Keywords: AI

    @Snow: Lorqa is a local AI translation app for macOS. In last week’s 1.3.3 update, it added support for using on-device AI engines to transcribe audio or video currently playing on the system in real time, automatically generating corresponding subtitles and translations. These subtitles can appear as floating overlays anywhere on the screen, significantly lowering the barrier to watching content without subtitles.

    Using Lorqa’s real-time subtitles is very straightforward. On first use, follow the prompts to grant “Screen Recording & System Audio” permissions. After that, simply switch to the “Real-Time Subtitles” page, select a recognition model and the target translation language, and enable real-time translation. The recognized subtitles and translated text appear as long-form text in the app window. Once translation is complete, you can export the results as .txt or .md files for further processing.

    Lorqa also offers floating subtitle overlays. Just click the “Floating Subtitles” button in the bottom-right corner to enable them. The overlay supports customization of font size, background opacity, original and translated text colors, and maximum width. Because Lorqa relies on system audio permissions, its use cases aren’t limited to local video translation—music, podcasts, online videos, video calls, and online meetings can all be assisted with Lorqa.

    I describe it as “assisted translation” because, at present, Lorqa’s recognition speed and translation accuracy aren’t sufficient to fully stand on their own. It typically needs nearly two seconds to complete segmentation and translation. For English documentaries with clear pronunciation, moderate pacing, and more formal language, this delay doesn’t significantly impact comprehension. But in film and TV scenarios, even with the “Aggressive” transcription mode introduced in version 1.3.6, Lorqa struggles to segment speech clearly in fast, overlapping dialogue—and segmentation errors further reduce translation accuracy.

    In addition to an “English Recognition Model,” Lorqa also includes a “Multilingual Recognition Model” supporting 25 languages, including French, German, and Bulgarian. However, because you can’t manually specify the language, speech recognition largely depends on luck. When I tried using it to recognize the Slovenian song Sanremo Memory, it alternated between translating into English and Russian—hard to call it accurate; it was more like a complete case of talking past each other.

    Since I’m using an M1 MacBook Air, with relatively limited local compute power, that may also affect responsiveness to some extent. In the latest 1.3.6 version, Lorqa has opened up model configuration for Ollama and LM Studio. If you’ve deployed third-party models that are better at translation, you can try connecting them for potentially better results.

    Lorqa uses a “free + in-app purchase” model. You can subscribe for RMB 38 per year or make a one-time purchase for RMB 68. The annual subscription includes a 7-day trial, so it’s recommended to try it before deciding whether to pay.

    You can download Lorqa for free from the App Store.

    App Brief

    The animation editing and creation app Procreate Dreams released a major 2.0 update, adding support for selection and transformation, GIFs, advanced export options, and more.

  • SSPAI Morning Brief: “Rules on Pricing Behavior of Internet Platforms” Released

    SSPAI Morning Brief: “Rules on Pricing Behavior of Internet Platforms” Released

    Morning Brief

    1. “Rules on Pricing Behavior of Internet Platforms” Released
    2. TikTok signs agreements with investors to establish a new U.S. joint venture
    3. Airbus plans to migrate core business to Europe-based cloud services to avoid U.S. jurisdiction risks
    4. Tesla wins final ruling; Musk’s record-breaking 2018 compensation package reinstated
    5. Anna’s Archive announces completion of a large-scale backup of Spotify’s music catalog
    6. Sam Altman explains the “red alert,” infrastructure plans, and hardware strategy in an interview
    7. Rumors You Can Just Glance At

    “Rules on Pricing Behavior of Internet Platforms” Released

    On December 20, the National Development and Reform Commission, the State Administration for Market Regulation, and the Cyberspace Administration of China jointly issued and released the Rules on Pricing Behavior of Internet Platforms. The Rules were previously open for public consultation from August 23 to September 22, 2025.

    The main points of the Rules include—

    • Protecting operators’ autonomy in pricing. Platforms must not use technical means or their dominant position to impose unreasonable restrictions on operators within the platform, such as forcing “choose one of two,” mandating promotions, or restricting pricing on other channels. Platform fee standards must be open and transparent, and any adjustments to fees must solicit opinions in advance;
    • Regulating price labeling practices. Operators must clearly disclose product prices, service content, and additional fees (such as shipping). Where dynamic pricing or promotional activities are involved, pricing rules and promotion conditions must be prominently disclosed. Products ranked through bidding must be clearly labeled as advertisements;
    • Restraining price competition behaviors. Practices such as selling below cost, using algorithms to implement discriminatory pricing (“big data price discrimination”), price gouging, and price fraud are prohibited;
    • Protecting consumers’ price-related rights. Automatic renewals must provide a convenient cancellation option and issue prominent reminders before charges are made; bundled products must not be pre-selected by default.

    Compared with the earlier draft for public comment, the final version expands the scope of protection for pricing autonomy by extending the prohibition on price comparison bans from other platforms to all sales channels, and further banning intervention measures such as search result demotion and algorithmic downgrading. The criteria for identifying price gouging have been relaxed: in non-emergency situations, price increases that do not match cost increases will no longer be automatically deemed price gouging. Requirements for informing users about automatic renewals are made stricter—beyond specifying the deduction time, amount, and any price changes, platforms must also clearly and prominently notify users of the cancellation method. For price labeling, the Rules further require prominent disclosure on service pages.

    The Rules will take effect on April 10, 2026, with the aim of allowing operators sufficient time to make necessary compliance adjustments.


    TikTok signs agreements with investors to establish a new U.S. joint venture

    According to Caixin, on the afternoon of December 18 (U.S. time), TikTok CEO Shou Zi Chew announced in an internal memo that ByteDance and TikTok have signed agreements with three investors to establish a new TikTok U.S. joint venture. The new entity will be named TikTok US Data Security Joint Venture LLC (TikTok USDS Joint Venture LLC) and will be responsible for data protection, algorithm security, content moderation, and software assurance in the United States. Matters related to the agreement are expected to be completed no later than January 22, 2026. Reaching this deal also means that TikTok will avoid being banned in the U.S.

    Under the agreement, ByteDance and TikTok will continue to own the intellectual property rights to the core algorithms and will license them to TikTok USDS for use within the United States. Other TikTok entities in the U.S. (wholly owned by ByteDance) will continue to handle commercial activities such as e-commerce, advertising, and marketing operations, as well as maintaining global interoperability of TikTok products.

    TikTok USDS will be 19.9% owned by ByteDance, making it the largest single shareholder in the new joint venture. ByteDance’s current U.S. and global shareholders will collectively hold 30.1%, while the new investors will hold 50%. Among them, Oracle, Silver Lake, and Abu Dhabi sovereign wealth fund MGX will each hold a 15% stake. The company will have a seven-member board of directors: ByteDance will occupy one seat, ByteDance’s existing U.S. and global shareholders will hold two seats, the new investors will hold three seats, and the remaining seat will be filled by an independent director appointed by the board.

    Previously, on September 25, Trump signed an executive order in the Oval Office approving the transaction that allows TikTok to continue operating in the United States. The executive order also granted TikTok a 120-day exemption period during which it would not face penalties. At the same time, Trump retained the authority to issue further orders on the matter if necessary to safeguard national security.


    Airbus plans to migrate core business to Europe-based cloud services to avoid U.S. jurisdiction risks

    According to The Register, Airbus is preparing to launch a major tender to migrate its core mission-critical operations to Europe-based cloud platforms with “digital sovereignty,” in a bid to reduce its reliance on U.S. cloud service providers. The contract is expected to be worth more than €50 million and span a period of up to 10 years. The migration will cover systems such as ERP, manufacturing execution systems (MES), and lifecycle management systems involving sensitive aircraft design secrets. The tender is scheduled to open in January next year, with a final supplier expected to be selected before the summer.

    Catherine Jestin, Executive Vice President of Digital at Airbus, emphasized that the move is intended to ensure that extremely sensitive information related to national and European security remains fully under European control. Beyond market factors—such as software vendors like SAP shifting their technological focus to the cloud—geopolitical risks are the primary driver. With Donald Trump’s return to the White House unsettling transatlantic trade relations, and the U.S. CLOUD Act allowing American law enforcement to access overseas data held by U.S. companies, concerns over data sovereignty among European enterprises have been intensifying.

    Although U.S. giants such as Microsoft and AWS offer compliance solutions, Microsoft has previously acknowledged in a French court that it cannot fully guarantee exemption from U.S. law. Additionally, reports that the International Criminal Court’s (ICC) Chief Prosecutor once had services cut off by Microsoft due to U.S. sanctions have further heightened Airbus’s concerns about business continuity. At present, Airbus is awaiting clarification from European regulators on whether it can truly obtain protection from the extraterritorial reach of foreign laws.

    Finding a suitable European provider, however, remains a challenge. Jestin noted that, given the relatively limited scale and technological maturity of European cloud service providers, there is only about an 80% chance of finding a satisfactory solution. These stringent requirements will not only test the technical capacity of Europe’s cloud vendors but also push them to accelerate industry collaboration in order to meet Airbus’s timeline.


    Tesla wins final ruling; Musk’s record-breaking 2018 compensation package reinstated

    On December 19, the Delaware Supreme Court issued a ruling overturning a lower court decision that had previously voided Tesla CEO Elon Musk’s 2018 compensation plan. The record-setting equity incentive plan was valued at approximately $56 billion at the time of vesting. The Supreme Court held that the Delaware Court of Chancery’s remedy—outright cancellation of the plan—was “overly extreme” and failed to give Tesla an opportunity to propose a reasonable alternative form of compensation. The court therefore reinstated the plan and awarded only $1 in nominal damages.

    Back in 2018, Tesla’s board approved a ten-year equity incentive plan under which Musk, upon achieving a series of market-capitalization and operational milestones, would be entitled to purchase roughly 304 million Tesla shares at a deeply discounted price of $23.33 per share. During the plan’s term, Musk would receive no other compensation. A minority shareholder later filed suit, alleging that Musk and Tesla’s board breached their fiduciary duties. In January 2024, the lower court ruled that the compensation-setting process suffered from “serious defects,” finding that the board lacked independence, was controlled by Musk, and failed to adequately disclose key information to shareholders—ordering the plan’s rescission.

    Although the compensation plan has now been reinstated, experts note that the Supreme Court’s ruling primarily addressed the proportionality of the punishment—namely, rescinding the plan—rather than overturning the lower court’s factual findings that Musk was a controlling shareholder and that the compensation process was unfair. As such, the court preserved the negative assessment of Tesla’s corporate governance and merely corrected the remedial approach.

    Following the earlier loss, Musk moved Tesla’s corporate domicile from Delaware to Texas and pushed shareholders to reapprove the plan in subsequent votes. With the 2018 plan reinstated, Tesla’s contingency compensation plan—prepared to mitigate the risk of an adverse outcome—immediately became void. Notably, Tesla shareholders also approved an even larger 2025 compensation incentive plan this November; if its targets are met over the next decade, the new plan’s total value could reach as high as $1 trillion.


    Anna’s Archive announces completion of a large-scale backup of Spotify’s music catalog

    On December 20, the well-known piracy archive Anna’s Archive announced that it has successfully completed a large-scale backup of streaming giant Spotify’s music library. The site claims the project to be the world’s first “fully open” music preservation archive, aiming to ensure the permanent survival of musical culture through distributed storage. The release totals roughly 300 TB of data, including metadata for 256 million tracks and 86 million audio files, covering approximately 99.6% of Spotify’s total user listening volume. Anna’s Archive did not disclose the source of the files.

    The released metadata database contains 186 million unique ISRCs (International Standard Recording Codes). By comparison, the mainstream open database MusicBrainz currently holds only about 5 million unique ISRCs. This means Anna’s Archive has built the largest publicly accessible music metadata index in the world.

    Previously, Anna’s Archive focused primarily on the preservation of books and academic papers. The team stated that this effort was intended to fill gaps in existing archiving practices—namely, the tendency of audiophile-driven archives to prioritize lossless audio quality (resulting in massive file sizes that are difficult to mirror), as well as an overemphasis on popular works at the expense of “long-tail” music. Anna’s Archive emphasized that many niche tracks on Spotify have extremely small audiences and lack dedicated enthusiast maintenance; once streaming platforms remove them or data loss occurs, these “cultural artifacts” risk disappearing permanently.

    According to the release plan, the metadata is already online, while the audio files, album artwork, and differential patches used to reconstruct original files will be released in stages based on popularity. At present, the project is intended primarily for archival purposes and does not yet support online searching or downloading of individual tracks.


    Sam Altman explains the “red alert,” infrastructure plans, and hardware strategy in an interview

    Recently, OpenAI CEO Sam Altman appeared on the Big Technology Podcast, confirming that Google’s recent release of the Gemini 3 model did indeed trigger an internal “Code Red” at OpenAI. This marked the company’s second time entering such an emergency state this year—the first being in response to competitive pressure from the Chinese AI company DeepSeek. Despite the intense competition, Altman revealed that ChatGPT’s weekly active users have surged from 400 million at the beginning of the year to 800 million. He stressed that OpenAI’s approach is not purely defensive, but rather focused on maintaining leadership through rapid iteration. The recently released GPT-5.2 model is widely regarded as the strongest reasoning model to date, excelling in scientific research and enterprise-level tasks.

    On the product ecosystem, Altman said OpenAI is working to move beyond the single chatbot paradigm. He expressed reservations about Google’s strategy of embedding AI into existing search and office suites, arguing that the future lies in “native AI” products. As for the much-discussed hardware plans, Altman disclosed that OpenAI is developing a family of devices centered on proactive perception and environmental understanding, aiming to break free from the interaction limits imposed by traditional screens and keyboards.

    To support its massive computing needs, Altman confirmed infrastructure investment commitments totaling as much as $14 trillion. This enormous sum will be allocated over the long term across chips, data centers, and energy infrastructure. Although OpenAI currently expects annual revenue to reach $20 billion, the company remains unprofitable in the short term due to high training costs. Regarding financial sustainability, Altman said that as inference costs account for a larger share and enterprise business scales up, revenue will eventually cover expenses. On the question of going public, he admitted that while he is not particularly eager to become the CEO of a public company, constraints related to shareholder limits and capital requirements mean that an IPO will be an unavoidable option.

    Altman defined the core of the next generation of AI as “scientific discovery capability,” and previewed the release of a significantly improved model built on this foundation in the first quarter of 2026. As for the definition of artificial general intelligence (AGI), he proposed a new benchmark—“superintelligence”—where AI systems must surpass human capabilities when taking on complex roles such as serving as a company CEO or a national leader.


    Rumors You Can Just Glance At

    • According to Weibo user @i冰宇宙, Samsung’s Galaxy S26 series is confirmed to be announced in February, with an expected release in March. This would be later than the launch schedule of recent years.
    • Some users have noticed that the official WeChat account of Computer Fan magazine has recently been deactivated, and its official website is no longer accessible. Computer Fan was first founded in 1993.
    • On December 20, Xiaomi Brand General Manager Lu Weibing said during a livestream that “the Xiaomi 17 Ultra will definitely see a price increase—and I think it will be a fairly significant one. But compared with the rise in memory costs, I still think it’s relatively modest.” When the Xiaomi 15 Ultra was released, the company had previously stated that it would be the “last time at 6,499 yuan.” Lu explained that this assessment did not fully take memory costs into account, and was based only on increases in processor and camera costs. The 17 Ultra, however, also factors in rising memory prices, with increases far exceeding those of processors and cameras. He added that since the end of 2022, AI has experienced explosive growth, and based on overall projections, memory costs are expected to continue rising through 2025, 2026, and 2027.
  • What I Was Thinking While Constantly Jumping Between Phones

    What I Was Thinking While Constantly Jumping Between Phones

    Also known as: In Search of a Handy 6.3 Inches, I Made These Phones Fight It Out.

    In the end, the answer is simple: life is all about trade-offs.

    Lost at Sea After Pulling the SIM: My Phone-Hopping History

    As a loyal Smartisan user for nine and a half years—from the Smartisan T1 in 2014, to the M1, then the Nut R2, and even the TNT Go tablet—by 2023, when the R2 in my hand was getting increasingly sluggish, I found myself stuck for quite a while in a state of “pulling out the phone and looking around in confusion.” Every brand has its strengths, but without “One Step” and “Big Bang,” 1any phone felt awkward and uncomfortable to me.

    From top to bottom: the T1 with a shattered glass back, the unboxing of its successor M1, and finally the R2 and TNT Go.

    During that time, I briefly tried phones from Xiaomi, Huawei, and Samsung, but none of them really clicked with me. Later, on a friend’s recommendation, I decided to experience stock Android. Drawn by its much-praised camera capabilities, I bought a Pixel 7 Pro in May 2023. It was genuinely refreshing for quite a while: the telephoto really was long, video stabilization really was rock-solid, the haptic feedback really was satisfying, and the global search bar fixed at the bottom of the home screen really was convenient… And using a Pixel in China isn’t actually that hard—the main requirement is just a stable network environment.

    I didn’t root the phone. Just to get my China Telecom SIM working properly, I followed a SSPAI article and used Shizuku and Pixel IMS to enable VoLTE. The process was very straightforward—following the steps for the first time took no more than 15 minutes. After that, it was just a matter of spending a couple of minutes re-enabling it after each reboot.

    My first day and last day with the Pixel 7 Pro.

    But the Pixel had one fatal flaw for me: it only supports a single physical SIM (you can add an eSIM, but I never really looked into it). Since I separate my call/SMS SIM and my data SIM, I still had to carry my old Nut R2 whenever I went out.

    Then, at the beginning of 2024, tempted by the Apple Watch—and gifted one by my partner—I picked up an iPhone 12 on Xianyu and began a dual-device life: Android as my main phone, iOS as a secondary.

    I did discover some apps on iOS that I couldn’t find truly satisfying alternatives for on Android, which gave me a bit of attachment to the iPhone. For example, the travel log app FootPrint (the free features are more than enough for me), the English reading app Mengge Reader (cheap and effective), and the calendar app Across (rich views and beautiful widgets). Some apps exist on both platforms, but while their iOS widgets are compact and elegant, their Android counterparts are just big, clunky blocks (I’m looking at you, Minimal Exchange Rate!).

    From left to right: FootPrint, Mengge Reader, Across widgets.

    The next issue that surfaced was weight.

    The Pixel 7 Pro itself weighs 212 g. Not long after I started using it, I dropped it twice, denting the metal frame, and its protruding camera module also made me uneasy—so I put on the original 37 g case that came from the Xianyu seller. That pushed the total weight to around half a kilo, which was honestly exhausting to hold; my pinky finger was under increasing strain. I also tried switching fully to the iPhone 12 as my main device, but after just a few months, the frustration set in. Every time I opened the Subway WeChat mini program to order a sandwich, choosing bread and vegetables meant waiting ages for each option to load. And if I needed to reply to a WeChat message midway—since mini programs and chats don’t run as separate windowed processes on iOS—once I exited and went back in, I had to start the order all over again. In the end, I switched back to the Pixel as my main phone.

    That remained the case until September this year, when Sanyang started looking into LCD-screen phones for eye-care reasons. From a few models she bought, I ended up using an iQOO Z8. At a second-hand price of just 880 yuan, with a Dimensity 8200 chip, dual SIM, and NFC, plus plenty of commendable touches in OriginOS, it felt like a great deal. I finally went from remembering to carry a Pixel, an iPhone, and an access card to work every day, to traveling light with just one Z8. No more using one phone as a hotspot for the other, no more constant switching between two devices. On trains and planes, the presence of the “Atomic Island” feature was genuinely convenient, and that sense of relief lasted for quite a while. Sure, opening heavyweight apps like Meituan still involved some lag, but at this price, what more could I complain about? Even though my eyes aren’t particularly sensitive, I could clearly feel the eye-friendly benefits of the LCD screen. It might struggle a bit under bright sunlight, but even if I lost track of time scrolling for a full hour, my eyes wouldn’t end up with that familiar soreness.

    But—life always has a “but.” A month later, I finally realized that even using the phone bare, with the weight down to 200 g, the 6.7-inch size itself was simply too big for me.

    What I needed wasn’t just lighter—it had to be smaller too.
    And once again, I wanted to change phones.

    The Final Showdown: A Three-Kingdom Battle Among 6.3-Inch Phones

    At this point, my top priority was crystal clear: I wanted a 6.3-inch phone that wouldn’t be too heavy.

    What else did I want? Strong camera performance, more eye-friendly screen tuning, a smooth and quiet system, dual SIM support, and a reasonable price. I don’t think these demands were all that outrageous—after all, I’d already given up on ever using “One Step” again.2

    But the reality is that even in a market bursting with options, once you stack six separate “wants” together, there aren’t many “flowers” left to pick. Take eye care to the extreme and you’d be looking for an LCD screen—yet there are virtually no LCD phones on the market with genuinely strong camera systems (here’s hoping some manufacturer revisits this niche someday and gives us a better-specced LCD model).

    “One Step” split-screen: lightning-fast window switching and seamless drag-and-drop interactions between apps—an absolute killer feature for expense tracking.
    (Image source: Bilibili, Nut Phone 2019 New Product Launch Full Recap)

    So in the end, I looked through the flagship and upper-midrange 6.3-inch phones released over the past couple of years (there really weren’t many) and narrowed it down to three finalists:

    1. iPhone 17 / 17 Pro: Everyone says the iPhone 17 lineup brings noticeable upgrades, so I figured I’d take a look. The newly added display pulse smoothing is theoretically easier on the eyes, and features like ProRAW and axis-based color grading sounded fun to play with.
    2. Pixel 9 Pro: After reading Clyde’s article, I was surprised to find that the 9 Pro had returned to a 6.3-inch size. With a second-hand price of around 3,400 RMB for the 256 GB version, it immediately entered my shortlist.
    3. vivo X200 Pro mini: The OPPO and vivo offerings are fairly similar. I also looked into the Find X9s, but ruled it out early due to weaker video performance. I also owe Clyde a thanks here—after I asked him about his experience with the first two phones, he mailed me an X200 Pro mini to try out for a few weeks.

    In the end, the choice came down to elimination.

    • iPhone 17 / 17 Pro: I honestly didn’t like the new Liquid Glass effect. Even in toned-down color modes, it still stood out too much. Paying over 5,000 RMB for the standard model or over 7,000 RMB for the Pro, only to likely dislike the visual style for years to come, just felt too expensive.
    • Pixel 9 Pro: The lack of true dual physical SIMs was still a deal-breaker, and its eye-care credentials were hard to pin down.

    And so, the vivo X200 Pro mini survived the final round. As for my six “wants,” here’s what it managed to deliver:

    • Size: At 187 g, the weight is quite manageable. I’ve seen complaints about the large circular camera module digging into fingers, but I actually rest my index finger there intentionally, changing my grip so the phone is “half-hung, half-resting” in my hand. That way, my pinky no longer has to support it from the bottom—an unexpected relief.
    • Camera: Both the wide and telephoto cameras are strong performers, and the street photography and style modes are genuinely fun to experiment with.
    • Eye care: In the Eye Comfort mode, there are options like anti-fatigue brightness adjustment, adaptive ambient color temperature, and full high-frequency dimming. I turned everything on without hesitation. It can’t quite match an LCD, but compared with my iPhone 12 and the Pixel 7 Pro, the viewing experience is noticeably gentler.
    • System: Google Play can be downloaded directly from the built-in app store. There may still be occasional app issues overseas, but for daily use it’s more than sufficient.
    • Dual SIM: Since I’ll be heading to Australia, and Australian carriers use a VoLTE whitelist system, I checked that the X200 Pro mini supports it. For Huawei and Xiaomi, the information I found was all over the place, and I also came across reports that MIUI cuts off FCM in lock screen, affecting push notifications for apps like Gmail and WhatsApp—so both brands were knocked out of this fight early.
    • Price: A 512 GB unit goes for under 3,000 RMB on the second-hand market, which is frankly a great deal.

    Post-Match Wrap-Up: Letting Go of the Better, Fuller Moon

    I see myself as a perfectly ordinary user—just a tiny bit picky.

    I say “picky” because I stubbornly stuck with Smartisan phones for so many years. Even when, hardware-wise, they lagged behind other phones at the same price, I was still willing to pay a premium for the system and the design. It’d be hard to say there wasn’t at least a little pickiness involved. But I also say “ordinary” because I’m not that keen on tinkering. When I used a Pixel, I never bothered rooting it just to unlock NFC. I don’t play games or chase high refresh rates, and I have zero research interest in system interaction logic—you can tell because I barely mentioned any of that throughout this piece. All I want, in a very plain way, is a kind of “comfortable enough” that I can’t even fully articulate.

    So when it comes to the oft-repeated mantra “buy new, not old” for electronics, I simply don’t buy into it.

    Especially with phones. After all these years, even if manufacturers are accused of squeezing out upgrades bit by bit, there’s still at least some improvement every year. But is the experience gap between two adjacent generations really that big? The reason the finalists didn’t include the latest Pixel 10 Pro or vivo X300 is simply that I didn’t think the incremental upgrades justified the current price difference. I’m also perfectly happy buying from the second-hand market—if I end up hopping again later, I won’t lose much on resale.

    When we watch reviews, we’re constantly shown all kinds of flashy new features, and it’s easy to imagine them unlocking endless possibilities. But in reality, only a handful ever make it into our actual daily habits. Take the “floating ball” as an example. When I first saw it in the settings, I enthusiastically set up a whole suite of shortcuts for double-tap, long-press, swipe left, swipe up, swipe down. In practice, though, aside from popping up uninvited to get in my way, I can count on one hand the number of times I’ve actively used it—and I still haven’t even memorized the shortcuts I assigned.

    Zooming out a bit further, I no longer hold the naïve belief that buying a new gadget will magically create habits that never existed in the first place. Before getting an Apple Watch, I imagined I’d be motivated by those visual activity rings to exercise more. The reality is that I’m still struggling every month just to fill ten rings and earn Grow’s badge. The functions I actually use the most are checking my walking distance while traveling, monitoring my heart rate zones and route deviation when hiking, or using it as a convenient replacement for a kitchen timer when I’m cooking.

    New tools can’t take you “from zero to one.” At best, they help you go “from one to two.”

    Just look at these dismal Fitness stats—on rare months I manage to earn the ten-ring Grow badge. The idea of changing myself through tools alone simply doesn’t hold water for me.

    So now my attitude toward electronics—including phones—is extremely pragmatic: I don’t chase perfection. As long as they avoid my personal “deal-breakers” and offer a few genuinely pleasant “bonus points” in certain areas, that’s enough.

    If you ask whether the vivo X200 Pro mini truly surprised me, the answer is no. It’s simply the phone that survived the process of elimination. I still have my complaints. Take the global search function I use all the time: on a Pixel, it’s clean, fast, and fluid. On OriginOS, it took me quite a while to figure out that you can set it to “show the keyboard by default upon entering the home screen.” Before that, every time I pulled down and then had to tap the search box again to bring up the keyboard, I’d be silently grumbling to myself. And even after turning off recommended cards and trending searches, the page still feels noisy—rows of Baidu search, Douyin search, and Bilibili search just sitting there.

    The global search page: Pixel on the left, vivo on the right.

    That said, it does have a few small touches I find genuinely interesting. For example, after long-pressing the bottom gesture bar to summon Blue Heart Little V, there’s an option called “Add to Favorites.” It analyzes and summarizes the entire webpage you’re currently viewing. Sometimes the summary isn’t quite right, but it’s still an approachable and usable feature. So far, I’ve only collected things sporadically and haven’t had the chance to go back and dig them up again. That said, I do still really want to experience how far Pixel’s system-level AI interactions can evolve with Gemini’s backing. In comparison, Blue Heart Little V feels usable in certain scenarios, but far from impressive—so on that front, there’s still some regret.

    For instance, when saving this Weibo post, the key point should’ve been analyzing the recommended merchants image in the middle—but Blue Heart Little V’s analysis got maybe three out of six points right.

    For me, the most genuinely delightful “bonus point” of the vivo X200 Pro mini is still its camera.

    I do own a Sony RX100 II, but aside from trips where I bring it intentionally, my phone remains my primary camera day to day. With the X200 Pro mini, you can just pull it out and snap a shot, and it’ll usually look pretty good. It does have its own tonal preferences due to tuning—unlike the Pixel, which strives more for faithful color reproduction—but it delivers that immediate, intuitive satisfaction of “hey, this actually looks like something.” Whether it’s handling extreme backlighting, or automatically detecting food and popping up a 2.2× food mode, I’ve been quite pleased. Even in less-than-ideal lighting, it can beautify things just a bit, which makes me willing to spend an extra twenty seconds before every meal arranging bowls and plates before pressing the shutter.

    Dinner shots taken at the same table under similar lighting: the top from Pixel 7 Pro, the bottom from vivo X200 Pro mini.

    Last weekend, I went to see a Les Misérables concert. Thanks to the 50-megapixel periscope telephoto, even with nothing more than mindless tapping of the shutter button, I got atmosphere-rich shots from the very last row of the second floor in stage mode.

    In that moment, I suddenly felt that this was enough.

    I gave up on the pursuit of a pristine system, gave up on the “better, fuller moon,” and instead, at a reasonable price, avoided some obvious inconveniences in exchange for something that’s everyday, effortless, and readily at hand—an easygoing kind of “enough.”

    That’s my current answer.

    From wide shots to close-ups, a few photos taken along the way.

    Finally, here are a few original, unedited snapshots taken casually with the vivo X200 Pro mini, for reference.

    Shot in Humanistic Street Photography mode.
    Performance under extreme backlighting.
    Moon photography performance (the moon in the cover image was shot on a Pixel 7 Pro).
    1. At least in the 23-year market, there’s arguably no alternative. ↩︎
    2. It’s almost 2026! While every company has its own split-screen floating window solution, why hasn’t anyone tried to copy OnePlus’s incredibly sleek 1+3 effect? ↩︎
  • What to Watch This Week | 10 Recent Picks Worth Your Time

    What to Watch This Week | 10 Recent Picks Worth Your Time

    ☕️ TL;DR
    Recent recommendations worth checking out: [Film] Avatar: Fire and Ash, [Film] Knives Out 3, [US Series] Fallout Season 2, [K-Drama] Public Interest Lawyer, [J-Drama] They in the Shadows, [UK Series] Cooper & Frye, [Mainland China] Tang Mystery Tales, [Stand-up Comedy] Gianmarco Soresi: The Joy Thief, [Documentary] 100 Ancient Dishes, [Reality Show] Three Fools Go to Kenya

    Several standout trailers: the official trailer for Mobile Suit Gundam: Hathaway’s Flash — The Witch of Circe, the first trailer for Revelation Day, the first trailer for The Diggers, the first trailer for Young Sherlock

    A few film and TV news items: Crayon Shin-chan: Strange Things! My Yokai Holiday set for release in 2026; Extreme Judgment confirmed for mainland China release on January 23; Eternal Station set for mainland China release on December 24; 96 Minutes: Train Bombing Case dated January 10; Robot Dreams scheduled for a mainland China re-release on December 26


    [Film] Avatar: Fire and Ash

    • Keywords: Sci-Fi / Adventure / Action
    • Also known as: Avatar: Fire and Ash
    • Runtime: 198 minutes
    • Where to watch: Now showing in theaters; Douban link

    You are given a new pair of eyes—use them to see this world.

    @SHY: Having settled among the reef clans, Jake, Neytiri, and their children struggle to mend the grief of losing loved ones—yet their enemies have no intention of letting them be. The surviving Colonel Miles forges an alliance with the Ash People, a clan that lives by plunder. To protect their homeland, the Na’vi must stand united and face an even greater battle.

    If there were one work to represent the pinnacle of the visual-effects industry, Avatar would surely rank near the top. Even after visiting Pandora twice before, this film’s overwhelming abundance of visual spectacle is still awe-inspiring. Soaring through the skies with the wind traders, diving into vast and mysterious oceans, returning to lush, vegetation-covered jungles, and journeying from the scorched wastelands of the Ash People to the steel-forged human bases—Eywa, the Great Mother, once again reveals both her miracles and her wrath. Each distinct setting delivers an unparalleled sensory impact.

    Compared with its visual achievements, the screenplay is less striking. Whether it’s family bonds or tribal conflicts, much of it feels familiar, largely retracing the narrative patterns of the previous two films. Fortunately, the film’s execution is rock-solid: the action sequences that run throughout keep the audience fully engaged, and the theme of harmonious coexistence with nature feels especially resonant today. Even if the story has its shortcomings, the visuals remain breathtaking. This epic, made for the big screen, is well worth the price of a movie ticket.


    [Film] Knives Out 3

    • Keywords: Drama / Comedy / Mystery
    • Also known as: Wake Up Dead Man: A Knives Out Mystery / Knives Out: The Dead Return
    • Runtime: 144 minutes
    • Where to watch: Netflix; Douban link

    An incredibly annoying detective (

    @Liz and the Blue Bird: Young priest Jude is reassigned to a bizarre small town after assaulting someone. The local priest, Father Wicks, is a shameless bully who rules the place like a small-time tyrant—each week during his sermon he singles out one person to verbally attack until they flee the church. The remaining few loyal followers both worship and fear him, giving the whole place a cult-like, ominous atmosphere. Jude is sent there by his superiors to try and save the church. Before any real progress can be made, Wicks dies under mysterious circumstances in a semi–locked-room scenario, and Jude becomes the prime suspect. Detective Blanc arrives upon hearing the news and invites Jude to help solve the case. Strange, almost supernatural murders begin to pile up—what secrets lie behind the former priest’s massive inheritance?

    The film continues the Knives Out series’ signature blend of mystery and comedy. Priests blurt out “Holy Shit” in fright before immediately confessing their sins, and the detective’s exaggerated, theatrical mannerisms are even more over the top than in the previous entry—so much so that the film itself openly pokes fun at him for “acting like he’s in a third-rate cop movie.” The cast is once again packed with big names, making it impossible to guess the killer through off-screen clues alone. While the story uses its plot to comment on false marketing, cult-style brainwashing, religious corruption, slut-shaming, and human hypocrisy, the pacing is fairly flat and the buildup overly long. The focus leans more toward Jude’s inner struggle and personal growth, leaving the ensemble cast somewhat underdeveloped, and the murder methods themselves are hardly ingenious. Still, many of the shot compositions are thoughtfully crafted, making it a passable watch.


    [US Series] Fallout Season 2

    • Keywords: Game Adaptation / Sci-Fi / Adventure / Action
    • Also known as: Fallout Season 2
    • Runtime: Approx. 60 minutes per episode × 8 episodes, updated weekly on Wednesdays
    • Where to watch: Prime Video; Douban link

    Perhaps the real question isn’t whether the world will end, but who gets to press the button.

    @SHY: After an unexpected twist, Lucy teams up with the Ghoul to track down her father, Hank, following his trail all the way to New Vegas on the far side of the wasteland. Meanwhile, Maximus returns to the Brotherhood of Steel and is forced to shoulder greater responsibility, while Norman—having uncovered the truth behind the Vaults—faces a painful choice. Will their paths ever cross again?

    When it comes to the game Fallout: New Vegas, its peerless web-like narrative structure is impossible to ignore, and the second season’s storytelling clearly leans in that direction. Lucy and the Ghoul’s long journey is interwoven with Cooper’s pre-war past, back when corporate executives pulled strings behind the scenes and Vaults 31 through 33—key pieces of the plan—were already on the brink of a storm. Spanning space and time, the series weaves together a sprawling ensemble, with events influencing one another as a grand tapestry of the wasteland’s fate slowly unfolds.

    Hardened by the trials of the first season, Lucy is no longer the naïve vault dweller she once was, yet she still clings to her principles—placing her in natural opposition to a seasoned survivor who has scraped by in the post-apocalyptic world for over two centuries. The chemistry between these two polar-opposite partners is genuinely compelling. Beyond familiar faces, Mr. House also unveils some of his inventive gadgets, promising a memorable show in New Vegas. Carrying on the games’ signature black humor while delivering a gripping wasteland adventure, the series remains a standout example of how video game adaptations should be done.


    [K-Drama] Pro Bono

    • Keywords: Drama / Comedy
    • Also known as: Free Legal Service / Pro Bono
    • Runtime: Around 70 minutes per episode × 12 episodes; Douban link

    Become a public-interest lawyer, and then—win people over!

    @Pan Yuhan: Judge Kang David is widely seen as a rising star in the legal world. His public confrontations with powerful conglomerates in court have earned him widespread admiration. What people don’t know is that this is all a carefully constructed façade. In truth, Kang David is a yes-man for his superiors, enduring scolding and humiliation because he has his sights set on becoming Chief Justice—he’s willing to do whatever it takes to climb the ladder. Just as he finally secures a nomination for the position, he’s framed. Forced to resign, his only option is to become a public-interest lawyer, hoping to prove his innocence to the bar association and put his career back on track.

    At its core, the premise is straightforward: take a protagonist who doesn’t seem particularly kind and who plans every move with calculation, turn him into a public-interest lawyer, and let him rediscover his original commitment to legal justice through case after case of pro bono defense. Yet the series still manages to surprise. Kang David may appear shrewd and world-weary, but beneath that polished exterior lies a genuinely gentle heart. As a public-interest lawyer, he cleverly employs some less-than-spotless tactics to help ordinary people find justice. So while the story follows familiar beats, it ultimately feels warm and reassuring.


    [J-Drama] They in the Shadows

    • Keywords: Drama
    • Also known as: Shadow Work / シャドウワーク / Shadow Work
    • Runtime: Around 50 minutes per episode × 5 episodes; Douban link

    Isn’t domestic violence just a bit of couple’s quarrelling—can it really be this serious?

    @Liz and the Blue Bird: Noriko, a full-time housewife who has suffered domestic abuse at the hands of her husband, is introduced by a nurse named Michiko to a mutual-aid organization. The facility is not open to the public and has strict admission requirements. Five women live together there, all bearing shocking scars and severe psychological trauma. Through working in a bakery and participating in game activities, they help one another ease back into everyday life. The orderly, warm, and seemingly peaceful routine gradually helps Noriko regain her footing—until she realizes that the organization may have deeper goals of its own. Kaoru, a conscientious police officer, once took her fellow officer husband to court over domestic abuse, only to be ostracized and demoted within the force. That experience leaves her intensely focused on domestic violence cases, and she soon uncovers something unusual in one particular case—bringing nurse Michiko into her investigative sights.

    Adapted from the novel of the same name by Sano Hiromi, the series excels in its use of light, shadow, and visual texture. It zeroes in on the issue of domestic violence in Japanese society, employing a dual-track narrative to portray a battle of self-rescue by survivors, while gradually revealing a buried criminal mystery as the two storylines intersect. The show powerfully captures the terror of abusers and the profound, indelible impact inflicted on their victims: the demonic face that swings a knife in manic laughter one moment, then begs for forgiveness in agony the next; the abyss of isolation, inescapability, and relentless self-doubt. How, then, can these women ever find redemption and freedom?


    [UK Series] Cooper & Fry

    • Keywords: Drama / Mystery / Crime
    • Also known as: Cooper & Fry
    • Runtime: Around 90 minutes per episode × 4 episodes; Douban link

    @Pan Yuhan: On Fry’s very first day reporting to the Major Crimes Unit in Derbyshire, a case lands immediately on his desk. An unidentified set of remains is unearthed at a farm called “Tanglewood.” Upon receiving the report, senior leadership promptly decides to pair the newly appointed Fry with Detective Inspector Cooper to jointly investigate the case.

    Released toward the end of the year, this British crime series centers on detectives Cooper and Fry, following their efforts to uncover the truth behind a series of cases. The one-episode-one-case structure is clean and efficient—once one case is wrapped up, the next story begins. The biggest draw of the series, however, lies in watching these two detectives with completely different styles gradually磨合 and work together in pursuit of the truth. A true local and a “second-generation cop,” Cooper knows the area inside out; relying solely on the network of acquaintances built over years of living there already brings significant advantages to his investigations. As a result, he struggles to understand Fry’s methodical, detail-driven approach to solving cases. Fry’s strictly professional demeanor, in turn, creates a sense of distance from other team members, who tend to view the major crimes unit as a close-knit family.

    Packed with classic rural mystery elements, the series delivers a very familiar British crime-solving vibe, making it an easy recommendation for fans of the genre.


    [Mainland China] Strange Tales of Tang Dynasty IV

    • Keywords: Action / Mystery / Fantasy / Historical
    • Also known as: Strange Tales of Tang Dynasty Ⅳ
    • Runtime: Around 18 minutes per episode × 21 episodes
    • Where to watch: iQIYI; Douban link

    It’s essentially the fourth season of Strange Tales of the Tang Dynasty.

    @Pan Yuhan: Due to limitations on episode count, the third season of Strange Tales of the Tang Dynasty removed two cases that had already been filmed when it aired. The collective efforts of the production team, however, deserved to be seen—thus this horizontal short-form series, with episodes under 20 minutes, Strange Tales of Tang, came into being.

    Staying true to the style of the original series, Strange Tales of Tang continues to showcase exquisite visual aesthetics beneath layers of radiant imagery. Each carefully composed frame, combined with its visual effects, is highly watchable. The case setups and the design of the tricks are equally meticulous. A golden mask conceals half of a true face, attempting to breed eerie घटन from the shadows; flocks of birds gathered deep in the forest are exploited by schemers, turning them into deadly weapons. The cinematic costumes and makeup, paired with a distinctly Chinese sense of mystery, give the series an outstanding texture.

    Independently titled and released this time, the series centers on The Worry-Relief Shop and The Song of the Guilty Palace, while also unveiling the mystery of Fei Jishi’s origins. Though presented in a short-form format, the quality remains consistently high. Through its two cases, the show also alludes to contemporary issues such as cults and psychological manipulation—bold and sensitive in its approach.


    [Stand-up Comedy] Gianmarco Soresi: Thief of Joy

    • Keywords: Stand-up Comedy
    • Also known as: Gianmarco Soresi: Thief of Joy
    • Runtime: Around 66 minutes
    • Where to watch: YouTube; Douban link

    Let a professional handle the job of making you laugh out loud.

    @Pan Yuhan: Should the root cause of being 36 years old and still unsuccessful be blamed on your parents? Faced with this question, stand-up comedian Gianmarco Soresi offers a sharp analogy: “If you’re already inside a building with a flawed foundation, would you really feel safer when you’re on the 36th floor?” And so, starting with his own family of origin, this laugh-out-loud stand-up set gets underway.

    Thanks to his background in theater groups and his college training, Gianmarco seamlessly blends voice, presence, and physicality into his performance, elevating the overall stage effect. His broad gestures and exaggerated movements feel as though he’s pulling the audience directly into the riotously funny stories he’s spinning. Even on a small screen, the sense of immersion is unmistakable. People often say the biggest selling point of stand-up comedy is that it’s funny—and this special certainly delivers nonstop laughs. But beyond that, its real strength lies in using comedy to reveal a tragic core. Over the course of 66 minutes, Gianmarco touches on many weighty topics, yet each time he wraps them up with clever bits and punchlines, ending depth with laughter.


    [Documentary] 100 Ancient Dishes

    • Keywords: Documentary / Food
    • Also known as: Ancient Recipes / Ancient Dishes
    • Runtime: Around 12 minutes per episode × 100 episodes
    • Where to watch: Tencent Video (new episodes every Tuesday / Thursday / Saturday at 12:00 noon); Douban link

    Bringing the cuisine of ancient times into the modern day.

    @Pan Yuhan: Tencent Video recently launched a documentary produced by Chen Xiaoqing’s team, with Taiwanese scholar Gao Wenlin as the host. Centered on the theme of “recreating ancient cuisine,” each episode invites a guest to cook dishes recorded in classical culinary texts.

    At just 12 minutes per episode, the documentary is light, enjoyable, and guaranteed to make you hungry. Through casual conversations between the host and guests—peppered with historical references—one ancient dish after another is either successfully recreated or, at times, ends in a spectacular flop. Either way, viewers come away with a deeper understanding of traditional Chinese food culture. It turns out that food delivery was already highly developed in the Song dynasty, and Emperor Gaozong of Song even used takeout to entertain his guests; a Yuan-dynasty “dark-cuisine” dish, honey-fermented swimming crab, somehow turned savory crab sweet by using honey; Zeng Guofan was so addicted to spicy food that he couldn’t resist sprinkling chili powder even on bird’s nest; and the seemingly humble bowl of rice soaked in broth was once among the national banquet dishes of the Southern Song dynasty…

    China’s culinary culture is vast, profound, and extraordinarily long-lived—yet few people ever stop to wonder what people in ancient times actually ate. The arrival of 100 Ancient Dishes goes a long way toward filling that gap.


    [Reality Show] Three Idiots in Kenya

    • Keywords: Reality Show / Travel
    • Also known as: Three Meals in Kenya / 케냐 간 세끼 / Three Idiots in Kenya
    • Runtime: Around 70 minutes per episode × 6 episodes
    • Where to watch: Netflix; Douban link

    A long journey to Kenya, just to see giraffes.

    @Pan Yuhan: Back in 2019, entertainer Cho Kyuhyun won a grand prize—an all-out luxury trip to Kenya—on the show New Journey to the West. Unfortunately, due to production budget constraints and then the sudden outbreak of the pandemic, the reward was never fulfilled. Thanks to a collaboration between Netflix and Na Young-seok’s production team, this long-delayed trip—taken by Lee Su-geun, Cho Kyuhyun, and Eun Ji-won for the sole purpose of seeing giraffes—has finally come to fruition.

    What makes Na Young-seok’s shows so appealing, beyond being genuinely funny, is their sense of freedom and ease. You never know what will happen next, but no matter how bad or unlucky the situation gets, the cast always manages to carry on in their own rhythm. Take this trip, for example: what should have been a pleasant journey is derailed almost immediately upon arrival in Kenya when Cho Kyuhyun loses his phone; meanwhile, the aftereffects of six airplane meals during the long flight leave Eun Ji-won with little appetite for local food. This is where the production team’s experience really shows—they start with games at the hotel, letting everyone recover their mood and energy before heading out again. Through these games, viewers learn about Kenya’s wildlife alongside the cast; by following their journey, we also get up close with some truly extraordinary animals.


    More

    [UK Series] Man vs. Baby
    @SHY: On Christmas Eve, Trevor Bingley—recently laid off and unable to reunite with his family—unexpectedly lands a job looking after a luxury apartment in London. Things quickly spiral out of control when an unclaimed baby enters the picture. Following Man vs. Bee, Rowan Atkinson (“Mr. Bean”) returns in this Netflix-exclusive series, delivering his trademark slapstick performance in a farcical comedy steeped in Christmas cheer. There are bumps along the way, but the ending is inevitably heartwarming. With just four episodes totaling about the length of a feature film, it’s a great choice for shared holiday viewing.

    [Canada] Face-Off at the Summit
    @Pan Yuhan: Sean, from a Montreal team, and Ilya, who plays for a Boston team, are fierce rivals on the ice, battling each other mercilessly in every match. Off the rink, however, they are lovers who share warmth and intimacy. Brought together by competitive sports, they clash—and attract—at the same time. Adapted from the novel of the same name, the series uses ice hockey as its entry point to tell a love story about sexual minorities, with hormones and adrenaline running high in equal measure.

    [Poland] High Waves
    @Pan Yuhan: This Polish Netflix series is based on the 1993 capsizing of the ferry Jan Heweliusz in the Baltic Sea. Through meticulously constructed ferry sets, the show simulates and reconstructs the real conditions of the disaster as faithfully as possible. Yet the bulk of its narrative focuses on the aftermath, when the ferry company attempts to pin all the blame on the captain who perished in the accident. Such a scheme—one that tramples on both human life and conscience in order to bury the truth—is infuriating to watch.

    [J-Drama] The Promotion Game
    @Liz and the Blue Bird: This under-the-radar Japanese drama, adapted from a novel of the same name, frames its story as a selection test disguised as a corporate job interview. Divided into two camps, participants compete for votes through publicity, agitation, brainwashing, espionage, and more. The series showcases various propaganda techniques alongside psychological warfare and battles of wits, making for an intriguing setup. Whether it carries real-world political allegory is open to interpretation, but with fairly average performances and a more entertainment-oriented tone, it’s a watchable option if the premise piques your interest.

    [Animation] The Dark Lord Appears!
    @SHY: The protagonist believes he has been transported into the role of the game character Black-Winged Overlord Rufus and sets out to reunite with his former subordinates—but is that really the case? Adapted from a Japanese manga famed among battle-power enthusiasts as the pinnacle of combat scaling, the first season may not yet reach the story’s most universe-shattering moments, but the glimpse of its worldbuilding alone is compelling. Beyond the premise, the misunderstanding-driven plot is equally fun, and the production team adds a number of clever touches. It stands as one of the most comfortable-to-watch isekai anime of the season.

    [Animation] Record of Ragnarok Season 3
    @SHY: The Ragnarok battles that decide humanity’s fate reach Round 7, where Qin Shi Huang faces off against Hades in a clash of kings. Next, inventor Nikola Tesla challenges the dark god Beelzebub, pitting science against divine power; later, Spartan king Leonidas takes on Apollo, the god of the sun. Who will emerge victorious in the end? This season sticks to the familiar formula: outrageous, over-the-top battles filled with wild rhetoric, interwoven with equally unrestrained backstories. It’s hype at every turn—sure, there may be more things to nitpick than there was budget, but as long as it’s thrilling, that’s enough.


    📅 This Week’s New Trailers

    Mobile Suit Gundam: Hathaway’s Flash — The Witch of Circe | Official Trailer

    On December 18, the animated film Mobile Suit Gundam: Hathaway’s Flash — The Witch of Circe released its official trailer. The film is set to premiere in Japan on January 30, 2026. As the second installment of the trilogy, it is directed by Shukou Murase, written by Yasuyuki Mutō, scored by Hiroyuki Sawano, and produced by Sunrise. Voice cast includes Kensho Ono, Reina Ueda, Junichi Suwabe, and Soma Saito, among others. Source

    Disclosure Day | First Trailer

    On December 17, Steven Spielberg’s brand-new film Disclosure Day unveiled its first trailer. The movie is scheduled for a North American release on June 12, 2026. Starring Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson, Colman Domingo, and Wyatt Russell, the film is a sci-fi story centered on UFOs, extraterrestrials, and “the truth.” Source

    Digger | First Trailer

    On December 19, the film Digger released its first trailer and is set to open in North America on October 2, 2026. Directed by Alejandro González Iñárritu (Birdman, The Revenant) and starring Tom Cruise, the story follows the most powerful man in the world as he desperately tries to prove himself a savior—while the catastrophe he sets in motion threatens to destroy everything. Source

    Young Sherlock | First Trailer

    On December 18, the series Young Sherlock released its first trailer and will debut on Prime Video on March 4, 2026. Directed by Guy Ritchie and starring Hero Fiennes Tiffin, Donal Finn, Jing Zeng, and Natasha McElhone, the show is adapted from the bestselling novel of the same name and follows a young, inexperienced Sherlock Holmes as he becomes entangled in a murder case at Oxford University. Source

    More

    The Super Mario Bros. Movie releases a new teaser trailer:
    The film The Super Mario Galaxy Movie features voice performances by Chris Pratt, Anya Taylor-Joy, and Jack Black, and is set to hit North American theaters in April 2026.

    TV anime The Darwin Incident | Official Trailer:
    Adapted from the manga of the same name by Shun Umezawa, the series is directed by Naokatsu Tsuda, with series composition by Shinichi Inotsume, and produced by BELLNOX FILMS. Official HIGE DANDism performs the theme song. The story follows Charlie, a hybrid born from a human and a chimpanzee, and is scheduled to begin airing on January 6. Source

    Animated film Animal Farm | First Trailer:
    Based on George Orwell’s novel of the same name, the film is directed by Andy Serkis and written by Nicholas Stoller. After a group of animals overthrow their human owners and take over the farm, they face new challenges under the cunning rule of the pig Napoleon. The film is slated for a North American release on May 1, 2026. Source

    The SpongeBob Movie: Deep Sea Adventure | New Trailer:
    A brand-new feature film in the SpongeBob SquarePants series, directed by Derek Drymon, with voice performances by Tom Kenny, Bill Fagerbakke, Mark Hamill, Clancy Brown, and Eszter Balint, among others. The film will be released nationwide on January 1. It tells the story of SpongeBob being tricked into a mysterious abyssal sea, prompting Mr. Krabs to lead the crew on a daring deep-sea rescue mission to save him.

    📽 Weekly Film & TV News

    Crayon Shin-chan: Strange and Curious! My Yokai Holiday set for a 2026 release
    On December 13, the animated film Crayon Shin-chan: Strange and Curious! My Yokai Holiday unveiled a special teaser video and a super teaser visual. The film is scheduled to premiere in Japan in the summer of 2026. Directed by Masaki Watanabe and written by Yoshiko Nakamura, with animation by Shin-Ei Animation, the story follows Shin-chan and his family as they travel to Hiroshi’s hometown of Akita for a vacation—only to be swept into a grand adventure in a land of yokai. Source

    Extreme Judgment confirmed for a January 23 mainland China release
    On December 16, the film Extreme Judgment released its mainland China release trailer and poster, confirming a January 23 release date, day-and-date with North America. Directed by Timur Bekmambetov and starring Chris Pratt and Rebecca Ferguson, the film centers on Detective Raven, who finds himself on trial for allegedly murdering his wife. Given just 90 minutes to prove his innocence, can he find a way out of an algorithm-driven dead end? Source

    Eternal Station confirmed for a December 24 mainland China release
    On December 18, A24’s romantic comedy Eternal Station released its mainland China release trailer and poster, set to hit theaters on December 24. Directed by David Fain and starring Elizabeth Olsen, Miles Teller, and Callum Turner, the film poses a poignant question: with her longtime companion Larry of more than sixty years on one side, and her first husband Luke, who died young, on the other—who will Joan choose to spend eternity with? Source

    96 Minutes: Train Bombing Case set for January 10 release
    On December 19, the film 96 Minutes: Train Bombing Case unveiled its release-date trailer and poster, confirming a January 10 premiere. Directed by Hong Zi-xuan and starring Austin Lin, Vivian Sung, Wang Po-chieh, and Lee Lee-zen, the story follows former bomb disposal expert Song Kang-ren and his police-officer fiancée Huang Xin, who accidentally board a train carrying a special bomb. They have just 96 minutes—the duration of the train’s journey—to avert disaster. Source

    Robot Dreams set for a December 26 re-release
    On December 19, the animated film Robot Dreams was confirmed for a mainland China re-release on December 26. Directed by Pablo Berger, the film tells the story of a lonely dog and a robot who find companionship in a vast city—until an accident separates them. The film received a nomination for Best Animated Feature at the 96th Academy Awards and was previously recommended in What to Watch This Week, issue 240223. Source