Author: kiwi

  • Best New Apps to Try: PReview’s Latest Recommendations

    Best New Apps to Try: PReview’s Latest Recommendations

    OpenClaw: A Personal Digital Assistant AI Tool

    • Platform: macOS / Windows / Linux
    • Keywords: AI, Personal Assistant

    @Vanilla: Over the past week, the locally self-deployed AI tool OpenClaw (originally named Clawdbot, later renamed Moltbot) has truly taken over timelines, even sparking a small wave of Mac mini purchases. Unlike traditional chatbots, OpenClaw’s biggest strengths lie in three areas: controllable privacy, freedom of model choice, and convenient invocation.

    In this installment of PReview, I don’t want to dwell on dry parameters or technical principles. Instead, I’d rather talk about what OpenClaw actually is—and what it can do for your digital life.

    OpenClaw is neither a simple large language model nor a plain coding CLI. It is, in essence, a local “digital life hub.” It integrates a modular architecture including Model, Agent, Skill, and MCP, and achieves cross-platform access and asynchronous scheduling through a Gateway that resides on a Mac mini or a server. No matter where you are, you can interact with it in real time through various instant messaging tools.

    At the same time, all memories, file indexes, and personal habits generated within OpenClaw are stored in your own local workspace (such as Memory.md, index databases, and Skills scripts). According to the official claims, you retain full control over your data sovereignty, with no need to worry about privacy leaks.

    If you happen to own a Mac mini, that’s naturally the best option—it effectively gives you a low-power personal server running 24/7, with seamless access to Apple-ecosystem-related Skills. If you don’t have a Mac mini, there’s no need to buy one specifically: cloud providers like Tencent Cloud, Alibaba Cloud, Cloudflare, and DigitalOcean all offer OpenClaw-specific server images, making one-click deployment extremely convenient.

    Next, I’d like to share two real-world use cases from my recent experience with OpenClaw.

    In the past, doing Vibe Coding usually meant sitting in front of desktop clients like Claude Code, Codex, Gemini CLI, or Antigravity. Now, I simply send instructions to a bot via a chat app on my phone, and OpenClaw automatically handles all the logic writing and debugging on the server side, returning the results in real time.

    For example, I recently switched my primary iPhone input method to “Cang Input,” but wasn’t satisfied with its default skin. I took an existing hskin theme file and dropped it directly to the bot, asking it to precisely tweak the skin code based on my aesthetic preferences and typing habits. Once the adjustments were done, I imported the generated skin file directly on my phone—the entire process without touching a computer keyboard.

    I’ve also created a personal knowledge base locally on my computer, complete with source files, indexes, and management scripts. Through OpenClaw, I can issue commands to this knowledge base remotely—whether it’s syncing newly added file indexes or invoking Python for deep full-text search, analysis, or even assisted writing, all of it can be done instantly from a mobile device. This way, I get the comprehension power of large models without uploading my private database to cloud services, truly achieving “data stays local, compute goes with you.”

    For now, I’ll stop here with the introduction to OpenClaw. I plan to write a more in-depth article later to explore it in greater detail. In my view, OpenClaw’s greatest success isn’t some revolutionary technological breakthrough, but rather how precisely it captures real user needs—vastly expanding the boundaries of AI usage through its Gateway and Channels.

    While there is still ongoing discussion around its local control permissions and privacy boundaries, it’s hard to deny that the world depicted in the film Her feels closer than ever. And OpenClaw might just be the first truly handy tool to help you build your own version of “Samantha.”


    Celestia: A Universe Database You Can Freely Roam

    • Platform: iOS / iPadOS / macOS / Android / Windows
    • Keywords: Universe, Science Education

    @大大大K: When it comes to “star map” tools, most of us probably think of apps like Stellarium. That said, Stellarium focuses more on observing the night sky from Earth’s perspective, and the sense of scale at a truly cosmic level can feel a bit limited. If what you want instead is the experience of freely roaming through space and landing on planets, then Celestia is well worth a try.

    In fact, Celestia is far from a newcomer—its initial release even predates Stellarium, with mobile apps arriving around 2020. As an open-source project, it never achieved the same level of mainstream recognition as Stellarium. I only discovered Celestia recently, after being inundated with space-related short videos and wanting a more “immersive” experience.

    What sets Celestia apart is that it doesn’t just let you observe the universe—it lets you move through it freely. By default, Celestia locks the view onto a celestial body itself, and swiping the screen allows you to view it from different angles. Switch from the “Object” perspective to “Camera” mode in the toolbar, and you can observe the universe in a full 360 degrees centered on your current position (though most of the time, all you’ll see is darkness). If you spot a celestial object that catches your interest, simply long-press on it to bring up a menu and select “Go To,” and Celestia will whisk you at light speed to hover above it.

    Even better, Celestia offers a wealth of deeply immersive features. Take the time control function in the menu, for example: it allows you to observe changes in celestial bodies across different time scales at any speed you choose. Using the “Lambda Aurigae binary system” that I stumbled upon by chance as an example—when I cranked up the time flow to extreme speeds, I could see the two bodies performing a kind of cosmic “waltz” in space. That, in turn, sparked my curiosity about this special type of system, leading me to learn that “Castor” and the famous “Sirius” are also similar binary systems.

    Beyond that, thanks to the power of the open-source community, Celestia supports a highly extensible plugin system. Whether it’s real-world spacecraft, higher-resolution nebulae and galaxy packs, or even fictional celestial bodies and spacecraft from works like 2001: A Space Odyssey and Star Trek, all of these can be loaded into Celestia. Hardcore sci-fi fans can even install script plugins and treat Celestia as a sandbox game set in space.

    Overall, while Celestia may not boast a flashy UI, it offers extremely robust functionality and impressive depth. Whether you use it as a pocket science education tool or as a way to spark children’s interest in space exploration, it’s an excellent choice.

    Celestia also supports a remarkably wide range of devices and platforms. On desktop, it runs on Windows, macOS, and Linux and can be downloaded from the official website, though the source code itself hasn’t seen updates for many years. On mobile, it supports Android, iOS, and even visionOS, and is still actively updated as of 2026. You can download it from the official website, Google Play, the App Store, and F-Droid.


    Halide Mark III: A New Approach to Photographic Style

    • Platform: iOS / iPadOS
    • Keywords: Camera, Style Photography

    @ElijahLee: The renowned mobile photography app Halide has released a public preview of Mark III, introducing a new image style system called Looks. Looks are not simple color filters; instead, they are stylistic processing methods embedded directly into the act of shooting. Unlike traditional preset filters, they capture and process the image algorithmically at the moment of exposure.

    After downloading the latest version of Halide from the App Store, open the app and tap the new “③” button on the screen to switch to Mark III. The app currently offers two Looks: Process Zero II and the black-and-white film style Chroma Noir.

    Process Zero II is an upgraded version of the original Process Zero. During capture, it disables all computational photography features, resulting in images with stronger contrast, finer detail, and a more natural overall look. The upgrade adds HDR support, improving performance in high-contrast scenes such as sunsets and vivid color environments, and it can also be used in conjunction with ProRAW. Of course, if you ultimately feel that HDR isn’t right for you, it can be turned off in Settings → Looks.

    Mark III can also apply Process Zero II to ProRAW files, preserving both the flexibility of Apple ProRAW and the natural rendering of Process Zero. If you don’t want to completely eliminate the influence of computational photography, Mark III includes a Tone Fusion slider for this exact need. It allows you to adjust highlights and shadows, restoring detail in bright and dark areas.

    Chroma Noir is a moderately high-contrast black-and-white film look designed to more faithfully simulate film characteristics. The team emphasizes that it’s not just about tonal adjustment—it also incorporates physical effects such as enhanced halation, using real-world light values to build its imaging engine.

    Finally, Halide is experimenting with bringing HDR support to film simulation. Traditional film, despite its centuries-long history, has been constrained by the low dynamic range of print media, making it incapable of truly representing high dynamic range imagery. If film aesthetics don’t appeal to you but you still enjoy black-and-white photography, you can disable film simulation in the app’s settings.

    Halide Mark III is expected to officially launch in the summer. What’s currently available is a public preview that can be accessed via an in-app toggle, with incomplete features and a limited selection of Looks. More carefully designed Looks will be added in the future. You can download Halide for free from the App Store, but experiencing Mark III requires a paid subscription: ¥68 per month, ¥148 per year, or ¥398 for a lifetime license.


    Escape Launcher: A Minimalist Home Screen to Help You Escape Your Phone

    • Platform: Android
    • Keywords: Home Screen, Launcher

    @Peggy_: Many years ago, the Android ecosystem was a vibrant landscape of diverse apps. Even within the niche of third-party launchers, there was no shortage of well-known options like Nova Launcher and Lawnchair. As Android has gradually matured and refined its own system features, however, many of these third-party launchers have faded away. In contrast, a new wave of minimalist third-party launchers—built around design philosophies entirely different from stock Android—has begun to flourish.

    Escape Launcher is one such app. Its developer has been quietly updating it for over a year now. Through a series of deliberate design choices, Escape Launcher maintains minimalism in both form and function. Visually, its main screen contains nothing but a text-based list of apps. Swiping right brings up phone-wide and per-app usage statistics, while swiping left reveals the full list of installed apps.

    The apps shown on Escape Launcher’s home screen are entirely user-defined. On first launch, you’re asked to select a set of essential apps to appear on the home screen, and you can add or remove apps later via settings. Other customizable options are limited to whether the time and date are displayed, and the size and style of the time. As for widgets, testing shows that Escape Launcher only supports displaying a single widget above the app list on the home screen—minimalism taken to an almost frugal extreme. Adding a widget also tends to hurt the visual balance, so it’s probably best to skip widgets altogether.

    On the usage statistics screen, Escape Launcher shows your total phone usage for the day, what percentage of the day that usage represents, and whether it exceeds the app’s recommended limit. The main panel then breaks things down by individual app, using red and green arrows to clearly indicate whether usage has increased or decreased compared to the previous day. To further reduce screen time, Escape Launcher also includes an app countdown feature: when enabled, a selected app will display a countdown every time you open it, and only launch once the timer finishes.

    In the app list view, while I understand the good intentions behind minimalist launchers avoiding icons altogether, searching for apps in a wall of text undeniably adds friction for users. Fortunately, Escape Launcher puts real thought into lowering that barrier. A prominent search bar makes manual searching easy, and if even tapping that feels like too much, you can enable “auto-start search” in settings. With this turned on, every swipe to the app list immediately brings up the keyboard, allowing you to type and launch apps almost instantly.

    Overall, Escape Launcher’s design is clean and restrained, with built-in color themes that are easy on the eyes. Customization options are limited, but the details are thoughtfully handled—for example, long-pressing anywhere opens settings, tapping the clock jumps straight to the system clock app, and tapping the date opens your default calendar. If you’re looking for both a third-party launcher and app usage tracking in one place, Escape Launcher is well worth considering.

    Escape Launcher is open source and completely free. You can download and try it via F-Droid.


    Posturr: A Posture-Reminder Utility for Mac

    • Platform: macOS
    • Keywords: Posture Reminder

    @化学心情下2: Perhaps because I’m fairly tall, I often find myself unconsciously hunching forward when using a computer. After years of this habit, it’s taken a toll on my neck. So the question becomes: is there a way to constantly nudge myself into maintaining proper posture while working at my desk?

    Posturr is a small utility I recently discovered on GitHub that does exactly that—reminding you to sit properly while using your computer. The idea behind it is fairly simple: using Apple’s Vision framework, Posturr accesses your device’s camera to detect your posture. When you start slouching or bending forward, it immediately blurs the screen so you can’t see anything clearly. Only when you straighten up and sit properly does the screen return to normal.

    On first launch, Posturr walks you through a visual calibration process for your posture. You just need to follow the on-screen instructions: when a focus point appears in one corner of the full-screen black calibration page, look at the screen and press the spacebar to complete the setup.

    After that, Posturr minimizes itself to the menu bar and begins monitoring via the camera. When your posture starts to slip or you hunch forward, not only does the screen content instantly blur, but the Posturr menu bar icon also changes—from a “standing figure” to a “slipping figure”—as a clear reminder that your posture is off. If you don’t sit up straight, you won’t be able to see the screen properly. In practice, this pushed me to sit more upright just so I could see what I was doing. While it’s admittedly less comfortable than slouching forward with my neck stretched out, it feels well worth it when I think about my long-term health.

    In the settings, you can also fine-tune a number of options. For the blur effect, in addition to the default Blur, you can choose Vignette (where the screen gradually darkens) or Border (where the screen edges change color). You can also enable options like automatically pausing the blur when you step away, or when your laptop display becomes the only active screen—adding a bit more flexibility and personalization.

    There’s also a statistics section that shows roughly what percentage of your total computer usage time was spent with incorrect posture while detection was enabled.

    Overall, Posturr has been extremely useful for someone like me who already struggles with poor posture. This kind of strong, enforced feedback helps me gradually break the habit of slouching and craning my neck while using a computer. If you’re like me and tend to sit poorly when working on a Mac, this is definitely a tool worth trying. You can download and install Posturr for free from its GitHub page.


    Sidebar Calendar: A Sidebar Calendar Widget

    • Platform: macOS
    • Keywords: Calendar, Widget

    @Snow: Sidebar Calendar is a desktop widget app that brings your schedule to the edge of the screen for constant visibility. Whether you’re overwhelmed by a packed workload or hopping from one online meeting to another, simply turning on your screen ensures you won’t miss important events.

    Unlike typical apps that live in the menu bar or appear as desktop widgets, Sidebar Calendar places your schedule along the left or right edge of the screen. No matter what’s currently on display, clicking the corresponding screen edge reveals a vertically arranged, hour-by-hour agenda for the day, sliding out from the sidebar. From here, you can view or edit events directly, or quickly create new ones by click-dragging to select a time range. To provide clearer reminders, the app also shows explicit text prompts in the menu bar while an event is in progress.

    Right-click within the agenda to open the settings panel, and enable “Settings – Display Reminders” to manage your to-dos for the day directly in the schedule view. The app automatically pulls relevant items from the system Reminders. Double-clicking an empty spot on the timeline lets you quickly add a to-do with the selected time set as its deadline.

    In the app’s settings, beyond toggling whether to display to-dos, you can customize theme colors, time formats, hide/show behavior, interface width, keyboard shortcuts, and more. For better schedule awareness, I recommend enabling “Settings – Collapsed Calendar” and “Time Indicator.” The former condenses your events into semi-transparent colored bars pinned to the screen edge, while the latter adds a red time line to clearly show the current moment. Used together, a quick glance at your screen is enough to understand your schedule’s progress and what’s already been completed—helping you avoid missing important tasks.

    Sidebar Calendar is currently priced at ¥38 and is available for download on the App Store.

    App News

    Google has recently and unexpectedly leaked a preview of the interface for Aluminium OS, a new desktop operating system based on Android and ChromeOS. The preview showcases a multi-window environment and a taskbar-style interface. The system is reportedly expected to see an official release in 2026. Source

  • What to Play This Month: Arknights: Endfield and Other Notable New Releases

    What to Play This Month: Arknights: Endfield and Other Notable New Releases

    Arknights: Endfield / 明日方舟:终末地

    A spin-off of Arknights, blending ARPG, open-world exploration, factory-style production lines, card elements, and more.

    • Release date: 2026.01.22
    • Platforms: PS5, PC, Mobile

    A derivative title based on Hypergryph’s Arknights IP, Endfield pushes the original timeline forward by a century. Its core combat system makes a bold leap from the main game’s top-down tower-defense gameplay to a fully 3D open-world ARPG, while also daringly incorporating automated production-line building reminiscent of Factorio.

    The story of Endfield takes place on the alien planet Talos-II. Players assume the role of the “Endministrator,” the administrator of the fictional organization Endfield Industries. Awakening from a long period of hibernation, the Endministrator has lost memories of having once led the organization—and seemingly saved the world. Yet from the moment of reawakening, it is clear that new and urgent crises await the intervention of this “chosen one.” This parallels the role of the Doctor, whom players embody in Arknights as part of the Rhodes Island organization.

    Although Endfield is launching on platforms far beyond mobile devices, its business model still follows the familiar free-to-play approach common on mobile. The game encourages players to spend in-game currency or real money on gacha pulls: characters obtained can be deployed in combat, and powerful weapons can significantly reduce combat difficulty. Both characters and weapons come with rarity tiers—higher-tier ones tend to be far stronger and more impressive audiovisually, while also being much harder to obtain.

    Automated production-line construction is also introduced as one of the core gameplay pillars. Players are required to build production, transportation, and defense facilities, gather resources in the wild, and set up manufacturing lines on designated plots of land. Ziplines, defense towers, warehouses, and other infrastructure can be placed wherever needed. You can clearly feel the influence of Factorio-style factory gameplay, as well as the asynchronous online concepts proposed by Death Stranding, both of which Endfield seems to have absorbed.

    Many of the characters in Endfield appear to be “isomorphic variants” of characters from Arknights. Within these paired, similar characters, the Endfield versions are, in lore terms, “replicas” of their Arknights counterparts, known as “Re-Travellers.” According to Hypergryph’s creative leads in an interview with Gcores, some of these new designs originate from “the fulfillment of a certain long-held wish (within the Arknights setting)” or “another self seen in a dream.” Beyond characters, the game world itself is no longer the abstract, condensed space of Arknights. We are finally able to step directly into vast wildernesses, jungles, cliffs, and urban landscapes, experiencing Hypergryph’s distinctive brand of Chinese fantasy aesthetics firsthand. As a long-time Arknights player, seeing familiar figures come alive on screen in a more grounded 3D form—and watching pavilions and terraces once glimpsed only in static CG now standing vividly before me—genuinely stirred a sense of closeness and nostalgia.

    Over the past month or so, aside from spending time clearing the fourth and fifth endings of the Arknights Integrated Strategies event themed around “Realm Within,” most of my free time has gone to Endfield, a game I had personally been anticipating for a long while. In interviews with Gcores, the core creative team mentioned that their first priority was to put into the game things they genuinely loved, and then hope that players would develop a similar affection for them. For me, this meant recognizing plenty of familiar influences—from Control, Destiny, God of War, NieR, Final Fantasy XV, and more. I like those games too. At the same time, I also see Hypergryph’s aesthetic sensibilities, cultivated since Arknights, being pushed to new heights in Endfield, especially in its interactions and architecture. So even when laying power lines and drawing conveyor belts drives me up the wall, I still feel, so far, that the game is worth savoring slowly.

    With its fully 3D presentation and open-world framework, Endfield opens the door to many more gameplay experiments. It remains to be seen what kinds of “metaverse”-like modular expansions the developers might build atop this platform in the future—but for now, we watch with anticipation.

    Cairn / 孤山独影

    A hardcore, realism-driven climbing experience.

    • Release date: 2026.01.30
    • Platforms: PS5, PC

    I previously introduced Jusant, a climbing game developed by DON’T NOD. This time, DON’T NOD’s French counterpart—the indie studio The Game Bakers—serves up a much more hardcore climbing dish with Cairn. If you’ve played The Game Bakers’ earlier titles Furi and Haven, you’ll recognize the studio’s tendency to focus intensely on a single theme or mechanic in each project, supported by strikingly stylized art direction. Furi centered on boss-rush combat, Haven on the bond between partners and its gliding mechanics, while this new work is devoted entirely to climbing and survival challenges.

    In Cairn, players take on the role of the professional climber Aava, attempting to conquer an “unclimbed peak,” with climbing segments alternating with moments of rest. On a micro level, players must precisely control the protagonist’s body, using combinations of sticks and buttons to select and extend one of the four limbs, repeating this process to move upward. On a macro level, the game grants players near-total freedom in route selection, rather than confining them to predefined “anchor points.” That freedom still demands careful planning: venture into overly dangerous terrain and the protagonist will suffer from intense stress and rapidly rising stamina costs; choose a reasonable, less taxing route and Aava can place pitons and recover stamina. After climbing for a while, players will reach overnight campsites, where they can pitch a tent, restore condition, repair gear durability, and cook food.

    To further heighten the sense of extreme challenge, The Game Bakers put considerable care into sound design, inviting Martin Stig Andersen—renowned for his work on Limbo and Control—to craft an immersive audio landscape for the game. An editor at Aftermath mentioned in their impressions that the sound effects were so enticing they often ended up overeating during rest breaks, only to find themselves short on supplies when it was time to recover stamina—an anecdote that speaks volumes about the game’s attention to detail.

    Creative director Emeric Thoa noted in interviews with outlets such as GamesRadar+ that the team hopes Cairn can become a Death Stranding of climbing-themed games: one where highly concrete, hands-on climbing mechanics form the core experience, rather than a superficial simulation. More importantly, the underlying theme they aim to explore is an “emotion”—the yearning for absolute freedom, and the willpower, endurance, and sacrifice that inevitably accompany it. Taking all of this together, I’m inclined to trust The Game Bakers’ confidence in their focused vision, and it’s enough to count myself among this game’s potential audience.

    Don’t Stop, Girlypop! / 暴走甜心

    Hello everyone—welcome to the Y2K special.

    • Release date: 2026.01.30
    • Platform: PC

    One of my personal favorites from Day of the Devs ahead of The Game Awards 2024, this is a retro FPS developed by Funny Fintan Softworks and published by Kwalee.

    The game’s framework is close to DOOM, but its audiovisual elements are completely replaced with a full-on Y2K aesthetic. The premise is delightfully absurd: guided by the great, bright, and unquestionably righteous force known as “Love,” players must take on a mining corporation called Tigris Nix, wiping out the evil company’s robots and destroying its filthy shareholder interests.

    Its wildly exaggerated, highly stylized art direction is easily one of Don’t Stop, Girlypop!’s most celebrated calling cards: ultra-saturated pinks, retro-futurism steeped in Y2K vibes, hearts and sparkles practically bursting out of the screen (the Steam page is literally filled with heart symbols)…paired with fast-paced electronic music, it becomes an unapologetic sensory assault. If you’re tired of shooters being perpetually tied to traditional war iconography—whether medieval or futuristic—or if you’ve already been swept up by the game’s infectious vibe, you’re more than welcome to jump into this high-speed shooting spree. Just remember: the faster you move, the more you heal, and the higher your damage climbs.

    Pathologic 3 / 瘟疫 3

    The same dish, cooked three times over twenty years—and each time with something new.

    • Release date: 2026.01.10
    • Platforms: PS5, XS X|S, PC

    If you’re a hardcore narrative enthusiast, seeing the name Ice-Pick Lodge might make your spine tingle—another painful artistic journey is on the way, and the only question you’ll want to ask is, “When can I get on board?” The Pathologic series debuted with its first installment in 2005. The previous entry launched more than six years ago and, by sheer coincidence, later intersected with the global outbreak of COVID-19. The series has long been known for its use of infectious-disease themes, obscure and demanding text, brutal survival mechanics, and frequent breaking of the fourth wall.

    To be clear up front, I’m not deeply familiar with the series myself. However, I’ve had friends enthusiastically recommend it to me, which sparked my interest in the IP, so I’ll offer a brief overview here. In a sense, both sequels in the Pathologic series can be considered remakes: the second and third entries respectively remake—or perhaps reimagine—two storylines that already existed in the first game. Pathologic 2 focuses on the Haruspex, while Pathologic 3 centers on the Bachelor.

    All three Pathologic games share a similar framework. Players are given just twelve days, during which they must contain the spread of the plague, converse with a large number of NPCs to gather clues, and uncover the truth hidden within the town. Each route’s protagonist has unique abilities. In Pathologic 3, the Bachelor’s powers revolve around time manipulation and logical reasoning. Players can formulate various epidemic-control policies and preview the consequences those decisions will bring, while also bearing the costs of meddling with time itself. The logic-based mechanics also lend conversations with NPCs a strong deductive flavor, making this entry the most detective-like of the three.

    While browsing the game’s Steam reviews, I came across a particularly striking comment. The reviewer noted that with the same characters, the same locations, and the same motivations, the developers somehow managed to tell the same story three times—yet each version was just as intricate and gripping as the last. I think it’s precisely this kind of logical intrigue that makes Pathologic 3 the installment I’m most eager to experience.

    One Turn Kill

    Expanding a single tactical idea into an entire game—an intriguing concept.

    • Release date: 2026.01.15
    • Platform: PC

    A deck-building roguelike developed by the indie game collective DenDen and published by Waku Waku Games. The core idea of this title is both radical and immediately compelling: players must defeat their enemy within the very first turn. If the game ever reaches the enemy’s turn, the chances of victory drop to almost zero.

    “One Turn Kill” is a term most commonly used in card games, referring to winning outright on the first turn through chained effects triggered from the opening hand. The Yu-Gi-Oh! scene, in particular, is full of such legends—I’ve seen videos where players go on an elaborate first-turn monologue, assemble all five limbs and the body in hand, activate Exodia (エクゾディア), and instantly obliterate their opponent. This game, sharing the same name as the term, turns that miraculous scenario into its central mechanic. The entire goal is to build a deck capable of winning in a single turn—kick-start the card-filtering engine the moment the match begins, and secure a deeply satisfying victory.

    I’ve always had a strong fondness for TCGs, and in recent years I’ve been especially immersed in titles like Legends of Runeterra, Magic: The Gathering, and GWENT: The Witcher Card Game. While I’ve never actually achieved the lofty feat of a true “One Turn Kill” myself (if anything, Magic probably offers the best odds), that hasn’t stopped me from fantasizing about it. According to feedback from the player community, this game appears to be relatively small in scope, which is admittedly a bit of a shame—but I’d argue that getting an explosive, high-impact experience out of a short game can be a delight in its own right.

  • What to Watch This Week: 8 New Movies and TV Shows Worth Watching

    What to Watch This Week: 8 New Movies and TV Shows Worth Watching

    ☕️ TL;DR

    Recent highlights: [US] Miracle Man, [Animation] A Diary from Another Land, [Film] National Treasure, [KR] How Do You Translate Love?, [JP] The Toyotomi Brothers!, [Film] Extreme Judgment, [UK] The Enforced Thief, [Documentary] Traditional Chinese Medicine Across the Seas

    Several notable trailers: the first trailer for Ghost in the Shell: THE GHOST IN THE SHELL, a new trailer for The Super Mario Galaxy Movie, a new trailer for Supergirl, the first trailer for Daredevil: Reborn Season 2, and a new trailer for Doraemon: New Nobita’s Undersea Devil Rock Castle

    Several film and TV updates: Dragon Ball Super: Galactic Patrol Arc officially greenlit; The Los Angeles Heist confirmed for release in China; How to Make a Fortune unveils a new poster; The Deer and the Cauldron 2 set for a mainland China re-release; Kill Bill scheduled for a theatrical re-release in Hong Kong


    [US Series] Miracle Man

    • Keywords: Action / Sci-Fi / Fantasy / Adventure
    • Also known as: Wonder Man
    • Runtime: approx. 30 minutes per episode × 8 episodes; Douban link

    Marvel’s take on Behind the Scenes.

    @潘誉晗: Simon Williams is an unknown actor who takes acting very seriously. He studies every small role in detail and often proactively offers better ideas. But in the eyes of the crew, this only slows down the production. One day, renowned director Von Kovak decides to remake Miracle Man. Upon hearing the news, Simon immediately auditions—because his love for acting began in childhood, when he watched the film Miracle Man. He dreams of one day portraying a superhero on screen. What no one knows is that he himself actually possesses superpowers.

    Marvel’s Miracle Man, released all at once at the start of the year, is genuinely different from previous Marvel series. It’s not really about superheroes, nor does it feature flashy visual effects or grand narratives. Instead, it’s a story about two actors who simply want to make good films. One is Simon, the protagonist; the other is Trevor (who takes on the role of the “Mandarin”). Both are highly skilled performers, yet they’ve been stuck on the fringes of the industry due to a lack of resources and opportunities.

    Abandoning the traditional superhero formula, the series leans heavily on dialogue-driven scenes, portraying the workplace anxiety of two struggling actors who recognize and appreciate each other’s talent. There’s very little action, but it’s surprisingly moving.


    [Animation] A Diary from Another Land

    • Keywords: Manga adaptation / Slice of life / Healing
    • Also known as: Another Country Diary / Ikoku Nikki / Journal with Witch
    • Runtime: 24 minutes per episode × 13 episodes, updated every Sunday
    • Where to watch: Bahamut Anime Crazy; Douban link

    When you feel sadness, it’s okay to be sad—fully.

    @SHY: Makio Takashiro, a reclusive novelist, suddenly learns that her older sister Misato and her husband have died in a car accident. At the funeral, Makio meets her 15-year-old niece, Asa Tagumi. Unable to tolerate the way relatives treat the girl as a burden, Makio takes her home. Living under the same roof, the two begin an awkward journey of cohabitation.

    Readers of the original manga might feel its tone would suit a live-action adaptation better. Yet this seemingly thankless anime turns out to be far more compelling than the film starring Yui Aragaki. Produced by Shuka, the studio behind Natsume’s Book of Friends, and directed by first-time director Miyuki Oshiro, the series blends the strengths of live-action sensibility and animation. Through the orchestration of layered imagery, diary lines dissolve into boundless deserts, and emotions are rendered with remarkable subtlety—never overtly manipulative, yet quietly stirring ripples in the viewer’s heart.

    Unlike the common trope of grief expressed through emotional shutdown, the sorrow here is understated. Makio’s decision to take in Asa is not about assuming the role of a “mother,” but about respecting her as an equal individual. Two people carrying different forms of loneliness cautiously find their way forward. With the companionship of each other and their friends, they reconcile with past memories and arrive at inner peace. This foreign diary of life feels like a cup of warming comfort, savored in the biting cold of winter.


    [Film] Kokuho

    • Keywords: Novel Adaptation / Drama
    • Also known as: Kokuho
    • Runtime: 174 minutes; Douban link

    Even after leaving the stage, one must not disappoint the world.

    @SHY: Born the son of a yakuza, Kikuyo loses everything through the cruel twists of fate and seeks refuge under the tutelage of renowned kabuki actor Hanai Hanjirō, training alongside Hanjirō’s only son, Shunsuke. Similar yet fundamentally different in circumstance, the two endure trials of skill and society alike. Through cycles of loss and gain, a sweeping life drama gradually unfolds.

    As the highest-grossing live-action film in Japanese box office history, Kokuho inevitably invites comparisons to works of a similar vein, such as Farewell My Concubine and Shōwa Genroku Rakugo Shinjū, while still standing firmly on its own. What must one go through to truly deserve the title of a “Living National Treasure”? With a carefully structured rise and fall, the film explores the tension between talent and lineage. Two mirror-like figures act out a tangle of destiny, where the tides of history and individual ascent and decline are tightly interwoven, creating remarkable dramatic intensity.

    To tell the story of life behind the scenes, surface spectacle alone is not enough. Grounded in meticulous costume, makeup, and production design, the film builds breathtaking stage settings. Fully committed performances and vocal delivery convey a restrained, classical Japanese aesthetic. Even viewers unfamiliar with kabuki can feel its depth of tradition and enduring allure, making its nomination for Best Makeup and Hairstyling at this year’s Academy Awards well deserved. The seamless fusion of narrative and form elevates Kokuho into a film that balances both commercial appeal and artistic achievement, leaving countless audiences utterly captivated.


    [K-Drama] Can This Love Be Translated?

    • Keywords: Drama / Romance
    • Also known as: Can This Love Be Translated?
    • Runtime: approx. 60 minutes per episode × 12 episodes
    • Where to watch: Netflix; Douban link

    Can the essence of love really be translated through language?

    @潘誉晗: A tragic fall leaves actress Cha Moo-hee in a coma while she’s wrapping up a TV drama shoot. One year later, she awakens to find her life completely transformed. Once an unknown performer, Cha Moo-hee has become one of the hottest global stars, thanks to the breakout success of the film Dolami, which she completed just before losing consciousness. The film’s “villainous woman” role catapults her to fame—but also traps her in a typecast image. Determined to break free, she joins a travel-themed dating reality show. As the program shoots across different countries, the production hires a multilingual interpreter—who turns out to be Joo Ho-jin, the very interpreter with whom Cha Moo-hee shared an unresolved connection a year earlier.

    A romance between a top-tier celebrity and a highly skilled interpreter gains an added layer of poetic beauty as it unfolds amid shifting landscapes and countries. But if this were merely a romantic comedy about love, it wouldn’t have earned such acclaim. What truly sets the series apart is its bold premise: after the accident, Cha Moo-hee develops a darker, split personality. Through this alter ego’s actions, long-buried wounds from her family of origin—hidden beneath her bright, cheerful public persona—are gradually revealed and, over time, gently healed.


    [J-Drama] The Toyotomi Brothers!

    • Keywords: Drama / Biography / History
    • Also known as: Toyotomi Kyōdai!
    • Runtime: approx. 45 minutes per episode (the extended premiere runs 58 minutes) × 43 episodes; Douban link

    Behind every successful “monkey,” there’s an exceptional man!

    @潘誉晗: With his older brother Tōkichirō away seeking his fortune, young Koichirō from Nakamura in Owari becomes the only male in the household. In his mind, the most important thing is simply finding work so the women in the family can eat well and live comfortably. One day, Tōkichirō returns, claiming he’s made a small name for himself and is now serving under Oda Nobunaga. He urges Koichirō to follow him and make something of himself in the wider world. But Koichirō only wants to stay close to home, living a quiet, peaceful life by the fields.

    NHK’s 65th Taiga drama returns once again to the Sengoku period, centering on the story of the Toyotomi brothers—Toyotomi Hidenaga and Toyotomi Hideyoshi. The series tells how these two brothers, born into poverty, created a miraculous rise against the odds. As Hideyoshi’s younger brother, Hidenaga is the supportive figure who often remains in the shadows. In contrast to the calculating and ambitious Hideyoshi, the sharp-minded Hidenaga is sincere and pragmatic. It is precisely this complementary dynamic that makes the brothers such a perfectly matched partnership as they travel far and wide.

    Screenwriter Hiroyuki Yatsu, known for works like Hanzawa Naoki, excels at fast-paced workplace dramas. As a result, the series maintains a brisk rhythm throughout, complemented by an impressive and energetic score.


    [Film] Mercy

    • Keywords: Sci-Fi / Thriller / Action
    • Also known as: Mercy
    • Runtime: 100 minutes
    • Where to watch: Now playing in theaters; Douban link

    Facts are not the end of an investigation, but its beginning.

    @SHY: Los Angeles detective Chris Raven wakes up from a hangover to find himself strapped into an electric chair in a courtroom, facing execution for the murder of his wife, Nicole. From surveillance footage to bloodstains at the scene, all the evidence points to Chris. With no memory of the crime, can he clear his name and catch the real killer within the 90-minute deadline imposed by the AI judge Maddox?

    There’s no shortage of protagonists who are wrongly framed, but far fewer are arrested on the spot with no chance to run. Confined to a chair for the entire film, Chris is quite literally a “death-row chair detective.” For a slim chance at survival, he must sift through massive amounts of data to uncover subtle clues—yet every spark of hope often leads to a dead end, or even deepens suspicion against him. The looming 90-minute countdown runs almost in real time with the film’s duration, while first-person camerawork immerses the audience in relentless tension.

    As the producer of the Searching franchise, director Timur Bekmambetov has a keen understanding of technological progress. The film’s big-data surveillance network is grounded in real-world prototypes, and its UX design carries a hint of visionOS flair. These realistic details lend credibility to this near-future trial. By contrast, the action sequence meant to serve as the climax feels comparatively weaker. Personally, I think the film would be rated even higher if it leaned more fully into its immersive investigative focus. Still, taken as a whole, it remains a solid and well-crafted commercial thriller.


    [UK Series] Steal

    • Keywords: Drama / Crime
    • Also known as: Steal
    • Runtime: approx. 42 minutes per episode × 6 episodes
    • Where to watch: Prime Video; Douban link

    “We picked you because you’re the worst person in the entire company.”

    @潘誉晗: It starts as just another ordinary day at the Lochmere Pension Fund—until a group of armed assailants storm in. Calm and methodical, they take only a few minutes to gather everyone together and cut off all external communications. They then coerce Zara and Luke, who have system access, along with shareholders who hold signing authority, and successfully transfer £4 billion—money belonging to ordinary people’s pensions. The police soon launch an investigation and quickly turn their suspicions toward Zara and Luke. After all, the robbers’ methods were far too professional and efficient for there not to be an inside accomplice.

    As one of the first crime thrillers of 2026, this financial heist centered on public pension funds is both exhilarating and gripping. Sophie Turner’s Zara initially appears in the first episode as a minor employee forced into the situation, but as the story unfolds in episode two, her true role in the case is revealed. What begins as a high-energy heist quickly grows more complex, packed with twists that make it hard to predict where things will go next. In its pursuit of the truth behind the robbery, the series also exposes the darker side of the financial system and critiques the ways the powerful exploit tax loopholes, giving the show a layer of real social relevance beyond its thrills.


    [Documentary] The Healing Path

    • Keywords: Documentary
    • Also known as: The Healing Path
    • Runtime: approx. 28 minutes per episode × 12 episodes
    • Where to watch: Youku Video; Douban link

    Traditional Chinese medicine is profound and far-reaching.

    @潘誉晗: Last November, Phoenix Television launched a documentary with a fresh perspective titled The Healing Path. Each episode pairs a Phoenix TV host with a special guest, following the development of traditional Chinese medicine (TCM) at home, its spread overseas, and its broader impact. Starting from Hong Kong and Macau, the team travels to 12 different countries and regions to explore how TCM is “going global” in the modern era.

    With each episode running under half an hour, the documentary is made with genuine care and presents the appeal of TCM culture from multiple angles. A clinic downstairs with a martial arts troupe on the top floor; when Macau feels too small, crossing over to Hengqin to discuss cooperation with the government; working with foreign designers to make herbal medicine shops more appealing to modern audiences; keeping prices unchanged across five generations because the building is owned outright…

    As a visual medium, film brings traditional Chinese medicine—something many people take for granted in daily life—closer and into sharper focus. By following the crew’s journey, we not only see the dedication of practitioners committed to preserving TCM traditions, but also their efforts to help the culture grow and adapt, and ultimately, the contributions TCM continues to make to the wider world.


    More

    [Film] The Wasteland
    @SHY: In the distant future, 280 years after a ceasefire agreement that divided humans and their creations, an investigation team descends into an underground world where strange anomalies have occurred—only to be drawn into an unexpected battle. A prequel to Headless recommended four years ago, this distinctive stop-motion animated film is once again crafted almost single-handedly by director Takahide Hori, who wears many hats. With experience accumulated over time, the settings here are more refined and grotesque, and the story more playful. One can’t help but hope a sequel will further expand this world.

    [Film] Temporary Family
    @利兹与青鸟: Down-on-his-luck American actor Philip arrives in Tokyo and, by chance, joins a rental-family agency, taking on temporary roles as clients’ family members or friends to fulfill requests. There’s a girl seeking a fake marriage to gain freedom, a mother trying to transfer her child to a private school—everyone has their own unspoken troubles. As Philip helps others through a series of small adventures, he gradually heals himself. Tender, sincere emotions flow throughout the film, quietly revealing various social issues in Japan, while moments of humor slip in to draw knowing smiles.

    [Film] Franz
    @利兹与青鸟: A biographical film about Czech writer Franz Kafka, told through a fragmented narrative that moves between Kafka’s real life and the worlds of his fiction. Family, work, friends, and achievements are brought to the fore, interwoven with fourth-wall-breaking interviews and Kafka’s inner psychological visions. The compositions are meticulous, mirroring Kafka’s literary style, and together collage a portrait of his life. Watching this film is even more rewarding if you’re already familiar with Kafka’s life and works.

    [Film] The Fake Genius
    @Sholmes: In 1970s Rome, Tony, a young man dreaming of becoming an artist, ventures into the city with his paintbrush—only to discover that his talent is worth more on the black market. From copying for others to forging masterpieces, he becomes entangled with the mafia and those in power, eventually rising as Italy’s most legendary art forger and getting swept into the country’s darkest prime minister assassination case. Shot in classic noir style, the film dissects the boundary between art and deception with sharp pacing and a brooding tone—both a personal descent and a reflection of an era’s absurdity and greed.

    [J-Drama] Gimbap and Onigiri: Two People in Love, Similar Yet Different
    @潘誉晗: On this day, Korean exchange student Park Lin steps into a small eatery called “Tami.” Though it’s already closed, Hase, who works there, still makes her an onigiri. Simple as it is, the rice ball tastes wonderful to Park Lin, who is overwhelmed by academic and life pressures. Their encounter sparks a touching cross-border romance. This Japan–Korea co-produced sweet love story is visually fresh and gentle, using food to convey emotion and affection—warm, soothing, and heartfelt.

    [US Series] Ordinary Women
    @潘誉晗: During the Cold War, two CIA agents die under mysterious circumstances. To uncover the truth behind their deaths, their wives, Bea and Twila, volunteer to return to the Soviet Union to investigate. The KGB is meticulous—but to them, Bea and Twila are just ordinary women. Though set against a backdrop of espionage, the series unfolds from a female perspective, resulting in a lighter, more playful tone, with a strong retro atmosphere.

    [Reality Show] Antarctic Chefs
    @潘誉晗: To provide meals for South Korean researchers stationed in Antarctica, a team made up of Baek Jong-won, Lim Soo-hyang, Chae Jong-hyeop, and SUHO travels to King George Island. Beyond the comfort food that warms body and soul amid ice and snow, a standout moment comes when the Sejong Station seeks help from China’s Great Wall Station due to a shortage of ingredients. In addition to plentiful snacks, the Chinese researchers’ remarkable talent for growing vegetables achieves “vegetable freedom” even in Antarctica. Even at the South Pole, eating well still matters.


    📅 This Week’s New Trailers

    Ghost in the Shell: THE GHOST IN THE SHELL — First Trailer

    On January 30, the TV anime Ghost in the Shell: THE GHOST IN THE SHELL released its first trailer and confirmed a July premiere. Directed by Shoma Kimura, written by Tow Ubukata, with character design and chief animation direction by Shuhei Handa, music by Taisei Iwasaki, and produced by Science SARU, the series will, for the first time, faithfully adapt Masamune Shirow’s original manga. Source

    The Super Mario Galaxy Movie — New Trailer

    On January 25, the animated film The Super Mario Galaxy Movie released a new trailer and is set to open in North America on April 1. Chris Pratt, Anya Taylor-Joy, Charlie Day, and Jack Black return as voice actors, with Brie Larson joining as Rosalina and Ben Safdie voicing Bowser Jr. A new galaxy, new companions—Yoshi joins the adventure. Source

    Supergirl — New Trailer

    On January 24, DC’s new film Supergirl released a new trailer and is scheduled for a June 26 release in North America. Directed by Craig Gillespie, the film stars Milly Alcock as Supergirl, Jason Momoa as Lobo, with Eve Ridley, Matthias Schoenaerts, Emily Beecham, and Will Coben also appearing. The film is adapted from the highly acclaimed comic Supergirl: Woman of Tomorrow. Source

    Daredevil: Born Again Season 2 — First Trailer

    On January 27, Marvel’s series Daredevil: Born Again unveiled the first trailer for Season 2, set to premiere on Disney+ on March 24. Charlie Cox, Vincent D’Onofrio, Deborah Ann Woll, Ayelet Zurer, Margarita Levieva, and Krysten Ritter star. As Kingpin’s influence continues to grow, Jessica Jones makes her return. Source

    Doraemon: New Nobita’s Undersea Devil Rock Castle — New Trailer

    On January 28, the new Doraemon theatrical film Doraemon: New Nobita’s Undersea Devil Rock Castle released a 4D trailer. The film is set to premiere in Japan on February 27 and will also launch a 4D version—marking the first time the franchise has tried the 4D format.

    More

    Invincible Season 4 – Official Trailer
    As the world continues to recover from a global catastrophe, Mark is consumed by guilt. While doing everything he can to protect his home and the people he loves, he comes face to face with a powerful new threat—one capable of permanently altering humanity’s fate. Premieres March 18 on Prime Video. Source

    Star Wars Animated Series Maul: Shadow Lord – Trailer
    Set after the Clone Wars, Maul plots to rebuild his criminal syndicate on a planet untouched by the Empire. There, he encounters a disillusioned Jedi apprentice—perhaps the ally he needs on his path of revenge. Premieres April 6 on Disney+. Source

    BBC Series Lord of the Flies – Official Trailer
    Directed by Marc Munden (The Sympathizer) and written by Jack Thorne (The Virtues), this adaptation of William Golding’s classic novel follows a group of boys stranded on a deserted island. As humanity’s darker instincts emerge, paradise turns into a battleground. Premieres February 8. Source

    J-Drama Kujo no Taizai – Trailer Released
    Starring Yuya Yagira and Hokuto Matsumura, and directed by Hiroyasu Doi, Takeyoshi Yamamoto, and Hiroshi Adachi, the series premieres April 2 on Netflix. Adapted from the manga of the same name, it follows the morally dubious defense attorney Kujo Kanato and elite young prosecutor Karasuma Shinji, as they confront sharp clashes between law and morality, each guided by their own sense of justice.

    📽 Weekly Film & TV News

    Dragon Ball Super: Galactic Patrol Arc Announced
    On January 25, the official Dragon Ball franchise released a special video celebrating its 40th anniversary, announcing a new animated project titled Dragon Ball Super: Galactic Patrol Arc, along with a teaser visual. Further details will be revealed later. At the same time, an enhanced version of Dragon Ball Super titled Dragon Ball Super: Beerus released its “Super Launch” video, confirming the addition of new footage and a reconstructed storyline. It is scheduled to air starting in fall 2026. Source

    The Los Angeles Heist Confirmed for China Release
    On January 26, the film The Los Angeles Heist was officially confirmed for release in mainland China, accompanied by a trailer and poster. The release date has yet to be announced. Directed by Bart Layton and starring Chris Hemsworth, Mark Ruffalo, and Halle Berry, the film brings together a rule-bound master thief, a down-on-his-luck executive, and a detective trapped in a desperate situation—three very different lives drawn into a shocking crime. Source

    How to Make a Fortune Unveils New Poster
    On January 27, How to Make a Fortune, starring Glen Powell and Margaret Qualley, released a new poster. The film is directed and written by John Patton Ford (Emily the Criminal), and also stars Jessica Henwick, Ed Harris, Topher Grace, Bill Camp, and Zach Woods. It opens in North America on February 20, followed by a UK release on March 13.

    Royal Tramp II Sets Mainland China Re-Release Date
    On January 27, the 4K restored version of Royal Tramp II was officially dated for re-release, making its mainland China big-screen debut on February 7. Originally released in 1992, the film was written and directed by Wong Jing and stars Stephen Chow, Chingmy Yau, Brigitte Lin, and Michelle Reis, with appearances by Natalis Chan, Damian Lau, Deric Wan, Tony Leung Siu-hung, Sandra Ng, Fennie Yuen, Vivian Chen, and Paul Chun.

    Kill Bill to Be Re-Released in Hong Kong
    On November 29, Quentin Tarantino’s classic Kill Bill was confirmed for a theatrical re-release in Hong Kong on March 7. Volumes 1 and 2 will be screened together as a single feature with a total runtime of 275 minutes, including a 15-minute intermission, and will feature an additional seven minutes of previously unseen footage.

  • Do You Really Have a Bad Memory? Common Myths About Memory and Forgetting

    Do You Really Have a Bad Memory? Common Myths About Memory and Forgetting

    When it comes to memory, many people share similar feelings:

    My memory has really been getting worse over the past few years.

    I unlock my phone one second, and the next I have no idea what I was about to do.

    Wait—when did I order this package? I have absolutely no memory of it…

    What did I eat last night? What did I do? Total blank.

    Same here. Just now, I noticed an opened can of soda sitting on my desk, yet I have zero recollection of when I took it out of the fridge. Could it be the legendary “snail girl” secretly helping me out? Impossible! Don’t tell me I’m getting Alzheimer’s?!

    Hold on—no need to panic just yet. This doesn’t mean your brain is sick, nor is it necessarily a sign of aging. What we often call “poor memory” or “being forgetful” is usually the result of misunderstanding how the brain actually works, mistaking its normal functions for bugs. Trying to fix everyday forgetfulness by practicing complex mnemonic techniques like the “memory palace” is often overkill—hard to stick with and largely unnecessary.1

    In contrast, understanding how your brain operates and adjusting your thinking patterns and daily habits is a much easier and more effective solution.

    Phenomenon 1: Forgetting as Soon as You Turn Around — What Was I About to Do Again?

    Many people have experienced this “forget-as-soon-as-you-turn-around” moment: you unlock your phone intending to quickly check the weather or track a delivery. Then you see a WeChat notification and tap into it. Just a few seconds later, when you return to the home screen, you freeze—why did I unlock my phone in the first place?

    This isn’t a problem that only appeared after smartphones became widespread. Similar phenomena have existed for a long time. In psychology, there’s a specific term for it: the “doorway effect.” You think of something you need to do—say, grabbing a pair of socks from the bedroom—but once you step through the doorway into the bedroom, you may forget why you went there.

    Psychological experiments have further confirmed this effect. Researchers randomly picked up objects from a table and placed them into a box, then later asked participants to recall what was in the box. In one group, participants stayed in the same room. In the second group, they moved to another room to recall. In the third group, they stepped out briefly and then returned to the original room.

    Even though the recall intervals were the same for all three groups, the latter two showed significantly more forgetting. The root of this phenomenon isn’t “memory capacity,” but rather “attention.”

    Working Memory vs. Long-Term Memory

    First, a brief introduction. Many people are familiar with the distinction between working memory (short-term memory) and long-term memory.2

    Working memory is the system the brain uses to temporarily store and process information. You can think of it as a type of short-term memory. Its characteristics are a very short retention time and a limited capacity3—if information isn’t deeply processed, it can disappear within seconds or tens of seconds.

    Corresponding to it is long-term memory. Long-term memory is like a vast warehouse, capable of storing memories in large quantities over long periods of time. The knowledge we’ve learned, our life experiences, and skills like riding a bike, swimming, or writing are all stored there.

    You can imagine working memory as a temporary workbench with a conveyor belt. Packages on this bench come from two main sources: one is external sensory information, such as what you see or hear; the other is internally generated thoughts or memories retrieved from long-term memory, such as “go get socks” or “check the delivery status.”

    Diagram illustrating the relationship between working memory, long-term memory, and attention (AI-generated image)

    There’s one crucial role here: the sorter at the temporary workbench—attention.

    Because working memory has limited capacity, only the packages that attention keeps a close eye on can stay on the workbench long enough to be further processed and stored in long-term memory. The moment attention slips, those packages slide off the bench and are gone for good.

    Back to the doorway effect. Whether it’s entering a new room or opening a new app, both are essentially scene switches. During such transitions, a flood of new sensory information rushes in—lighting, layout, colors, sounds, and more. Even if you’re not consciously aware of it, these external stimuli objectively hijack your attention, causing the original thought in your mind, or the sensory information you just captured, to be cleared from the limited workbench of working memory. When you snap back, the workbench is empty, and the original package is nowhere to be found.

    That’s why you end up standing there, spaced out, unable to remember what you were just about to do.

    How to Deal With the Doorway Effect

    The doorway effect is an instinct the brain evolved to adapt to new environments. It’s very similar to a computer clearing cache and freeing up memory so it can better load new programs and handle uncertainties in a new context. This is actually a sign of efficient brain operation. There’s no need to fight against this biological mechanism, let alone blame it on having a “bad memory.”

    Since the core issue is that scene changes shift attention, the countermeasures are straightforward: either protect your attention from being hijacked, or reduce the load on working memory in advance.

    1. Reduce distractions. The most direct way to deal with the doorway effect is to avoid attention shifts. Put frequently used items (such as scissors, keys, or your phone) in fixed, visible locations. Place high-frequency apps (like weather or payments) on your phone’s home screen or use widgets. By shortening the time and steps needed to find your target, you reduce the risk of being distracted by irrelevant information, allowing attention to go straight to the task.
    2. Repeat it out loud. When memorizing a phone number or license plate, we often repeat the digits to reinforce memory. The same applies here. When you’re about to go from the living room to the bedroom to get socks, or unlock your phone to check a delivery in a shopping app, quietly say it out loud: “get socks, get socks,” or “check delivery, check delivery.” Repetition forcefully locks attention onto the working memory task, preventing it from being replaced by new environmental information.
    3. Write it down. If you’re going into a room to get more than three items, or opening your phone to handle several tasks, the best approach isn’t relying on your brain but writing things down. To avoid the act of finding pen and paper becoming a new distraction, it’s a good idea to keep them within easy reach at home. Many people also pin notes or to-do list widgets to their phone’s home screen or set up shortcuts—these are effective strategies as well.
    4. Recreate the context. If you’ve already fallen victim and simply can’t remember what you were about to do, the best move is to go back to where the thought originated. If it came to you in the living room, go back to the living room. If it occurred while browsing a specific webpage, return to that page. Our memories are often bound to their environments, and the visual or auditory cues from that moment can reactivate the brain, helping you recover the lost memory trail.

    Phenomenon 2: Everyday Blackouts — What Did I Have for Breakfast Again?

    Besides forgetting things the moment you turn around, another everyday phenomenon that often makes people question their memory is these “blackouts” around mundane details. Most of us are probably familiar with situations like these:

    • You’ve just walked downstairs a few steps when a sudden wave of anxiety hits: Did I lock the door? Did I turn off the lights? Sometimes you even run back to check before you can relax.
    • Halfway through a shower, shampoo bottle in hand, you pause: Wait—did I already wash my hair, or was I just about to?
    • You take public transport or drive home after work and realize you can’t recall any details of the commute, as if you’d teleported. This becomes even more obvious when you’re tired, sleepy, or lost in thought.
    • Where did you eat lunch today, yesterday, or the day before? What did you eat? Chances are, unless you check your food delivery history, you won’t remember much at all.

    Everyone carries memories of their own life. This type of memory belongs to long-term memory and is called “episodic memory.” Some memories are so vivid that they remain crystal clear years later. Others, though they happened not long ago, leave only the faintest trace.

    Mainstream theories suggest that episodic memory is primarily distributed across the surface of the cerebral cortex (image source: The Comic Guide to Using Your Brain).

    Episodic memory has a unique feature: you don’t just remember what happened, but also when and where it happened. In other words, these memories come with “time stamps” and “location tags.”

    However, when it comes to highly repetitive and trivial daily episodes, the brain becomes surprisingly clever—or, from another perspective, surprisingly stingy. That’s when blackouts and forgetfulness start to appear.

    Everyday Memories: Merged and Compressed

    For daily routines like commuting, eating three meals a day, or washing your face and brushing your teeth—activities that are highly repetitive and emotionally flat—the brain usually performs an automatic “merge similar items” operation to save cognitive resources.

    Take breakfast as an example. Every morning, around 8 a.m., you take a bottle of milk and a ready-to-eat soft-boiled egg from the fridge, grab a slice of bread from the table, and spend five minutes eating at your dining table. Because the scene and content of breakfast barely change from day to day, the brain doesn’t store each breakfast as a separate memory file. Instead, it compresses thousands of past breakfasts into a single, generic, fuzzy “template file.”

    So when you try to recall what you had for breakfast yesterday, the brain first retrieves this generic template: the dining table at home, plus the usual trio of milk, eggs, and toast—rather than a specific snapshot of yesterday morning. And since yesterday’s breakfast had nothing particularly distinctive about it, lacking any standout features, that memory gets submerged into the routine, creating the illusion that you’ve forgotten it.

    Abnormal Memories: Individually Tagged and Stored

    So when do we clearly remember an episode? The answer is: when routine is broken.

    Anyone who has used smart security cameras will know about a standard feature called “motion detection.” When the scene is static and nothing changes—say, an empty hallway—the footage is overwritten in a loop, taking up minimal storage. Only when movement is detected, such as a delivery person passing by, do additional functions kick in and the footage gets saved long-term.

    Static state vs. motion detection camera logic (AI-generated image)

    Our brains use a similar mechanism when recording daily events. Back to breakfast: imagine that one morning, instead of milk and toast, you decide to cook a bowl of luosifen, filling the house—and yourself—with its unmistakable smell. This highly distinctive breakfast would trigger the brain’s recording mode. The brain detects the anomaly, slaps on a bright label, and archives it separately. Even years later, you’d still remember the embarrassment of eating luosifen for breakfast and getting side-eyed by fellow commuters on the subway.

    So if you can’t remember what you had for lunch last Wednesday, or what happened on yesterday’s subway ride, there’s no need to blame your memory. Everyday blackouts are a sign that your life is regular and stable, and that your brain is running smoothly, compressing those unremarkable daily memories to free up precious space for truly unique and important life events.

    How to Deepen Episodic Memory

    Once you understand how episodic memory works, the reverse is also true: if you want to remember something in daily life, or make a memory more vivid, you need to intervene actively and give it more distinctive features.

    Here are a few effective methods:

    • Engage multiple senses. If you’re experiencing a special moment—say, an anniversary dinner with your partner—and want to imprint it deeply in your mind, actively engage multiple senses. Smell the aroma of the food, notice the unique patterns on the tableware, listen to the background music, feel the texture of the chair. The more sensory details you collect, the richer the memory becomes, and the less likely the brain is to treat it as just another ordinary event and merge it into a generic template.
    • Leave traces. Many people struggle with forgetting whether they’ve taken their medication, especially when it needs to be taken regularly over long periods. At that point, taking medicine has become an automated action, leaving little impression in memory. “Leaving traces” is an effective way to remember such repetitive events. For example, place a calendar or sticky note next to the medicine bottle and check it off each time. Or follow medical advice and bind taking medication to another routine with the same cycle—put morning and evening meds next to your toothbrush and make a rule that you can only brush your teeth after taking them. This way, brushing your teeth reinforces taking medicine, and whether you’ve brushed your teeth also tells you if you’ve taken your meds.
    • Ritualized actions. For everyday compulsive behaviors, adding a fixed ritual can be very effective. When locking the door or turning off the gas, for instance, introduce a ritual check, such as the “point-and-call” method commonly used in industrial settings: point at the gas valve or lock, look at it, and say out loud, “Gas off,” “Door locked,” before leaving. This ritual labels the otherwise subconscious action, making it easier to retrieve later. If compulsive behaviors are severe, they may stem from physiological, psychological, or environmental factors and require professional medical treatment.
    • Write it down. It must be admitted that even with rich sensory input, special cues, and ritualized actions, the brain is still not good at remembering repetitive life details. The most reliable approach is to lighten the brain’s load by using a “second brain”—external tools. For example, every time I park in a mall now, the first thing I do is take a photo of the floor number and parking spot. Precious memories with friends and family are stored in photo albums, and I’ve developed the habit of journaling, supplemented by chat histories, browser history, and emails to aid recall and retrieval.

    Common methods for strengthening episodic memory (AI-generated image)

    Of course, as we age, the hippocampus—the brain region responsible for episodic memory—does gradually decline in function. This is a natural physiological process. So if you find your episodic memory isn’t as sharp as it used to be, don’t be overly anxious or self-critical. Accept a certain degree of forgetting in daily life, and save your limited energy for the people and moments truly worth remembering—that’s the best way to face time and aging.

    Phenomenon 3: Read It, Forgot It — What Was That Article About Again?

    Today’s learning tools and productivity apps are more convenient than ever. Notes used to be handwritten; now OCR lets you copy text with a tap. Research used to mean clipping and filing; now browser extensions save everything instantly. Long articles once required careful reading, books page by page; now AI can summarize everything in a minute.

    Behind this smooth flow of collecting, hoarding, and speed-reading, however, lies an easy-to-fall-into illusion of understanding. Many people notice that articles they’ve read and knowledge they’ve learned seem easier to forget than before. It can feel like learning ability has declined or memory has worsened. In reality, this is often the result of inappropriate learning methods.

    Many members of the community have written about this before. In earlier articles discussing learning principles and core elements, I also went into detail about how to address this issue (see the third section). If you’re interested, you can check those out. Here, I’ll explain from the perspective of memory mechanisms why this “learn fast, forget fast” phenomenon happens.

    Storage Strength vs. Retrieval Strength

    Earlier, we talked about episodic memory, which is a type of long-term memory.

    Long-term memory has many forms. The one most closely related to learning is called semantic memory. You can think of it as the brain’s database or library: all the knowledge points, facts, concepts, vocabulary, and formulas you learn are stored there.

    Semantic memory is believed to be widely distributed across the cerebral cortex (image source: The Comic Guide to Using Your Brain).

    When learning, many people—including myself—often feel that they have a bad memory and forget things right after learning them. Strictly speaking, though, “forgetting” isn’t an accurate description. From a cognitive psychology perspective, information that has truly been stored in long-term memory is extremely difficult to erase completely. As mentioned earlier, long-term memory is like a vast warehouse: once something is learned, it’s placed inside. The real problem is usually not that the memory is gone, but that the index is lost—the cue pointing to that memory can’t be found.

    Psychologists Robert and Elizabeth Bjork proposed that memory has two independent measures: storage strength and retrieval strength (Bjork, 1992).

    Storage strength refers to how firmly something is retained once it has been learned. This view challenges the traditional idea that “memories fade,” arguing instead that once long-term memory is formed, it is stored in the brain almost permanently. Retrieval strength, on the other hand, refers to whether you can access that memory at a given moment—how easily it comes to mind. What we usually call “forgetting after remembering” is actually a weakening of retrieval strength: the memory is there, but hard to retrieve.

    Storage strength vs. retrieval strength: four quadrants (AI-generated image)

    Combining these two dimensions gives us four types of memory states:

    • Low storage strength + low retrieval strength: shallow memories that are easy to forget.

    For example, an article skimmed casually, or a piece of trivia glanced at in a short video. We’ve all had this experience: you’re almost done with a book, movie, or post, and suddenly realize—wait, I’ve seen this before? Because it was never deeply processed, it left only the faintest trace in the brain. Without rereading or rewatching, you’d never be able to retrieve it. This is the worst-hit area for “knowledge hoarding.”

    • Low storage strength + high retrieval strength: shallow memories that haven’t faded yet.

    Crammed exam material, a restaurant queue number, a hotel room number on a business trip, or the plot of a mystery series binged overnight all fall into this category. Right now, the content feels clear, giving you the illusion that you’ve “remembered” it. In reality, storage strength is low, and once the task ends—after the exam, checkout, or finishing the meal—it quickly disappears. These memories are often tied to cramming and massed practice, and are best reinforced with spaced repetition.

    • High storage strength + low retrieval strength: firmly stored memories you can’t recall at the moment.

    Think of an old QQ number you used for years, familiar English words you haven’t used in ages, or a song you haven’t sung for decades. These memories aren’t gone; they still exist deep in your brain. But because they haven’t been used in a long time, they don’t come to mind immediately. For this type of knowledge, you usually don’t need to relearn it from scratch. A small cue—like being told the first two digits of the QQ number—can reactivate the memory. Regular maintenance and occasional review are enough.

    • High storage strength + high retrieval strength: memories that are solid and instantly accessible.

    Basic facts (China’s capital, the multiplication table), your own birthday, a phone password you’ve never changed, or gossip about an idol you’ve followed for years all fit here. No matter your state, you can recall these without effort. This knowledge has been fully internalized and become part of you. This is what it truly means to have “learned” something. The ultimate goal of learning is to move knowledge from the earlier categories into this automated state.

    The “Desirable Difficulty” of Better Memory

    Looking across these four categories, a pattern emerges. Learning methods that feel comfortable and frictionless tend to fall into either ineffective hoarding (“low storage + low retrieval”), such as one-click saving, photographing lecture slides, or endlessly downloading resources; or cramming modes (“low storage + high retrieval”), such as rereading, highlighting, immediately checking answers, or following tutorials step by step. These approaches don’t build durable memory—and the issue isn’t memory ability itself.

    So what’s the right approach? The Bjorks proposed a counterintuitive theory called “desirable difficulties” (Bjork, 1994). It explains a core mechanism of memory: increases in storage strength are inversely related to current retrieval strength. In simple terms, the harder it feels to retrieve information now, the deeper it will take root in your brain later.

    The principle of desirable difficulty (AI-generated image)

    This may sound abstract, but anyone with fitness experience will recognize it. Easy learning is like lifting an empty barbell: you can do it effortlessly, but without tearing muscle fibers, there’s no growth. In contrast, lifting with proper form to the point of fatigue causes muscle fibers to tear, followed by rebuilding and strengthening.

    The same applies to learning. Reviewing new knowledge immediately often yields mediocre results. The most effective approach is to allow some forgetting, then close the book and actively recall what you learned. This process may make you frown, scratch your head, and feel mentally stuck—but that discomfort is precisely what most effectively strengthens storage.

    What Is Forgetting Actually Good For?

    Once we understand different memory mechanisms, we can take a fresh look at the meaning of “forgetting.” In the learning process, forgetting is far from useless—in fact, you could even say that without forgetting, there would be no learning at all. It plays three crucial roles:

    First, at the working memory stage, it acts as a filter for attention.

    As mentioned in the first section, an overload of information from the environment can overwhelm the brain. Forgetting helps filter out irrelevant interference, allowing the brain to focus on what matters most. It functions as a selection mechanism: only information that is truly valuable has a chance to be further processed and stored in long-term memory.

    Second, at the long-term memory stage, it is a necessary condition for strengthening storage and forming cognitive abstraction.

    According to the theory of “desirable difficulties,” forgetting actually creates the necessary difficulty. Precisely because forgetting lowers retrieval strength, you have to exert effort to recall; and precisely because that effort is required, the brain judges the information to be important, significantly increasing its storage strength.

    In addition, forgetting helps us discard trivial details and extract the essence, enabling better abstraction and generalization. It’s like recognizing a face: when you first meet someone, you may remember many detailed features—skin condition, hairstyle, makeup. But later, when you see them again, their hairstyle or makeup may have changed, yet you still recognize them. That’s because the brain has helped you forget certain details, allowing you to better generalize their facial characteristics and form a stable, lasting memory model.

    Third, at the level of everyday life, it is an essential means for maintaining inner order and adapting to the present environment.

    Imagine if every heartbreak or every awkward moment remained as vivid and intense as when it first happened—our minds would be overwhelmed long ago. Through forgetting, the brain strips away the emotional overload from memories, leaving us with lessons learned while gradually fading the sharp pain, allowing us to recover from trauma. Forgetting also clears out outdated knowledge. For example, when you move to a new home, you must let go of the old address and routes so the new ones can be stored smoothly. If old memories never faded, they would linger like ghosts, constantly interfering with present life and causing far more trouble than we might expect.

    If a person were unable to forget anything, their brain would instead descend into chaos due to information overload, resulting in impaired cognitive function.

    There was a memory prodigy in the Soviet Union named Shereshevsky, who possessed an almost limitless memory. Yet because he could not forget, his brain was flooded with massive amounts of sensory detail. This left him severely lacking in abstraction: he couldn’t grasp poetic metaphors or perform complex logical reasoning.

    A similar phenomenon can be observed in some individuals with high-functioning autism. They can record scenes like a camera, but precisely because the details are too numerous and too vivid, this abundance hinders their ability to understand the social context and core meaning behind a scene. Even minor environmental changes can make them feel uneasy and anxious. This again shows that without pruning details, the brain cannot build meaningful models. In this sense, everyday forgetfulness is often the brain performing routine “garbage collection” and information filtering to maintain efficient operation—it is not the functional decline we so often fear.

    With these principles in mind, if we revisit the memory-strengthening methods discussed in the previous article—such as active engagement, writing, spaced repetition, and sleep—their logic becomes much clearer. There’s no need to repeat them here.

    Summary

    Although we talk about memory and forgetting every day, memory is not a single, unified ability, and forgetting is not an entirely bad thing.

    Different types of memory (AI-generated image)

    In this article, we discussed working memory and long-term memory, and within long-term memory, the declarative (explicit) forms of episodic memory and semantic memory. Due to space limitations, another important member of the long-term memory family—procedural memory, which belongs to non-declarative memory and includes skills like tying shoelaces, riding a bike, or reading in one’s native language—was not covered here. If there’s an opportunity in the future, I’ll dedicate a separate piece to it under the theme of “practice.”

    If there’s interest, I’d also like to write another article exploring common memory disorders and classic cases—such as age-related memory decline, the tip-of-the-tongue phenomenon, or even severe amnesia caused by illness—to further deepen our understanding of how memory works.

    Further reading: Incomplete Reports on the Use of Attention

    1. This isn’t to say the Memory Palace method is useless. It’s more suited for situations where you need to cram large amounts of illogical information into your memory in a short time—like memorizing the order of playing cards, pi, or lists of obscure vocabulary—rather than for tackling everyday forgetfulness issues like those mentioned above.


      ↩︎
    2. Strictly speaking, the field of psychology features numerous schools of thought regarding memory models (such as the Baddeley model, which incorporates complex structures like the central executive system and phonological loop), and definitions of working memory and short-term memory also vary. For the sake of clarity, this paper employs a simplified, universal model and does not make a strict distinction between the two at this stage.


      ↩︎
    3. Earlier research suggested that working memory could hold at most 7±2 items (Miller, 1956); current studies generally agree that its actual capacity is around 4 “chunks.” For instance, we struggle to memorize 10 random digits, but grouping them into sets of three—such as years or phone numbers—makes recall effortless. Each set of digits here constitutes a chunk. ↩︎
  • Morning Brief: Chrome Adds Gemini-Powered Automation as Tesla Plans to End Model S and X

    Morning Brief: Chrome Adds Gemini-Powered Automation as Tesla Plans to End Model S and X

    Morning Brief

    1. Xiaomi launches the REDMI Turbo 5 series smartphones
    2. WeChat issues a special enforcement notice targeting third-party violations
    3. MiniMax (Xiyu Technology) releases the MiniMax Music 2.5 model
    4. Microsoft commits to not using Copilot interactions to train AI
    5. Chrome introduces Gemini-powered automated browsing
    6. Tesla plans to discontinue the Model S and Model X
    7. Rumors You Can Just Glance At

    Xiaomi launches the REDMI Turbo 5 series smartphones

    On January 29, Xiaomi officially unveiled the REDMI Turbo 5 series smartphones.

    Among them, the REDMI Turbo 5 Max is powered by the Dimensity 9500s chip built on a 3nm process. According to the company, the Dimensity 9500s adopts an all–big-core architecture and features a large cache. The CPU reaches a peak clock speed of up to 3.73GHz, with cache capacity increased to 29MB. In terms of display and design, the new phone comes with a 6.83-inch 1.5K-resolution screen using new M10 emissive materials, offering a peak brightness of up to 3500 nits and supporting both 3840Hz PWM dimming and DC dimming.

    For battery life and charging, the REDMI Turbo 5 Max packs a 9000mAh battery. Xiaomi claims its endurance rivals that of some 10,000mAh devices. It supports 100W wired fast charging, the 100W PPS protocol, and 27W wired reverse charging. On the imaging front, the REDMI Turbo 5 Max features a 50MP primary camera with an ƒ/1.5 aperture and 1.6µm pixels, and supports high dynamic range video recording.

    The REDMI Turbo 5 Max is available in four colors: black, blue, white, and orange. The base configuration includes 12GB of RAM and 256GB of storage, with a starting price of 2,499 yuan.

    The standard REDMI Turbo 5 uses the Dimensity 8500-Ultra chip built on a 4nm process. It features a 6.59-inch display, while most other specifications remain consistent with the REDMI Turbo 5 Max. The REDMI Turbo 5 is equipped with a 7560mAh battery, supports 100W wired fast charging, 27W wired reverse charging, and is compatible with 100W-class PPS fast charging. The standard REDMI Turbo 5 comes in three colors—black, green, and white. The base model offers 12GB of RAM and 256GB of storage, starting at 1,999 yuan. Source


    WeChat issues a special enforcement notice targeting third-party violations

    On January 29, WeChat released a special enforcement announcement targeting third-party violations, with a focus on cracking down on false marketing, excessive marketing, and activities that threaten data security.

    WeChat stated that, based on recent user complaints and reports, it has launched concentrated governance actions against third-party violations that seriously disrupt the platform ecosystem and infringe on user rights. These mainly include false marketing and related fraudulent activities, excessive marketing and induced sharing behaviors, as well as actions that endanger privacy and security, such as illegally obtaining user data and using plug-ins or external tools. In accordance with relevant laws, regulations, and multiple WeChat platform agreements, the platform will impose tiered penalties on violating links, mini programs, and third-party apps, including access restrictions, functional bans, removal from the platform, and account suspensions.

    WeChat further noted that false marketing often involves fabricated cashback or lottery schemes and impersonation of official identities for fraud, frequently resulting in financial losses and illegal collection of personal information. Excessive marketing harms user experience through high-frequency push notifications and forced redirects. Meanwhile, plug-ins and data theft activities manipulate WeChat functions through automated scripts and technical means, posing direct threats to platform security. WeChat said it will continue to clear such violations through a combination of technical inspections and user reports. Source


    MiniMax (Xiyu Technology) releases the MiniMax Music 2.5 model

    On January 29, MiniMax (Xiyu Technology) officially released its music generation model, MiniMax Music 2.5. The model supports full-section tag control and precisely handles 14 musical structure variants, including Intro, Bridge, Interlude, Build-up, and Hook, enabling expressive creation of highly complex musical works.

    For Mandarin pop music scenarios, MiniMax Music 2.5 has been deeply optimized to cover a wide range of styles, including ballads, rap, fully Chinese lyrics, and mixed Chinese–English compositions. Vocal synthesis has also been enhanced, delivering smoother and more nuanced pitch transitions, more natural vibrato dynamics, and flexible switching between chest and head resonance. In male–female duet scenarios, MiniMax Music 2.5 presents more coordinated vocal interplay, supporting alternating vocals and multi-layered harmony arrangements.

    In terms of timbre, the model supports more than 100 instruments and includes optimized mixing to keep vocals and accompaniment clearly separated. At the same time, MiniMax Music 2.5 is deeply integrated with professional creative workflows. According to the company, it can be applied to professional scenarios such as film and television scoring, dynamic game audio effects, studio-grade pop music production, and branded sound design. Source


    Microsoft commits to not using Copilot interactions to train AI

    On January 28, Microsoft issued a statement responding to long-standing public concerns over its data collection and privacy practices. The company reiterated that users retain full control over their personal data and can access, transfer, or delete relevant information at any time. Data will only be used for purposes such as personalized advertising with explicit user consent.

    Addressing privacy concerns from enterprise and individual users regarding Microsoft 365 Copilot, Microsoft further pledged to strictly isolate user prompts, generated content, and business data, and clearly stated that none of this information will be used to train any AI systems, including foundational large language models (LLMs). Microsoft said that Copilot fully inherits Microsoft 365’s existing identity management, permission controls, and compliance framework, ensuring that organizational data remains within the company’s own tenant environment and is not accessed externally or exposed. Source


    Chrome introduces Gemini-powered automated browsing

    On January 29, Google announced the introduction of new AI capabilities to the Chrome browser, deeply integrating Gemini 3 technology into the browser’s sidebar to deliver a more intelligent interactive experience.

    At the same time, Chrome is rolling out a new feature called “Automated Browsing,” available to users subscribed to Google AI Pro or Ultra. This feature allows AI to carry out multi-step tasks through natural language commands, including opening pages across websites, filling out forms, comparing prices, and managing appointments and subscriptions, thereby reducing repetitive operations. For sensitive actions such as payments or content publishing, the system still requires manual user confirmation.

    In addition, the newly added Gemini panel on the right side of the browser can work in conjunction with services such as Gmail, Calendar, Maps, Flights, and Shopping. Based on cross-app data, the AI can provide intelligent suggestions—for example, extracting itinerary details from emails, matching them with flights, and automatically generating calendar schedules. Chrome also includes a built-in generative image tool called Nano Banana, allowing users to generate or edit images directly within the browser using text prompts. Source


    Tesla plans to discontinue the Model S and Model X

    Elon Musk revealed during the latest earnings call that Tesla plans to cease production of the Model S and Model X in the second quarter of 2026, in order to free up manufacturing capacity at the Fremont factory for the Optimus humanoid robot project. He said the move reflects the company’s strategic shift toward autonomous driving and robotics, and advised consumers interested in these models to place orders as early as possible.

    The Model S was launched in 2012, followed by the Model X in 2015, and both long served as key parts of Tesla’s flagship lineup. As the company has increasingly focused its resources on the Model 3 and Model Y, sales of the two high-end models have continued to decline. Data shows that sales classified under the “other models” category fell by more than 40% year over year in 2025, while Tesla’s profits in the fourth quarter also saw a notable drop. Source


    Rumors You Can Just Glance At

    • According to reports, Logitech G is set to officially launch the G325 LIGHTSPEED wireless over-ear headset. The headset features 32 mm drivers with an impedance of 32 Ω, and is equipped with an omnidirectional beamforming microphone that supports AI noise reduction and 24-bit audio. In terms of design, it uses seamless breathable knitted fabric, a soft headband, and dual-layer ear cushions, with a total weight of 212 g. For connectivity, it supports Bluetooth 5.2 as well as Logitech’s 2.4 GHz LIGHTSPEED wireless mode, offering a battery life of over 24 hours. The headset is priced at €79.99. Source
    • The Raspberry Pi Foundation is reportedly preparing an intelligent display module for the Compute Module 5. Essentially an adapter board, this module integrates the CM5’s computing power and energy efficiency directly into compatible displays, while also providing an additional HDMI output to drive a second independent video signal, catering to multi-display setups or complex information presentation needs. The module board also reserves an M.2 expansion slot, allowing users to add AI acceleration modules and leaving headroom for local inference and intelligent applications. Designed in accordance with the Intel SDM specification, the intelligent display module is positioned for use cases such as flight information systems, retail and enterprise digital signage, and industrial-grade display terminals. The module is expected to launch later this year and will make its first public appearance next week at ISE 2026 in Spain. Source

  • New Stuff 234|Hands-On With Huawei Mate X7’s Professional Photography Kit

    New Stuff 234|Hands-On With Huawei Mate X7’s Professional Photography Kit

    @Lao Mai: Huawei Mate X7 Professional Photography Kit

    • Reference price: ¥1,699

    Pairing a foldable phone with a professional photography kit is definitely not something most people would do. But Huawei teamed up with Tietou to specifically develop this product, and as SSPAI, we had to try it for ourselves to see what it’s really about.

    First off, there’s no need to question the materials or build quality of Tietou’s products. Everything feels solid and well made, fully matching the premium feel of the Mate X7. The packaging even carries a “Designed by Huawei” label, so it’s likely that Huawei was deeply involved and set specific requirements for the final product.

    The overall design is well thought out and balances everyday practicality. When used just as a phone case, it comes with a built-in metal stand that works in both landscape and portrait orientations. The combination of matte metal and finely textured vegan leather, along with a grid-patterned suede lining inside, protects the phone body well and doesn’t feel inferior to other phone cases priced at three or four hundred yuan.

    The Bluetooth grip attaches at the stand position and feels very secure, with a dedicated anti-drop locking mechanism. You can basically hold it with one hand and shoot comfortably. The grip has separate buttons for photo and video, along with zoom and exposure controls, and even a front/rear camera toggle for quick selfies. It’s quite thoughtfully designed. It also supports a standard screw mount, so you can attach it to a tripod.

    As for the lens, there’s a central adapter that slides onto the camera ring of the case, and the lens is then mounted onto that adapter. The advantage is that you can remove the lens at any time and go back to the native camera. One thing to note is that the lens only mounts over the telephoto camera and covers the other lenses, so if you want to use the main camera, you’ll need to remove the external lens. This is probably part of the design logic. Still, it would be even better if there were a dedicated inner dust cover.

    Finally, let’s talk about image quality. This isn’t a teleconverter in the traditional sense, since Huawei’s built-in 10× telephoto is already very capable. The value of this lens lies in allowing you to capture up-close details and depth-of-field effects at around 13.5×, essentially a lossless extension rather than a pure “super-telephoto for birding.” At 27×, you can still get usable results to capture some unique scenes, whereas the native 27× zoom relies heavily on AI reconstruction. You can see more sample photos here.

    Overall, the kit leaves a pretty good impression. The Mate X7 itself leans toward being a true all-around flagship this time, with a complete camera setup, a stronger hinge, and improved water resistance. It works well for everyday business use, and if you actually want to head out, travel, or get a bit adventurous, there’s no need to switch phones. This photography kit complements that by meeting travel photography needs, delivering better image quality and detail at telephoto ranges beyond 10×. It’s slightly more expensive than similar products, but in my opinion, it’s worth it.

    Oh, and I also paired it with a magnetic wrist strap from Xiao Sun, along with a matching shoulder strap. It really makes the whole setup look the part.

    @Lotta:

    Shanghai Translation Publishing House Brass Clips

    • Reference prices: Cold Crow Café brass clip ¥39; “Sea Book Fair” painted brass clip ¥48

    I’d had the cultural merchandise from Qihai Manufacturing Bureau, an imprint under Shanghai Translation Publishing House, sitting in my favorites for ages. They fall squarely into that category of beautifully made, slightly pricey, and of somewhat questionable practicality. So it wasn’t until a recent sitewide discount that I finally made up my mind and bought two clips: the “Cold Crow Café” brass clip and the “Sea Book Fair” painted brass book clip.

    The design of “Cold Crow Café” is inspired by the writer Franz Kafka. In Czech, the word for “crow” shares the same pronunciation as Kafka’s surname, which is where the name comes from. The front resembles a café sign, engraved with words like “DRINKS, SNACKS, SALAD,” while the back features quotes from Kafka’s letters: “A book must be the axe for the frozen sea within us” and “AUTHOR OF THE NIGHT,” suggesting that the café hosts a reading night once a month. The vintage aesthetic, the tactile depth of the engraving, and the strong literary backstory make it genuinely hard not to fall in love with.

    Compared with the brass clip itself, which gleams with a metallic sheen under the light, the packaging feels rather plain. It’s just a thin paper box printed with related graphics, and the clip isn’t very well secured inside. When it arrived, it was already rattling around in the box, though fortunately there were no obvious signs of damage from shipping.

    The “Sea Book Fair” isn’t a real event either, but another fictional setting created by Qihai Manufacturing Bureau. The front shows a sailing ship, while the back depicts a palace known as the “Crystal Pavilion,” the venue where the book fair is supposedly held. There’s a hole on the back of the clip so it can be hung up to hold manuscripts, tickets, postcards, and the like. The blue painted finish is very beautiful, though quite a bit of color rubbed off onto the inside of the box during shipping. In actual use, you might occasionally rub off a tiny bit of blue paint as well, but it’s almost negligible.

    If you’re just clipping loose papers or notebooks, I’ve bought acrylic clips for a few yuan that do the job just as well, aside from being lighter. But when it comes to holding thicker, heavier book pages, that’s where a brass clip really earns its keep. It may sound like I’m forcing myself to invent use cases for them, but when something this good-looking comes into my home, as long as it can stay in sight and please the eye, it doesn’t really matter what it’s used for.

    Cream Puppy Spring Couplets

    • Reference price: ¥43

    Big data really nailed my taste this time. The moment I saw this set of Spring Festival couplets, I ordered it almost without hesitation—it’s just too cute. Compared with the Pingu couplets I bought last year, the cuteness level has gone up another notch, though the price has doubled as well. The Pingu gift box had 19 pieces for a bit over 50 yuan, while this set comes with just seven pieces priced at 49 yuan. That said, these couplets are made of felt, which seems more durable, and as an original design from an independent shop, the price feels acceptable (especially considering how adorable they are).

    Product images from the seller

    The theme of this set is cream puppies. On a dark gray pedestal tray sits a pile of bright red strawberries and a canelé, with a cute cream puppy standing on top of each one. The text reads, “Meow-meow and woof-woof by your side / life as sweet as cream.” As traditional couplets go, they’re neither properly parallel nor particularly strict in tonal patterns, so those who care about such details may want to think twice.

    The packaging is very simple: all seven pieces are rolled together and placed in a transparent bag, with adhesive strips and 3M magnetic stickers included. The print quality is quite good, with almost no color difference. The seller does note that machine cutting may leave slight white edges, but unless you look very closely, it’s hard to spot any flaws.

    They’re so cute that I couldn’t bear to put them on the front door, so I stuck them on the interior room doors instead. Although the seller’s example shows all seven pieces displayed together, mixing and matching them in groups works just as well. I felt that putting everything on one door looked a bit crowded, so I split them into two groups and put them on two different doors—sharing the love (not really).

    At first, I worried that the strawberry-and-cream elements might not match the festive New Year vibe, but once they were up, the bright red color did feel celebratory. The room instantly became more lively and cheerful.

    @waychane: New AirTag

    • Reference price: ¥249

    Apple recently released a new generation of AirTag, and I just got my hands on the new model today. Here are some quick impressions.

    Starting with the design: there are no changes at all in terms of appearance, size, or thickness between the new and old AirTag. This means that accessories purchased for the previous AirTag—such as key rings and protective cases—remain fully compatible with the new version.

    The only visible difference in appearance lies in the printed text around the device. On the older AirTag, the text uses an initial capital letter followed by lowercase letters, while the new AirTag switches to all-uppercase text and adds an extra “NFC” label.

    The main upgrades in the new AirTag compared to the old one are in tracking range and speaker volume. As for volume, you can clearly hear that the new AirTag is louder, with a noticeably higher pitch. The sound feels sharper and more piercing to the ear.

    In terms of tracking range, based on my real-world testing at home, the new AirTag does indeed start picking up signals from a slightly greater distance than the old one. With a load-bearing wall in between, the new AirTag was able to detect a weak signal when I was just two or three steps away from the wall. With the old AirTag, however, I had to move almost right up to the wall before it could begin detecting the AirTag in the other room.

    Left: New AirTag

    As for accessories, Apple’s official key ring has, unsurprisingly, moved away from leather and continues to use the FineWoven material introduced earlier. In terms of feel, it’s relatively smooth, and visually I think it still looks refined enough. Whether this key ring will be as prone to staining or marks as the previous FineWoven phone cases, though, will have to be seen after some longer-term use.

    @Clyde: Belkin Stage PowerGrip

    • Reference price: ¥239

    Is it a 9,000mAh power bank that doubles as a “camera grip,” or a Bluetooth shutter grip that just happens to work as a power bank? No matter how you look at it, Belkin’s Stage PowerGrip is the kind of product that sparks an immediate urge to buy. As soon as it finished its overseas trial run and appeared on domestic e-commerce platforms, I predictably failed to resist a colleague’s recommendation and placed an order right away.

    As a power bank, the Stage PowerGrip supports 7.5W wireless charging. There’s no brute force or magic here, but considering that, on one hand, the iPhone 17 and Pixel 9 Pro I have on hand are both rather stingy when it comes to wireless charging specs, and on the other hand, this product is clearly positioned for photography use, which inevitably comes with noticeable heat buildup, this charging power actually feels acceptable. The 9,300mAh capacity is enough to charge the above devices nearly twice over. Add to that 3C certification and a 10N strong magnet that I’ve tested and confirmed won’t shake loose, and there’s really not much to nitpick about the overall wireless charging experience.

    On the wired side, single-port wired charging tops out at a not-at-all “speeding” 15W. Since it comes with a built-in USB-C cable and also includes an extra USB-C port, you can technically charge three devices at the same time when combined with magnetic wireless charging. That said, aside from emergencies, I doubt anyone would actually do this—the efficiency is indeed quite low.

    So between the two ways of thinking mentioned at the beginning, I personally lean toward seeing this as a camera grip that just happens to function as a power bank. At its core, the Belkin Stage PowerGrip is a Bluetooth shutter controller designed with camera ergonomics in mind. The grip area doesn’t use any particularly special materials to differentiate it, but the surface texture is well done and provides decent anti-slip performance. The circular ring around the charging coil, shaped like a camera lens, and the spot that looks a bit like a viewfinder—though it’s more likely where a flash would be—are used to house a small display showing remaining battery level, charging status, and Bluetooth shutter connection status. These details show a bit of thoughtful design.

    The Belkin Stage PowerGrip even includes a standard 1/4-inch tripod screw mount on the bottom. Combined with the magnetic attachment, it works for horizontal shots, vertical shots, and even shooting upside down. In terms of grip orientation, you can basically use it however you’d use a camera. The only real downside is the somewhat odd placement of the shutter button. If it were on the top instead of the front, it would probably feel more natural to use.

    One more thing: since it connects via Bluetooth and maps the shutter to the volume buttons, this shutter button only supports taking photos. Half-press focusing, zooming, and similar functions are off the table.

    In fact, beyond its dual roles as a part-time power bank and a plastic photography accessory, the Belkin Stage PowerGrip also works quite well as a wireless charging stand. The camera-grip form factor means it can stand upright with a stable center of gravity, and the magnetic design further reduces cable clutter compared to typical wireless charging docks. At home, I often just leave charging enabled and drop my Pixel or iPhone onto it, using the screensaver or standby display as a secondary screen. Seen this way, charging might actually be the least important function of this product.

  • Tana and Heptabase: How I Use Both to Build My Knowledge System

    Tana and Heptabase: How I Use Both to Build My Knowledge System

    Author’s Note:
    This article itself is a practical application of the workflow described within it.

    The core ideas were structured using the Tana #WritingFunction framework mentioned in the text, which was used to organize viewpoints, examples, and the main body of the article. The logic was then validated and the wording refined through discussions with Claude.

    The central ideas, personal experiences, usage cases, and opinions in this article are all original. Any AI-assisted content has been manually reviewed and confirmed.


    Before We Begin

    “Should I choose A or B?” This is probably a question that comes up in almost every discussion about tools in any specialized field. In the world of note-taking and knowledge management, you constantly see similar debates: Logseq or Obsidian? Notion or Roam Research? And for me, the A and B that kept me torn for a long time were Heptabase and Tana.

    To be honest, this was probably a kind of obsession. We always hope to find an all-in-one tool that can solve everything at once—capturing, organizing, thinking, and producing output, all in a single place. In fact, many tools really are evolving in this direction.

    But the problem is that when you try to make one tool cover every scenario, you end up with something that is only “okay” at each of them, and truly excellent at none. This isn’t the tool’s fault; it’s a contradiction in our own expectations. More importantly, we’re easily led astray by features. We focus too much on “what this tool can do” and forget the more fundamental question: “What do I actually want to achieve?”

    In the end, when it comes to knowledge management, techniques and features are only the surface. What really matters is how you build your way of thinking, how you understand knowledge, and what you can ultimately distill into something that truly belongs to you.

    Both Heptabase and Tana are products I genuinely love. They are platforms I want to use for a long time to learn and to accumulate knowledge. But these two products are completely different, both in philosophy and in functionality. How should I choose? This question troubled me for a long time and consumed a great deal of my time and energy.

    I remember repeatedly trying to make one of them my all-in-one solution, and repeatedly failing. I kept searching for “the perfect fit,” only to realize that each had irreplaceable strengths. Switching back and forth left me anxious and inefficient.

    Yet it was precisely this period of hesitation and struggle that gradually helped me figure out a few things.

    Why do I need them? What problems do I actually want them to help me solve?

    As the answers to these questions became clearer, the dilemma that had bothered me for so long suddenly dissolved. I stopped obsessing over “which one to choose” and instead decided to use both. That was the original starting point of this article.

    Today, I won’t go into detailed introductions of the specific features of either tool—those can easily be found on their official websites and in tutorials. What I really want to talk about is how I understand these two products from the perspective of product philosophy and real needs, and why I ultimately chose to “practice both.”

    If you’re struggling with a similar question, perhaps this article can offer you a different way of thinking.

    Preface

    In 2023, I left my company. All kinds of notes I had accumulated over more than ten years were returned along with the computer. That moment actually felt pretty good, because I no longer had to maintain all that scattered, messy information. What followed was a chance to start from scratch—for me, that meant no historical baggage and no need to worry about data migration. I could rebuild a knowledge system of my own, centered around the fields and questions I truly care about, and reconstruct my thinking framework from the ground up.

    Not long after, I came across Heptabase and Tana, and began trying to use a single tool to handle all of my knowledge management. Over the past few years, I’ve switched back and forth between them, hoping to find the most suitable approach. But every attempt lasted only a few months at most. I always felt something was off, yet I couldn’t quite articulate what.

    So where exactly was the problem?

    It took me a long time to gradually realize that the issue wasn’t the tools themselves at all. These two tools follow completely different philosophies. One emphasizes space, the other structure. They’re not really comparable in the first place. Yet I had trapped myself in the obsession with “all in one,” always wanting a single tool to cover every scenario. The result was that nothing was properly addressed, and nothing was done well.

    To be honest, this shift in mindset took me quite a long time.

    That’s why in this article, I want to revisit the topic of knowledge management. I want to talk about my years of going back and forth between tools, my confusion along the way, and how I now think about the question of “how to choose a knowledge management tool.”

    Heptabase vs. Tana

    The characteristics of these two products are very distinct, and their differences are substantial.

    Heptabase is essentially a tool for spatial thinking. It completely frees notes from the logic of linear text, allowing us to organize information on a two-dimensional plane. It’s a bit like breaking down complex problems, placing all the variables, relationships, and logic within the same field of view.

    For example, the kind of case analysis scenes we often see in movies and TV shows:

    Ideas that were originally scattered across different documents are turned into movable cards. You can reposition them at any time, create connections, and form groups. This process is, in fact, a visualization of your thinking path.

    But what ultimately convinced me to pay wasn’t this interaction style itself—it was the product’s underlying understanding of “knowledge.” The core of Heptabase is not “recording information,” but “understanding knowledge.” It treats thinking as a spatial activity that requires seeing the whole picture, discovering connections, and building structures. This is completely different from the traditional note-taking logic of “write it down and you’re done.”

    The founder, Alan, explains this very clearly in his article My Vision Project Meta: the ultimate goal of note-taking tools should not be storage, but helping people understand complex things. I strongly resonate with this idea.

    By contrast, Tana takes a completely different path. What it focuses on is not the “big picture,” but “structure”—or more precisely, how to organize information through structure.

    I’ve always preferred outline-based tools, for a simple reason: they’re fast and flexible, ideal for capturing things in the moment. During my years at the company, I used Logseq and OmniOutliner for a long time. They worked fine for note-taking, but had one fatal flaw—information was flat and fragmented, lacking semantic connections. You could record a lot, but everything remained isolated nodes. You knew they were there, but it was hard to form a systematic knowledge network.

    Tana’s core innovation lies in Supertags, and this was also the main reason I decided to pay for it. Supertags turn each node from just a piece of text into an “object” that can carry structure and attributes. This means we can move information from the level of simple “recording” to the level of “modeling.”

    For example, when recording a book: in traditional outline tools, you can only write the title plus some notes. In Tana, however, you can define the author, publication year, domain classification, reading status, and even link it to your own thoughts and writing. This isn’t just a functional difference—it’s a cognitive upgrade. We begin to understand knowledge in a structured way, instead of merely piling up information.

    Of course, on the other hand, Tana is also the tool with the steepest learning curve I’ve ever encountered. It requires a certain level of abstract thinking and modeling ability. You need to define your own ontology, design structured fields, and build query logic. This process is far from easy and inevitably involves repeated trial and error, patience, and persistence.

    To be honest, I gave up on Tana several times halfway through. It wasn’t until the past year, as my understanding of structured thinking deepened, that I finally started to use it smoothly.

    Going Further

    There are many tool products out there, but the ones that truly endure are never those with the longest feature lists. They last because they embody a unique way of thinking. At their core, every good tool is an externalization of how its founding team understands a particular domain. How they see the problem determines what the product looks like—and also how you, as a user, are guided to think when using it.

    In other words, a tool is not just a passive container. It also expresses a way of thinking.

    Heptabase and Tana are two classic examples. One spatializes “thinking,” the other structures “knowledge.” You might say, isn’t that just a difference in interface and interaction?

    No. What lies beneath is two completely different views on knowledge management and information processing. Heptabase focuses on “seeing relationships.” It believes that thinking requires a global view, that hidden connections must be discovered in space. Tana, on the other hand, focuses on “defining relationships.” It believes knowledge must be structured and that information should be organized through explicit semantics.

    One is bottom-up emergence; the other is top-down construction. Ultimately, both tools are answering the same question:

    How should we handle information so that it truly becomes knowledge?

    Heptabase: Spatializing Thinking

    As mentioned earlier, what Heptabase does is liberate notes from linear text. That may sound trivial, but in fact it is a redefinition of what “thinking” is.

    In Heptabase, every piece of information is a card. Cards can be freely placed, grouped, and connected on a whiteboard. As the number of cards grows, you begin to notice something: you are no longer merely recording things—you are building a map of your thinking.

    Why do this? Because the human brain does not process complex problems in a linear way. We need to see the whole picture, discover hidden connections, and move back and forth between different pieces of information before new understanding can emerge. Traditional notes are page after page of documents; your field of view is limited. Heptabase externalizes this process.

    Here’s an example. Recently, I was organizing a whiteboard about Japan’s interest rate policy, triggered by news that the Bank of Japan was considering raising rates. I started wondering: what is the logic behind this? What chain reactions might it cause?

    So I began placing cards on the board: the background of this rate hike, its triggers, how a stronger yen might affect international markets, several major interest rate policy shifts in Japan’s history… Each new card raised new questions. Gradually, a structure began to emerge on the board. I realized that I had developed a completely different understanding of “the lost thirty years” and “the ten-year cycle.” Bits of information that I had once read in isolation suddenly connected into a coherent line.

    This is the core value of Heptabase. It doesn’t help you store notes; it helps you clarify your thinking. When you turn fragmented information into movable cards and continuously adjust their positions and connections on a whiteboard, you are really doing one thing: turning the thinking process in your head into something visible and manipulable.

    This is something traditional note-taking tools cannot do. In those tools, once you’ve written something down, it’s basically finished. In Heptabase, writing is only the beginning. The real thinking happens when you reorganize the cards. You discover new relationships, raise new questions, overturn old conclusions. Thinking no longer stays inside your head—it becomes a structure you can actually see.

    That’s why Heptabase is easy to start with, but hard to master. What’s hard about it? You have to actively build. You have to be willing to spend time breaking problems apart, repeatedly adjusting the positions of cards, and wrestling with your own thoughts in the process. It’s slow and tiring.

    But that is what deep thinking really looks like.

    By the way, the whiteboard example I mentioned is only a starting point. You can also check out the official “Chip War” case study—it’s more complete and better demonstrates the power of this way of thinking.

    Tana: Structuring Thinking

    If Heptabase helps you see your thinking, then Tana helps you organize it.

    So what is its core idea? It turns the logic of your thinking into structures that can be defined and reused.

    In Tana, every piece of information is a node. But unlike traditional outliners, each node here can carry semantic structure through Supertags. You can define what this node is, what attributes it has, and how it relates to other nodes. When these nodes reference, link to, and nest within one another, you gradually see them weaving into a dynamic knowledge network.

    This means your notes are no longer dusty text that sits unused after being written, but structured information that can be organized, reasoned over, and even trigger actions.

    Let me share a few of my own examples.

    Daily capture of thoughts

    I use the tag #Signal to record my daily thoughts and summaries. But I don’t just record them — I also add structured annotations:

    • Domain: Which field does this thought belong to? For example, macroeconomics, product design, AI applications…
    • Context: In what situation did this idea arise?
    • Content: What exactly is the thought?

    Take the note about the Bank of Japan possibly raising interest rates as an example. I don’t just record the fact that “the BOJ may raise rates,” but also tag its domain (macroeconomics), its context (pressure from yen appreciation), and the specific analytical content.

    The benefit of this approach is that later I can retrieve and organize these thoughts by domain, by context, or by time — from different dimensions. Each piece of information is no longer isolated, but a knowledge node with an “identity tag.”

    Solidifying a writing framework

    Writing is an even more typical case — for me, it is essentially a process of structured thinking. So I created a dedicated #WritingFunction tag, breaking article writing into a set of fixed questions:

    Core questions (to answer every time):

    • Core message: What is this article trying to say?
    • Background & context: Why write it, and in what situation?
    • Key insight: What new discovery do I have?
    • Core viewpoint: What is my position?

    Optional modules (used as needed):

    • Supporting evidence: What materials support my argument?
    • Analogies: Can analogies help understanding?
    • Perspective shift: Would it be clearer from another angle?
    • Cognitive progression: What further thinking can this article provoke?

    This framework is essentially my “thinking framework” for writing. It ensures that each piece is not improvised on the spot, written wherever it goes, but instead becomes a systematic reasoning process. I no longer have to start from scratch every time to figure out how to write; I just fill in, expand, and refine within the framework. This very article was drafted under this Writing Function and then refined through discussions with AI.

    The framework itself is also iterative. When I find certain questions repeatedly useful, I solidify them into the template. When some questions prove unhelpful, I remove them.

    Modeling company analysis

    Using the same logic, I also built a model for company analysis — an ontology structure for fundamental analysis. What does that mean? It means I defined the dimensions needed to understand a company.

    For example, in the Palantir case shown above:

    • Business model: What are the main products? Where does revenue come from?
    • Customer base: Who does it serve — governments, enterprises, or individuals?
    • Growth path: How does it expand — through product iteration or market expansion?

    Once this model is built, I can quickly analyze any new company with it. Instead of rethinking “what should I look at” every time, I simply fill in and compare according to the template. This goes beyond traditional note-taking and turns my way of thinking into a reusable structure.

    So what is Tana’s true value in these scenarios? I believe it is definitely not about recording information, but about making your thinking logic explicit and structured — turning it into something that can be built, reused, and iterated. In other words, these frameworks composed of Supertags in Tana are the externalization of how we think.

    This is also why Tana has such a steep learning curve. It requires strong structured thinking: you need to know how you think before you can build that logic using Supertags, fields, and queries. This process takes time. I personally gave up several times along the way, and only in the past year did I truly start to use it smoothly.

    But honestly, the process itself is very valuable. I gained a much clearer understanding of how I think. It constantly forces you to ask: how do I actually understand a problem? What is my thinking framework? That alone is already extremely worthwhile.

    Back to the Fundamentals: What Is the Logic of Knowledge Management?

    After talking about these two products, we actually need to return to a more fundamental question:

    How do we truly understand “knowledge”? What do we think we are managing, and how should it be managed?

    This question is important. We cannot decide what form tools take, but we can decide our own philosophy. A person capable of independent thinking should have their own view of knowledge. That understanding is the real logic behind choosing tools.

    Many times, you’ll find that tools recommended by others look extremely tempting to try. But once you actually start using them, they feel awkward no matter what you do.

    Where is the problem? It’s not really the tool itself, but the fact that it doesn’t fit the way you think. Or rather, you may not yet have a sufficiently clear methodology to make full use of it. That’s not a bad thing. On the contrary, it’s a reminder that you should pause and think about your own logic of knowledge management.

    We don’t have to chase every new tool or keep experimenting endlessly. We should first clarify how we ourselves think.

    Essentially, whether it’s knowledge management or building an understanding of the world, the first step is probably not to aim for a specific tool. It is to find your own logic and philosophy. Only then can you truly choose—or even shape—tools that match your way of thinking.

    For example, if you want your knowledge management process to move from chaos to clarity, you may need to first lay everything out and look for connections in space—then Heptabase might be what you need. But if your thinking style is more standardized, where you define a framework first and then fill it in, Tana might suit you better.

    Neither approach is right or wrong. What matters is that you know which one you want.

    Don’t Be Obsessed with “All in One”

    Knowledge management itself is a huge topic. It consists of many different scenarios, and everyone emphasizes different aspects. When you stack them together, the logic becomes very complex.

    For me, there are only two core concerns:

    1. How to quickly capture and structure information to form my foundational knowledge material, preparing for future personal “model training”;
    2. How to integrate this material around a specific question or domain into a complete knowledge framework, enabling deeper research into a topic.

    These don’t sound special. Tana and Heptabase both seem capable of doing them. But in practice, neither alone works well. Heptabase’s whiteboards are powerful for organizing information and divergent thinking, but inefficient for quick capture and structured processing. Tana excels at recording and structuring, but because its product design is node-centric, it is not good at presenting a holistic view.

    Trying to focus on details while also maintaining a bird’s-eye view within a single tool is, at least for now, unrealistic—or more precisely, very awkward to use. So this year I changed my approach and started using Tana and Heptabase in parallel. Tana handles early-stage quick capture and structuring as a foundational database; Heptabase handles later-stage synthesis on whiteboards, building a global perspective around specific questions and domains.

    Interestingly, after running this setup for a while, I realized that the copying and pasting between two tools didn’t add as much workload as I had feared (compared to forcing everything into an all-in-one solution).

    Why? Because in Tana, every type of information has its own structured fields. The act of recording is already a process of understanding and digesting information. Through this “Q&A-style” approach, I end up with highly complete material. When importing it into Heptabase, very little adjustment is needed—it’s immediately usable.

    This brings us back to the core point mentioned earlier: tools are merely carriers of logic. What really matters is how you understand knowledge and how you build your thinking framework. Once that’s clear, Tana and Heptabase are no longer competitors, but complementary tools for different scenarios.

    That’s why I say: for knowledge management, don’t cling to the idea of all-in-one. Compared to the small cost of moving information between multiple tools, the cost of all-in-one solutions is often much higher. They not only reduce efficiency, but also easily confine your thinking within the boundaries of the tool.

    More importantly, when you’re obsessed with finding the perfect tool, you’re actually avoiding a deeper question. Tools are always just tools. Your understanding of your own thinking is what determines how much value a tool can truly deliver.

    So before choosing any particular tool, I suggest first clarifying your needs and your thinking process, then finding the tools that best fit each stage. Even if that means using two or three tools, as long as together they support your thinking workflow, that’s a good choice.

    Compared to a mature system, the cost of one or two extra tools is trivial.

    In Closing

    From a product perspective, all note-taking tools ultimately boil down to “create, delete, update, query” plus “views and presentation.” There won’t be huge differences in functionality. But that’s not the point. The real question is: why do we do knowledge management in the first place? It sounds abstract, but once you figure it out, many troubles simply disappear.

    If your goal is to store more information, any tool will do. But if your goal is to think better, then tool selection becomes a different question: can it make my thinking process explicit? Can it let me see how I think?

    That is what truly attracts me to Heptabase and Tana.

    They are not just helping me manage information—they are forcing me to understand my own way of thinking. Heptabase lets me see the spatial structure of thought; Tana lets me define the logical framework of thought. Once the system integrates with how you think, you no longer agonize over which feature to use, how to categorize things, or where to put them.

    So, back to the two protagonists of today’s article: if you ask me which one to choose, Heptabase or Tana, my answer would be—don’t rush to choose. Spend some time first understanding how you think and what kind of cognitive support you need. Then you’ll find that whether the answer is A, B, or both A and B, you already have it.

    And finally, one more thing: the endpoint of knowledge management is not building a perfect system, but becoming a clearer thinker. Tools are only the starting point. Thinking is the destination.

  • SSPAI Morning Brief: Apple Launches Creator Studio, Google Upgrades Android 16, and More

    SSPAI Morning Brief: Apple Launches Creator Studio, Google Upgrades Android 16, and More

    Morning Brief

    1. Apple Creator Studio officially launches
    2. Moonshot AI releases the Kimi K2.5 model and open-sources it
    3. NVIDIA officially introduces RTX Remix Logic
    4. Intel officially rolls out XeSS 3 multi-frame generation feature
    5. Google upgrades anti-theft mechanisms in Android 16

    Apple Creator Studio officially launches

    On January 28, Apple officially launched Apple Creator Studio, the creator tool suite it announced not long ago. The product is a one-stop bundled subscription service aimed at professional creators, covering nearly all of Apple’s professional creative software. With a single subscription, users gain access to the Pro App suite on Mac and iPad, the iWork suite, and Pixelmator Pro—the professional image editing and design tool Apple previously acquired—along with additional AI-powered features.

    For a more detailed hands-on overview, see Putting Professional Creative Tools Into More Hands: What You May Want to Know About Apple Creator Studio.


    Moonshot AI releases the Kimi K2.5 model and open-sources it

    On January 27, the Moonshot AI team announced the release and open-sourcing of its latest model, Kimi K2.5. At the same time, version K2.5 of the Kimi AI assistant also went live, and the original K2 model in the chat interface has been automatically upgraded to K2.5.

    The model is currently Moonshot AI’s most intelligent model, achieving open-source state-of-the-art performance across agents, coding, images, video, and a wide range of general intelligence tasks. It is also Kimi’s most versatile model to date, featuring a native multimodal architecture that supports both visual and text inputs, thinking and non-thinking modes, as well as conversational and agent-based tasks.

    According to examples provided by Moonshot AI, the model can generate complete front-end page code from natural language instructions and handle interactive logic such as dynamic layouts and scroll-triggered behaviors. Combined with its visual capabilities, Kimi K2.5 can also break down user-provided screen recordings, analyze the underlying interaction structures, and generate the corresponding implementation code.

    Beyond single-agent capabilities, Kimi K2.5 introduces a new agent cluster mechanism. This allows the model, when faced with complex tasks, to dynamically spawn multiple sub-agents to work in parallel on different subtasks instead of operating as a single agent.

    Alongside the Kimi K2.5 model, Moonshot AI also released Kimi Code, a programming tool designed for developers. It can run in a command-line environment and supports integration with mainstream editors and IDEs such as VS Code, Cursor, the JetBrains suite, and Zed.

    Kimi K2.5 is now available on the Kimi website, mobile app, and its API platform. General users can access its features through different modes, while developers and enterprises can integrate it via the API. Source


    NVIDIA officially introduces RTX Remix Logic

    On January 27, NVIDIA updated its NVIDIA App to add a new feature called RTX Remix Logic, which allows mod creators to dynamically trigger visual effects based on real-time in-game events (such as player position or button inputs) without accessing the game’s source code. For example, mod authors can set up simple “if… then…” rules (such as “if the player walks here, start raining”) to make the visuals of classic games change in real time according to player actions—without requiring knowledge of complex programming.

    To lower the technical barrier, NVIDIA introduced a highly visual, no-code, node-based interface. Creators can build complex interaction logic simply by dragging and connecting “trigger” nodes with “action” nodes. The interface also provides dedicated sliders for fine-tuning parameters and supports real-time preview directly within the Remix editor.

    For advanced developers, the framework also supports plugin extensions, allowing the creation of custom event triggers. In NVIDIA’s demo, opening a door in the RTX version of Half-Life 2 instantly triggered a dramatically different “Ravenholm multiverse” scene. Source


    Intel officially rolls out XeSS 3 multi-frame generation feature

    On January 27, Intel began pushing the latest graphics driver update to Arc GPUs, officially bringing the XeSS 3 multi-frame generation feature.

    At its core, XeSS 3 follows a Multi Frame Generation (MFG) approach: after each traditionally rendered frame, up to three AI-generated “interpolated frames” are inserted. This significantly increases frame rates and improves animation smoothness without adding extra load to the game’s native rendering pipeline. Intel emphasized that XeSS 3 relies on an optical flow network, using motion vectors and depth buffers from the game to predict and generate these additional frames.

    Unlike some competing solutions, XeSS 3 performs optical flow calculations only once per batch of AI-generated frames. This design makes algorithm development more complex and time-consuming, but helps strike a balance between performance and visual quality.

    In addition to introducing XeSS 3, the driver update also fixes several known issues. These include a crash bug in the Pragmata Sketchbook demo under certain conditions on Arc B-series discrete GPUs and on Core Ultra Series 2 processors with integrated Arc graphics. Intel also corrected an error in its graphics software where the variable refresh rate (VRR) status was inaccurately reported on the display settings page. Source


    Google upgrades anti-theft mechanisms in Android 16

    On January 27, Google’s Android security team published a post announcing the deployment of multiple “theft protection” mechanisms, elevating phone theft protection from simple device recovery to broader data and financial security.

    For devices running Android 16 and later, Google has significantly strengthened the “Identity Check” feature. Previously limited to untrusted locations, this update expands its coverage to all apps that invoke Android’s Biometric Prompt. Key tools such as third-party banking apps and Android password managers can now automatically receive system-level mandatory biometric verification protection, meaning that even if a thief knows the lock-screen passcode, they still cannot easily access sensitive data.

    Google has also adjusted its anti-guessing mechanism for screen unlocking. Users can now find a separate toggle called “Authentication Failure Lockout” in settings. When the system detects too many failed login attempts, it will automatically lock the device. The new mechanism not only extends the lockout time after repeated failures, but also introduces intelligent detection: if the system finds that the same incorrect passcode is entered repeatedly (for example, when a child accidentally taps the same spot multiple times), those attempts will no longer be counted.

    Finally, in terms of post-loss remediation, Google has optimized the “Remote Lock” tool available on Android 10 and later devices. When users lock their phone remotely via the web-based Find My Device service, they can choose to add an extra “security question or challenge” to verify that the operator is indeed the device owner. Source

  • SSPAI Morning Brief: OpenAI Introduces Prism, a New AI Platform for Scientific Research

    SSPAI Morning Brief: OpenAI Introduces Prism, a New AI Platform for Scientific Research

    Morning Brief

    1. Sennheiser releases CX 80U and HD 400U wired earphones
    2. Sonos releases multi-channel power amplifier Amp Multi
    3. Bigme unveils B10 color E Ink office notebook
    4. Three updates related to Google Gemini
    5. Yahoo launches AI Q&A search tool Yahoo Scout
    6. Alibaba releases Qwen3-Max-Thinking
    7. Anthropic launches interactive Claude app
    8. OpenAI releases scientific research AI collaboration space Prism
    9. Rumors You Can Just Glance At

    Sennheiser releases CX 80U and HD 400U wired earphones

    On January 26, Sennheiser officially unveiled the CX 80U wired in-ear earphones and the HD 400U wired over-ear headphones. As upgraded versions of the CX 80S and HD 400S, both new models replace the traditional 3.5 mm jack with a USB-C connector and feature a built-in digital converter that supports 24-bit/96 kHz lossless audio playback, along with an in-line remote equipped with an integrated MEMS microphone.

    The CX 80U uses a dynamic driver with an impedance of 28 Ω and a frequency response of 17 Hz–20 kHz, and comes with three sets of silicone ear tips in different sizes. The HD 400U features a 32 mm dynamic driver with an impedance of 18 Ω and a frequency response of 18 Hz–20 kHz, a foldable closed-back design, and includes a carrying pouch. Both products went on sale on January 26, 2026, with the CX 80U priced at USD 40 and the HD 400U at USD 100. Source


    Sonos releases multi-channel power amplifier Amp Multi

    On January 27, Sonos officially introduced its first professional-grade multi-channel streaming power amplifier, Amp Multi, designed specifically for large residential properties and complex custom installation scenarios. Amp Multi features a gallium nitride (GaN) power architecture and Class D post-filter feedback (PFFB) technology, delivering eight channels of 125 W (8 Ω) each in a compact 1.5U chassis, and can be configured as four independently controlled zones. Its hardware configuration includes a quad-core 1.9 GHz A55 processor, Wi-Fi 6, and dual Ethernet ports. It supports Apple AirPlay 2 and Spotify Connect, and each channel can drive up to three Sonos Architectural series speakers. Pricing has not yet been announced, and the product is expected to go on sale in the coming months through authorized installers. Source


    Bigme unveils B10 color E Ink office notebook

    On January 27, Bigme launched the 10.3-inch B10 4G color E-Ink office tablet on overseas platforms. The device is powered by a Dimensity 1080 processor and comes with 8 GB of RAM, 256 GB of storage, and Android 14. It supports 4G connectivity across major bands and is equipped with a 6,900 mAh battery, an eight-microphone array, a 4,096-level pressure-sensitive stylus, and fingerprint recognition. The B10 features a Kaleido 3 color E-Ink display with up to 30 FPS refresh rate and 36 levels of adjustable dual-tone (warm/cool) color temperature. It also includes both front and rear cameras, supporting document scanning, OCR text recognition, and video conferencing.

    The Bigme B10 adopts a design with eight customizable touch keys and comes with four built-in AI models, supporting features such as meeting speech-to-text transcription. An optional keyboard accessory is available. The B10 is priced at USD 699, with a pre-sale price of USD 594. Source


    Three updates related to Google Gemini

    On January 27, Google announced the introduction of Agentic Vision capabilities to the Gemini 3 Flash model. This feature aims to shift image understanding from static processing to a dynamic process based on a “Think, Act, Observe” loop. By combining visual reasoning with Python code execution tools, the model can autonomously perform actions such as zooming in to inspect details, rotating and cropping images, drawing bounding-box annotations, conducting visual math calculations, and generating charts. Technical tests show that with agentic vision enabled, Gemini 3 Flash achieves a 5–10% quality improvement across most visual benchmarks and partially mitigates hallucination issues in long-form visual tasks. The feature is now officially available via the Gemini API (including Google AI Studio and Vertex AI), where developers can enable Code Execution in the toolbar to use it. Source

    At the same time, Google also announced that Gemini 3 has been officially set as the default underlying model for its global “AI Overviews” feature, and that it has introduced a seamless “AI Mode” conversational experience. This allows users to ask follow-up questions directly below AI Overviews, turning search from one-way information display into contextual, streaming conversations. Google said that the model upgrade also improves reasoning quality for complex questions. The new AI Overviews and AI Mode conversation features are now available globally on both mobile and web search, with the basic service offered free to all users. Source

    Finally, Google announced that its entry-level AI subscription plan, Google AI Plus, has officially launched in 34 additional countries and regions worldwide, including the United States. Priced at USD 8 per month, the plan is aimed at everyday users and provides access to the Gemini 3 Pro model, Deep Research, and the Nano Banana Pro model. Subscribers also receive 200 GB of Google One storage and unlock AI filmmaking tool Flow, image-to-video tool Whisk, and advanced research features in NotebookLM (including support for up to 100 input sources and audio overviews). Notably, existing Google One Premium 2 TB members will automatically receive all AI Plus features, and new subscribers can enjoy a promotional price of USD 4 per month for the first two months. Source


    Yahoo launches AI Q&A search tool Yahoo Scout

    On January 27, Yahoo announced the launch of its AI-powered Q&A search feature, Yahoo Scout, which is supported by Anthropic’s Claude. The feature deeply integrates 50 billion user profiles and 18 trillion consumer behavior signals accumulated by Yahoo over the past three decades. It supports synthesizing information from across the web—including Yahoo’s own channels such as News, Finance, and Sports—using natural language, and presents the results in the form of structured tables, rich multimedia cards, and prominent blue source links. Each answer contains an average of up to nine cited sources. At the same time, the feature has been embedded across Yahoo’s entire product lineup, offering enhanced experiences such as email summaries, real-time financial market analysis, news comment trend extraction, and in-depth breakdowns of sports events.

    Yahoo Scout is currently available in beta in the United States, with access via a standalone web version as well as iOS and Android apps. The service remains free to use and is planned to be monetized through bottom-page advertising and affiliate commissions. Source


    Alibaba releases Qwen3-Max-Thinking

    On January 26, Alibaba released its flagship reasoning model Qwen3-Max-Thinking, with total parameters exceeding one trillion. The model underwent large-scale reinforcement learning post-training and has enhanced its native agent capabilities for autonomously calling tools across multiple key benchmarks, enabling on-demand use of search engines and code interpreters. It also supports test-time scaling techniques, significantly improving reasoning performance. On major reasoning benchmarks, it surpasses Gemini 3 Pro, while also substantially reducing model hallucinations.

    Qwen3-Max-Thinking is now available on Qwen Chat, and its corresponding API (model name: qwen3-max-2026-01-23) has been released via Alibaba Cloud. Source


    Anthropic launches interactive Claude app

    On January 26, Anthropic announced the launch of an interactive app for its Claude chatbot, allowing users to directly connect everyday workplace tools such as Slack, Canva, Figma, Box, and Clay within the chat interface. Salesforce integration will be added later. Claude can send Slack messages on users’ behalf, generate charts, or access cloud files within these services, depending on which app permissions are enabled.

    In a blog post, Anthropic said that tasks such as data analysis, content design, and project management are inherently better suited to dedicated visual interfaces. When combined with Claude’s intelligence, users can significantly improve efficiency in ideation, revision, and iteration. The new feature is currently available to Claude Pro, Max, Team, and Enterprise subscribers, and can be enabled and managed at claude.ai/directory. Source


    OpenAI releases scientific research AI collaboration space Prism

    On January 27, OpenAI officially unveiled Prism, an AI-native collaborative workspace designed specifically for scientific research, and simultaneously announced the acquisition of the cloud-based LaTeX platform Crixet as its underlying infrastructure. Prism deeply integrates the GPT-5.2 Thinking model, enabling AI to directly understand paper structures, formulas, and references within project environments. It supports automatically generating TikZ diagrams, retrieving and citing papers from arXiv, auto-formatting bibliographies, and converting handwritten formulas or sketches on whiteboards into LaTeX code. In addition, Prism offers real-time multi-user collaboration and can generate graduate-level course plans and accompanying exercises based on specific research topics.

    Prism is currently available for free to all users with a personal ChatGPT account, supporting the creation of unlimited projects and collaboration seats. It will also be rolled out soon to ChatGPT Business, Team, Enterprise, and Education plans. Source


    Rumors You Can Just Glance At

    • On January 28, Samsung began teasing a new privacy protection feature that will be introduced on Galaxy devices. The feature is designed to address the risk of “shoulder surfing” in public places through deep integration of hardware and software. It is said to adjust display visibility at the pixel level to selectively obscure password entry, specific app interfaces, and notification pop-ups, allowing only the person directly in front of the screen to clearly view certain content. Source
    • On January 26, Meta announced plans to begin testing premium subscription services for its three major apps—Instagram, Facebook, and WhatsApp—in the coming months. The subscription system aims to unlock more powerful productivity, creativity, and AI-enhanced features through paid plans, while keeping the core basic experience free. Source
    • According to reports from several media outlets and a settlement agreement recently submitted to a federal court in San Jose, Google has agreed to pay USD 68 million to settle a class-action lawsuit over illegal recordings made by its Google Assistant voice assistant. The case centers on Google Assistant’s “false accept” mechanism, in which devices are activated and capture sensitive user audio for human review or targeted advertising even without hearing the “OK Google” wake word. This is similar in nature to Apple’s previous settlement of USD 95 million over comparable issues with Siri. The settlement covers U.S. users who, since May 18, 2016, have had accounts associated with devices preinstalled with Google Assistant (including Pixel phones, Google Home smart speakers, and Nest Hub displays). Under the agreement, eligible device purchasers are expected to receive compensation of USD 18 to USD 56, while affected individuals living in environments with such devices may claim USD 2 to USD 10. Source
    • According to internal documents obtained by the New Mexico Attorney General’s Office, Meta CEO Mark Zuckerberg personally led and vetoed a decision to add parental control features to the company’s AI chatbots, instead pushing for looser safety restrictions. The allegations stem from a lawsuit filed by the state of New Mexico accusing Meta of failing to protect children from sexual harassment. A previous investigation by The Wall Street Journal had also pointed out risks that Meta’s AI bots could engage in sexually explicit conversations with minors or impersonate them. As a result, Meta suspended access to AI character features for teen accounts last week while developing relevant parental control tools. Source
    • On January 27, Google accidentally leaked screenshots of a desktop interface codenamed Aluminum OS (ALOS) on the Chromium bug tracker. The images came from an HP Elite Dragonfly Chromebook powered by a 12th-generation Intel Core processor, running system version ZL1A.260119.001.A1 based on Android 16. The screenshots show a desktop environment optimized for large-screen multitasking, featuring a taskbar, second-level time display, an M3E battery icon, a Gemini AI entry point, and a screen recording control panel. The bundled Chrome browser also supports desktop extensions. This further confirms earlier rumors that Google is testing a deeply integrated version of Android and ChromeOS on Chromebooks. Source
  • Adobe Brings Native Support to Windows on ARM PCs – SSPAI Morning Brief

    Adobe Brings Native Support to Windows on ARM PCs – SSPAI Morning Brief

    Morning Brief

    1. Adobe apps gain native support for Windows on ARM
    2. X faces EU investigation over pornographic deepfake content spread by Grok
    3. China’s National Press and Publication Administration releases game approval list for January 2026
    4. State Post Bureau deploys measures to ensure parcel delivery services during the 2026 Spring Festival travel season
    5. Apple releases new AirTag and other new products
    6. HMD unveils multiple new products including the HMD Watch X1 and P1
    7. Microsoft releases the Maia 200 AI accelerator chip
    8. Nintendo releases “Chatty Huahua”
    9. Rumors You Can Just Glance At

    Adobe apps gain native support for Windows on ARM

    Adobe has recently released version 26.0 updates for Premiere Pro, After Effects, Audition, and Media Encoder, officially adding native support for Windows on ARM. These apps can now run directly on Windows devices powered by Qualcomm’s Snapdragon X series ARM processors. The software requires at least Windows 11 (Build 26100.2033), a minimum of 16 GB of RAM, and Qualcomm Adreno GPU driver version 31.0.121.1 or later. Adobe also made it clear that older versions (25.x and earlier) were not designed or tested for Windows on ARM devices, and normal operation cannot be guaranteed.

    However, the native ARM versions still come with certain limitations. For example, Premiere Pro currently does not support Loudness Radar, Wraptor DCP export, GoPro CineForm import and export, or P2 Movie format export. After Effects lacks the Cinema 4D renderer and only supports third-party plugins that have been specifically compiled for Windows on ARM. Source


    X faces EU investigation over pornographic deepfake content spread by Grok

    In recent weeks, users on X in multiple countries have reported that Grok has generated pornographic deepfake content and that it has been circulated on the platform. Recently, the UK communications regulator has formally launched an investigation into whether X has violated the UK Online Safety Act. France and India have also followed by issuing formal accusations against X. As global criticism continues to escalate, the European Union has officially issued an investigation order. This probe covers all 27 EU member states and focuses on whether X has adequately assessed and mitigated the relevant risks in accordance with the Digital Services Act.

    The act sets strict regulatory red lines for harmful and illegal online content. If online platforms fail to properly address illegal content and disinformation, or otherwise breach the relevant rules, the EU may impose fines of up to 6% of their global annual revenue. Source


    China’s National Press and Publication Administration releases game approval list for January 2026

    On January 26, China’s National Press and Publication Administration officially released the Approval Information for Domestic Online Games for January 2026 and the Approval Information for Imported Online Games for January 2026. A total of 177 domestic games were approved, including titles such as Soul Land: Journey and I Am MT 5. Five imported games were approved, including Rainbow Six: Siege, Angry Birds: Classic Returns, and Gold Rush in the Secret Realm. Source 1, Source 2


    State Post Bureau deploys measures to ensure parcel delivery services during the 2026 Spring Festival travel season

    China’s State Post Bureau recently issued the Work Plan for Ensuring Delivery Services During the 2026 Spring Festival Travel Season (hereinafter referred to as the “Work Plan”), stressing the need to balance meeting public demand for parcel delivery with protecting the legitimate rights and interests of couriers, and to effectively ensure delivery services during the 2026 Spring Festival travel period. Postal and courier companies are required to focus on pre-holiday consumer demand for New Year goods, collect parcels in a timely manner, and provide delivery services as agreed. China Post Group is required to ensure the continuous provision of universal postal services. All courier companies are also instructed to scientifically forecast changes in business volume, reasonably formulate their holiday operating plans, announce their service hours and service areas to the public in advance, and strictly provide services in accordance with the published information to meet basic delivery needs during the Spring Festival holiday.

    At the same time, multiple courier companies have released service notices for the 2026 Spring Festival period. Announcements from companies including SF Express, JD Logistics, and Deppon indicate that they will continue to guarantee delivery services during the holiday, while charging a peak-season resource adjustment fee to cope with increased demand for resource allocation. Source


    Apple releases new AirTag and other new products

    On January 26, Apple introduced a new AirTag, with pricing unchanged at RMB 249 for a single unit and RMB 849 for a four-pack. The new AirTag is equipped with the same second-generation ultra-wideband chip found in devices such as the iPhone 17, making it easier to locate and extending the tracking range by up to 50% compared with the previous generation. The upgraded Bluetooth chip also allows users, for the first time, to use Precision Finding to locate AirTag via Apple Watch Series 9 and later models, as well as Apple Watch Ultra 2 and later models. The built-in speaker is also 50% louder than before. The new AirTag seamlessly integrates the item location sharing feature, allowing users to temporarily and securely share the location of lost items with trusted third parties. Apple has partnered directly with more than 50 airlines so that, through this feature, users can share the location of their misplaced items with participating airlines’ customer service teams to help recover delayed or lost luggage. Source

    On January 26, Apple also released a new Apple Watch Unity Connection braided solo loop band to commemorate Black History Month and celebrate the power of connection. The band will be available in Apple Store retail locations later this week, priced at RMB 779. Source


    HMD unveils multiple new products including the HMD Watch X1 and P1

    HMD has unveiled two new smartwatches, the Watch X1 and Watch P1. The Watch X1 features a 1.43-inch AMOLED display with a peak brightness of 600 nits and a resolution of 466 × 466. It supports always-on display (AOD) and has an IP68 rating for dust and water resistance, with battery life of up to five days with AOD enabled. The Watch P1 comes with a 1.83-inch LCD screen with a peak brightness of 550 nits and a resolution of 240 × 284, an IP67 dust and water resistance rating, and battery life of up to four days. Both run on HMD’s proprietary RTOS and can be managed via the HMD Watch app. In addition, HMD also released six new TWS earbuds: the HMD Dub X50 Pro, Dub X50, Dub S60, Dub P70, Dub P60, and Dub P50. Source

    HMD Watch X1

    Microsoft releases the Maia 200 AI accelerator chip

    On January 26, Microsoft unveiled the Maia 200 chip. Built on TSMC’s 3nm process, the Maia 200 features native FP8/FP4 tensor cores, a 216 GB HBM3e memory system with 7 TB/s of bandwidth, and 272 MB of on-chip SRAM. Microsoft described the Maia 200 as a breakthrough inference accelerator that is 30% faster than its predecessor, the Maia 100. The chip has already been deployed in Microsoft’s U.S. Central data center and its U.S. West 3 data center. Source


    Nintendo releases “Chatty Huahua”

    Last week, Nintendo announced its new accessory, the “Talking Flower,” on its official website and YouTube channel. The accessory is designed after a classic NPC from the Super Mario series. Compact in size, the Talking Flower is suitable as a decorative item for the home or desktop. When left alone, it will occasionally “talk to itself,” roughly twice per hour. Users can also interact with it by pressing the button in front of the flower, with each press delivering a different surprise. The Talking Flower is currently known to support 10 languages, including Chinese, English, Japanese, and Korean, with the option to switch between them. It is scheduled to go on sale on March 12 this year, priced at 4,500 yen. Source


    Rumors You Can Just Glance At

    • Yesterday, Jia Yueting posted on Weibo claiming that FF’s EAI robot has officially completed U.S. regulatory certification for its first product and is about to begin sales. He also said that regulatory certification for other first-batch products is progressing rapidly and is expected to be completed soon, aiming to achieve a strategy of “launch and sell immediately, sell and deliver immediately,” with deliveries starting in the same month as release. Source
    • Recently, Tencent held its 2025 annual employee meeting. At the meeting, Pony Ma said that Tencent is cautiously evaluating AI integration within the WeChat ecosystem, as an “all-in-one AI suite” may not be favored by everyone. In the future, Tencent will continue to adhere to a decentralized approach, planning WeChat’s intelligent ecosystem in a way that balances user needs and privacy protection. Source
    • According to overseas reports, Google will redesign the UI and interactions of Android 17 based on Material 3 Expressive. The most noticeable change will be a significant increase in blur effects. While this differs somewhat from Apple’s “Liquid Glass” style, Google’s blur treatment appears more restrained and lightweight. Whether this redesign will be limited to system settings or rolled out more broadly across apps remains to be seen. Source
    • According to a report by Jiemian News on January 26, Tencent’s AI assistant “Yuanbao” has begun internal testing of a new feature called “Yuanbao Party.” Positioned as a multi-user social space, the feature allows users to create or join “parties” for AI-assisted chatting, screen sharing, collaborative movie watching, music listening, and other interactive activities. It is built on Tencent Meeting’s audio and video capabilities and integrates sharing links with WeChat and QQ, supporting one-tap invitations for friends to join. Unlike traditional single-user chatbots, Tencent is attempting to increase the stickiness of its AI tools through social connections. In “Yuanbao Party,” AI can act as a social facilitator or productivity tool, for example by livening up group chats or managing schedules and tasks. Source
    • On January 26, Blizzard Entertainment released a 35th anniversary video and announced that it will make “major game announcements” for four titles on January 29, February 4, February 9, and February 11, respectively: World of Warcraft, Overwatch, Hearthstone, and Diablo. Source
    • Microsoft’s Windows 11 update released in January 2026 triggered a series of bugs, including issues such as inability to shut down, corrupted apps, and apps freezing. Microsoft subsequently released multiple emergency patches, including KB5078127 and KB50781432. However, the latest reports indicate that these patches have caused some users to encounter the “UNMOUNTABLE_BOOT_VOLUME” error, preventing their systems from booting. Microsoft is aware of the issue and has advised affected users to perform manual recovery. Source